— Audre Lorde writer and activist 1934 - 1992
„He is the One who stands above us and also above our highest and deepest feelings, strivings, intuitions, above the products, even the most sublime, of the human spirit.“
— Karl Barth Swiss Protestant theologian 1886 - 1968
Context: He is the One who stands above us and also above our highest and deepest feelings, strivings, intuitions, above the products, even the most sublime, of the human spirit. God in the highest means first of all … He who is in no way established in us, in no way corresponds to a human disposition and possibility, but who is in every sense established simply in Himself and is real in that way; and who is manifest and made manifest to us men, not because of our seeking and finding, feeling and thinking, but again and again, only through Himself. It is this God in the highest who has turned as such to man, given Himself to man, made Himself knowable to him … God in the highest, in the sense of the Christian Confession, means He who from on high has condescended to us, has come to us, has become ours.<!-- p. 37 This is paraphrased in "Karl Barth's Conception of God" (1952) http://mlk-kpp01.stanford.edu/primarydocuments/Vol2/520102BarthsConceptionOfGod.pdf by Martin Luther King, Jr.: God is the one who stands above our highest and deepest feelings, strivings and intuitions.
„The mention of Greece fills the mind with the most exalted sentiments and arouses in our bosoms the best feelings of which our nature is capable.“
— James Monroe American politician, 5th President of the United States (in office from 1817 to 1825) 1758 - 1831
Message to Congress (December 1822)
„The truly beautiful, the great and sublime, when it overpowers us with astonishment and admiration, still does not surprise us as a thing foreign, never heard of, never seen; but, on the other hand, our own inmost nature in such moments becomes clear to us, our deepest remembrances are awakened, our dearest feelings made alive.“
— Ludwig Tieck German poet, translator, editor, novelist, and critic 1773 - 1853
"Der Pokal", from Phantasus (1812-16) http://ftp.gwdg.de/pub/misc/gutenberg-de/1996/gutenb/tieck/pokal/pokal2.htm;translation from Thomas Carlyle German Romance: Specimens of its Chief Authors, (London: Tait, 1827), vol. 2, p. 163.
„Rather than protecting music as a sublimely meaningless activity that has managed to escape social signification, I insist on treating it as a medium that participates in social formation by influencing the ways we perceive our feelings, our bodies, our desires, our very subjectivities - even if it does so surreptitiously, without most of us knowning how. It is too important a cultural force to be shrouded by mystified notions of Romantic transcendence.“
— Susan McClary American musicologist 1946
"Constructions of Subjectivity in Schubert's Music", Queering the Pitch: The New Gay and Lesbian Musicology (1994),
„Most truth's are so naked that people feel sorry for them and cover them up, at least a little bit.“
— Edward R. Murrow Television journalist 1908 - 1965
— Stephen R. Covey, The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change
„“Government affairs are a bit beyond our experience,” said Jean.
“Nonsense. You’ll feel right at home. What is government but theft by consent? You’ll be moving in a society of kindred spirits.”“
— Scott Lynch American writer 1978
Chapter 2 “The Business” section 2 (p. 105)
— Stephen Colbert American political satirist, writer, comedian, television host, and actor 1964
Context: I have tender feelings for Nixon, because everybody has warm feelings about their childhood. Actually, I didn't like the Watergate trials 'cause they interrupted The Munsters... Nixon was the last liberal president. He supported women's rights, the environment, ending the draft, youth involvement, and now he's the boogeyman? Kerry couldn't even run on that today. Rolling Stone interview http://www.rollingstone.com/movies/news/americas-anchors-20061116?page=3 (31 October 2006)
— Pierre Corneille French tragedian 1606 - 1684
Cornélie, act V, scene ii.