Frases de Grant Morrison

Grant Morrison es un guionista de cómics escocés, conocido por su narrativa no lineal y sus inclinaciones a tratar temáticas contraculturales en sus obras. Comenzó su carrera profesional trabajando para publicaciones destinadas a Reino Unido para, de forma progresiva en los primeros años de la década del noventa, pasar a centrar su trabajo en Estados Unidos.

Es conocido por tomar el control de personajes clásicos, reinterpretándolos y relanzándolos con éxito . Suele compaginar trabajos personales y destinados a un público minoritario, generalmente para el sello editorial Vertigo, con trabajos para personajes famosos e icónicos para grandes editoriales, como Arkham Asylum para Batman, una de sus obras más aclamadas.

Gran parte de la fama que Morrison ha alcanzado ha sido gracias a los temas contraculturales tratados en sus obras como las drogas, la imaginación, la metaficción, la fantasía, el sexo, la violencia, y un largo etcétera. Muy influenciado por obras de medios muy diversos, que abarcan desde la literatura de Thomas Pynchon a la plástica de Andy Warhol, pasando por las reflexiones sobre los alucinógenos de Terence McKenna o el vudú de Michael Bertiaux.

En otros campos, ha sido premiado por sus obras de teatro, ha realizado varios guiones de cine, como Sleepless Knights y el de la adaptación de una de sus obras, We3. Además, ha realizado el guion de varios videojuegos como Área 51, Predator: Concrete Jungle y Battlestar Galactica. Wikipedia  

✵ 31. enero 1960
Grant Morrison Foto
Grant Morrison: 48   frases 0   Me gusta

Frases célebres de Grant Morrison

“El apocalipsis queda anulado. Hasta que yo lo diga.”

Batman and Son

Esta traducción está esperando su revisión. ¿Es correcto?

Grant Morrison: Frases en inglés

“The real world is filled with ghost stories, non sequiturs, inexplicable mysteries, dead ends and absurdities”

On life
Contexto: Otherwise, I know I’m often wasting my breath and electronic ink saying this, but the “real-world” is a pretty weird place where lots of inexplicable things happen all the time, and I like to catch the flavor of that too. It just seems more modern and authentic to me as a storyteller. The “real world” doesn’t come with the neat three-act structures and resolutions we love to impose on it, and if repeated doses of movie and TV-storytelling have convinced anyone that it does, it‘s time to get out and about a bit. The real world is filled with ghost stories, non sequiturs, inexplicable mysteries, dead ends and absurdities, and I think it’s cool to season our comfortable fictions with at least a little taste of what actual reality is like. http://www.newsarama.com/comics/060904-Grant-Batman.html

“Everyone does magic all the time in different ways. "Life" plus "significance" = magic.”

Popimage interview https://web.archive.org/web/20040803001942/http://www.popimage.com/content/grant20044.html
On magic
Contexto: All the comics are sigils. "Sigil" as a word is out of date. All this magic stuff needs new terminology because it's not what people are being told it is at all. It's not all this wearying symbolic misdirection that's being dragged up from the Victorian Age, when no-one was allowed to talk plainly and everything was in coy poetic code. The world's at a crisis point and it's time to stop bullshitting around with Qabalah and Thelema and Chaos and Information and all the rest of the metaphoric smoke and mirrors designed to make the rubes think magicians are "special" people with special powers. It's not like that. Everyone does magic all the time in different ways. "Life" plus "significance" = magic.

“All this magic stuff needs new terminology because it's not what people are being told it is at all.”

Popimage interview https://web.archive.org/web/20040803001942/http://www.popimage.com/content/grant20044.html
On magic
Contexto: All the comics are sigils. "Sigil" as a word is out of date. All this magic stuff needs new terminology because it's not what people are being told it is at all. It's not all this wearying symbolic misdirection that's being dragged up from the Victorian Age, when no-one was allowed to talk plainly and everything was in coy poetic code. The world's at a crisis point and it's time to stop bullshitting around with Qabalah and Thelema and Chaos and Information and all the rest of the metaphoric smoke and mirrors designed to make the rubes think magicians are "special" people with special powers. It's not like that. Everyone does magic all the time in different ways. "Life" plus "significance" = magic.

“Sometimes it’s only madness that makes us what we are.”

Fuente: Batman: Arkham Asylum - A Serious House on Serious Earth

“I run blindly through the madhouse… And I cannot even pray… For I have no God.”

Fuente: Batman: Arkham Asylum - A Serious House on Serious Earth

“I just wanted all the wars to be over so that we could spend the money on starships and Mars colonies.”

Fuente: Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

“Then I reminded myself that all intelligent children suffer bad dreams.”

Fuente: Batman: Arkham Asylum - A Serious House on Serious Earth

“It's salt. Why don't you sprinkle some on me, honey? Aren't I just good enough to eat?”

Fuente: Batman: Arkham Asylum - A Serious House on Serious Earth

“The interior of our skulls contains a portal to infinity.”

Fuente: Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

“There's a palace in your head, boy. Learn to live in it always.”

Fuente: The Invisibles, Vol. 1: Say You Want a Revolution

“The only thing that made me, or any of us, special was that no one in the whole of history would ever see the universe exactly the same way any other of us saw it.”

Fuente: Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

“Sometimes you wonder, in an interconnected universe, who's dreaming who?”

Fuente: Animal Man, Vol. 2: Origin of the Species

“I use media exposure as a means of playing with multiple personalities. Each interview is a different me and they're all untrustworthy”

2000
http://web.archive.org/web/20010215211642/http://www.bbc.co.uk/edfest/chat/post_chat.shtml
On himself