David Foster Wallace: Frases en inglés

David Foster Wallace era Escritor estadounidense. Frases en inglés.
David Foster Wallace: 240 citas17 Me gusta

“Tax Law is like the world's biggest chess game with all sorts of weird conundrums about ethics and civics and consent of the governed built in. For me, it's a bit like math. I have no talent for it but find it still erotically interesting.”

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David Foster Wallace

Every Love Story Is a Ghost Story: A Life of David Foster Wallace (2012)

“How long has it been since you did Absolutely Nothing? I know exactly how long it's been for me. I know how long it's been since I had every need met choicelessly from someplace outside me, without my having to ask or even acknowledge that I needed. And that time I was floating, too, and the fluid was salty, and warm but not too-, and if I was conscious at all I'm sure I felt dreadless, and was having a really good time, and would have sent postcards to everyone wishing they were here.”

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David Foster Wallace libro Algo supuestamente divertido que nunca volveré a hacer

A Supposedly Fun Thing I'll Never Do Again
Essays

“Molly Notkin often confides on the phone to Joelle van Dyne about the one tormented love of Notkin's life thus far, an erotically circumscribed G. W. Pabst scholar at New York University tortured by the neurotic conviction that there are only a finite number of erections possible in the world at any one time and that his tumescence means e. g. the detumescence of some perhaps more deserving or tortured Third World sorghum farmer or something, so that whenever he tumifies he'll suffer the same order of guilt that your less eccentrically tortured Ph. D.-type person will suffer at the idea of, say, wearing baby-seal fur. Molly still takes the high-speed rail down to visit him every couple of weeks, to be there for him in case by some selfish mischance he happens to harden, prompting black waves of self-disgust and an extreme neediness for understanding and nonjudgmental love.”

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David Foster Wallace libro La broma infinita

Infinite Jest (1996)

“You know what your problem is, Hallie?' 'I have just one problem?”

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David Foster Wallace libro La broma infinita

Infinite Jest (1996)

“Can the decision to be less selfish ever be anything other than a selfish decision?”

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David Foster Wallace

Consider The Lobster
Essays

“And make no mistake: irony tyrannizes us. The reason why our pervasive cultural irony is at once so powerful and so unsatisfying is that an ironist is impossible to pin down. All U. S. irony is based on an implicit "I don’t really mean what I’m saying." So what does irony as a cultural norm mean to say? That it’s impossible to mean what you say? That maybe it’s too bad it’s impossible, but wake up and smell the coffee already? Most likely, I think, today’s irony ends up saying: "How totally banal of you to ask what I really mean."”

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David Foster Wallace

E Unibus Pluram: Television and U.S. Fiction
Essays

“Not unlike urban gangs, police, carnival workers and certain other culturally marginalized guilds, the US porn industry is occluded and insular in a way that makes it seem like high school.”

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David Foster Wallace libro Consider the Lobster

Big Red Son
Consider the Lobster (2007)

“Betraying her class and origin with the heartbreaking openness Joelle's always viewed as either terribly stupid or terribly brave”

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David Foster Wallace libro La broma infinita

Infinite Jest (1996)

“Almost anyone who loves tennis and follows the men's tour on television has, over the last few years, had what might be termed Federer moments. These are times, watching the young Swiss at play, when the jaw drops and eyes protrude and sounds are made that bring spouses in from other rooms to see if you're OK”

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David Foster Wallace

Federer Both Flesh and Not
Essays

“A large percentage of bright young men and women locate the impetus behind their career choice in the belief that they are fundamentally different from the common run of man, unique and in certain crucial ways superior, more as it were central, meaningful—what else could explain the fact that they themselves have been at the exact center of all they've experienced for the whole 20 years of their conscious lives?—and that they can and will make a difference in their chosen field simply by the fact of their unique and central presence to it…”

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David Foster Wallace

"Mister Squishy", Oblivion: Stories
Short stories

“So then how have irony, irreverence, and rebellion come to be not liberating but enfeebling in the culture today’s avant-garde tried to write about? One clue’s to be found in the fact that irony is still around, bigger than ever after 30 long years as the dominant mode of hip expression. It’s not a rhetorical mode that wears well. As [Lewis] Hyde… puts it, "Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy the cage." This is because irony, entertaining as it is, serves an almost exclusively negative function. It’s critical and destructive, a ground-clearing. Surely this is the way our postmodern fathers saw it. But irony’s singularly unuseful when it comes to constructing anything to replace the hypocrisies it debunks. This is why Hyde seems right about persistent irony being tiresome. It is unmeaty. Even gifted ironists work best in sound bites. I find gifted ironists sort of wickedly funny to listen to at parties, but I always walk away feeling like I’ve had several radical surgical procedures. And as for actually driving cross-country with a gifted ironist, or sitting through a 300-page novel full of nothing by trendy sardonic exhaustion, one ends up feeling not only empty but somehow… oppressed.”

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David Foster Wallace

E Unibus Pluram: Television and U.S. Fiction
Essays

“Severity is in the eye of the sufferer, it says. Pain is pain.”

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David Foster Wallace libro La broma infinita

Infinite Jest (1996)

“The so-called ‘psychotically depressed’ person who tries to kill herself doesn't do so out of quote ‘hopelessness’ or any abstract conviction that life's assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i. e. the fear of falling remains a constant. The variable here is the other terror, the fire's flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It's not desiring the fall; it's terror of the flames. Yet nobody down on the sidewalk, looking up and yelling ‘Don‘t!’ and ‘Hang on!’, can understand the jump. Not really. You'd have to have personally been trapped and felt flames to really understand a terror way beyond falling.”

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David Foster Wallace libro La broma infinita

Infinite Jest (1996)

“There is something inescapably bovine about an American tourist in motion as part of a group. A certain greedy placidity about them. Us, rather. In port we automatically become Peregrinator americanusy Die Lumpenamerikaner.”

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David Foster Wallace libro Algo supuestamente divertido que nunca volveré a hacer

The Ugly Ones.
A Supposedly Fun Thing I'll Never Do Again
Essays

“A Democratic Spirit is one that combines rigor and humility, i. e., passionate conviction plus sedulous respect for the convictions of others. As any American knows, this is a very difficult spirit to cultivate and maintain, particularly when it comes to issues you feel strongly about. Equally tough is a D. S.'s criterion of 100 percent intellectual integrity--you have to be willing to look honestly at yourself and your motives for believing what you believe, and do it more or less continually.”

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David Foster Wallace

"Tense Present: Democracy, English, and the Wars over Usage." Harper's Magazine, April 2001.
Essays

“An ad that pretends to be art is — at absolute best — like somebody who smiles warmly at you only because he wants something from you. This is dishonest, but what's sinister is the cumulative effect that such dishonesty has on us: since it offers a perfect facsimile or simulacrum of goodwill without goodwill's real spirit, it messes with our heads and eventually starts upping our defenses even in cases of genuine smiles and real art and true goodwill. It makes us feel confused and lonely and impotent and angry and scared. It causes despair.”

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David Foster Wallace libro Algo supuestamente divertido que nunca volveré a hacer

A Supposedly Fun Thing I'll Never Do Again
Essays

“After a few weeks of this she'd spend a whole day weeping, beating at herself as if on fire.”

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David Foster Wallace libro La broma infinita

Infinite Jest (1996)

“Then Thursday Coyle had his left wrist tied to his right ankle and was still beating this new kid Stockhausen until Schtitt sent Tex Watson down to tell him to knock it off.”

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David Foster Wallace libro La broma infinita

Infinite Jest (1996)

“In some respects all this variety is probably good, productive of difference and dialogue and so on. But it can also be confusing and stressful for the average citizen. Short of signing on to a particular mass ideology and patronizing only those partisan news sources that ratify what you want to believe, it is increasingly hard to determine which sources to pay attention to and how exactly to distinguish real information from spin.”

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David Foster Wallace

"Host: Deep into the mercenary world of take-no-prisoners political talk radio." The Atlantic, April 2005.
Essays

“More than any other mass medium, radio enjoys a captive audience—if only because so many of the listeners are driving—but in a major market there are dozens of AM stations to listen to, plus of course FM and satellite radio, and even a very seductive and successful station rarely gets more than a five or six percent audience share.”

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David Foster Wallace

"Host: Deep into the mercenary world of take-no-prisoners political talk radio." The Atlantic, April 2005.
Essays