Frases de John Updike

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“Estamos más vivos cuando estamos enamorados.”

“Las malas hierbas no saben que son malas hierbas.”

“Ese es el problema de preocuparse por alguien, comienza a sentirse sobreprotector. Entonces comienzas a sentirte abarrotado.”

“La cultura brasileña refleja más la africana que la americana. En los EE. UU. tenemos el jazz y casi que sólo eso. No existen personajes como Machado de Assis, un mulato considerado uno de los más grandes escritores del país.”

“Cuatro años de Harvard fueron suficientes. Todavía tengo mucho que aprender, pero se me ha dado la noción liberadora de que ahora puedo enseñarme a mí mismo.”

“El sexo es como el dinero, sólo 'demasiado' es suficiente.”

“Le da la sensación de estar rodeado de libertad, de oxígeno. Tothero es como un remolino de aire, y el edificio en el que se encuentra, las calles del pueblo, no son más que escaleras y pasadizos del espacio. Es tan perfecta y coherente la libertad en que se ha convertido el desorden del mundo gracias al simple estallido de su decisión, que todos los caminos parecen buenos, todos los movimientos serán caricias para su piel, y ni un solo átomo de su felicidad se alteraría si Tothero le dijera que en lugar de ir a una cita con dos chicas iban a reunirse con dos machos cabríos, o que no iban a Brewer sino al Tíbet".”

“Hay una cristalización que continúa en un poema que el joven puede sacar, pero que el hombre de mediana edad no puede.”

“... "Esa enfermedad que tiene hace un trabajo horrible en ti. Tus pulmones se llenan".”

“Eres cínico”

“No sabes lo que no sabes.”

“El uno mismo esencial es inocente, y cuando prueba su propia inocencia sabe que vive para siempre.”

“Su voz es apresurada, para mantenerse al día con su cerebro.”

“Ser capaz de escribir se convierte en una especie de escudo, una forma de esconderse, una forma de transformar demasiado instantáneamente el dolor en miel.”

“El olor a buen consejo siempre hace que Rabbit quiera correr hacia el otro lado.”

“Ahora que tengo sesenta años, veo por qué la idea de la sabiduría de los ancianos ha pasado de la moneda.”

“[eres una mujer en la televisión en la rueda de la fortuna] Ella te enorgullece de ser un mamífero de dos patas.”

“Los automóviles solían tener formas tan elegantes, como los aviones, cuando el combustible era barato, veinticinco centavos por galón.”

“La celebridad es una máscara que se come en la cara.”

“[en el hospital, Janice hablando con el Dr. Olman en presencia de Harry en la sala] "¿Qué le pasa exactamente a su corazón?"”

“Zeus had loved his old friend, and lifted him up, and set him among the stars as the constellation Sagittarius. Here, in the Zodiac, now above, now below the horizon, he assists in the regulation of our destinies, though in this latter time few living mortals cast their eyes respectfully toward Heaven, and fewer still sit as students to the stars.”

“Family occasions have always given Janice some pain, assembling like a grim jury these people to whom we owe something, first our parents and elders and then our children and their children. One of the things she and Harry secretly had in common, beneath all their troubles, was dislike of all that, these expected ceremonies.”

“Vagueness and procrastination are ever a comfort to the frail in spirit.”

“But the fast lane too gets to be a rut.”

“Things change," says Mr Shimada. "Is world's sad secret.”

“Look, Nelson. Maybe I haven't done everything right in my life. I know I haven't. But I haven't committed the greatest sin. I haven't laid down and died."
"Who says that's the greatest sin?”

“When I write, I aim in my mind not toward New York but toward a vague spot a little to the east of Kansas.”

“We take our bearings, daily, from others. To be sane is, to a great extent, to be sociable.”

“He had a sensation of anxiety and shame, a sensitivity acute beyond usefulness, as if the nervous system, flayed of its old hide of social usage, must record every touch of pain.”

“[A grandchild barely able to remember Harry's own mother] But can Ma be no more than that in this child's memory? Do we dwindle so fast to next to nothing?”

“I would especially like to recourt the Muse of poetry, who ran off with the mailman four years ago, and drops me only a scribbled postcard from time to time.”

“There had been a lot of death in the newspapers lately. […] and then before Christmas that Pan Am Flight 103 ripping open like a rotten melon five miles above Scotland and dropping all these bodies and flaming wreckage all over the golf course and the streets of this little town like Glockamorra, what was its real name, Lockerbie. Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bringing the clinking drinks caddy and the feeling of having caught the plane and nothing to do now but relax and then with a roar and a giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurised hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them. […] Those bodies with hearts pumping tumbling down in the dark. How much did they know as they fell, through air dense like tepid water, tepid gray like this terminal where people blow through like dust in an air duct, to the airline we're all just numbers on the computer, one more or less, who cares? A blip on the screen, then no blip on the screen. Those bodies tumbling down like wet melon seeds.”

“Driving is boring," Rabbit pontificates, "but it's what we do. Most of American life is driving somewhere and then driving back wondering why the hell you went.”

“Rabbit feels as if the human race is a vast colourful jostling bristling parade in which he is limping and falling behind.”

“[Annabelle] "…health care is an expanding field, as the world fills up with people that would have been dead a hundred years ago. Everybody winds up needing care, pretty much."”

“There's more to being a human being than having your own way.”

“Each set of woes can be left behind in a folder in a drawer at the end of the day. Whereas in the outside world there is no end of obligation, no protection from the needs and grief of others.”

“…the Japanese interest him professionally. How do they and the Germans do it, when America's going down the tubes?”

“[Dr Breit] "It's irrational, but so's the human species."”

“There was a beauty here, refined from country pastures, a game of solitariness, of waiting, waiting for the pitcher to complete his gaze toward first base and throw his lightning, a game whose very taste, of spit and dust and grass and sweat and leather and sun, was America.”

“To say that war is madness is like saying that sex is madness: true enough, from the standpoint of a stateless eunuch, but merely a provocative epigram for those who must make their arrangements in the world as given.”

“Religion enables us to ignore nothingness and get on with the jobs of life.”

“[Mim, to Nelson, about Annabelle] "She's letting herself go. You can't afford in life to do that if you're gonna contend."”

“Charlie interrupts impatiently, "Pain is where it's at for punks. Mutilation, self-hatred, slam dancing. For these kids today, ugly is beautiful. That's their way of saying what a lousy world we're giving them. No more rain forests. Toxic waste. You know the drill."”

“Something about being helpless in bed, people hit you up for sympathy. They've got you where they want you.”

“[Nelson, re watching TV] He watches until he feels his intelligence being too rudely insulted or his patience being too arrogantly tested by the commercials…”

“You are cynical.”

“I feared his visit. I was twenty-four, and the religious revival within myself was at its height. Earlier that summer, I had discovered Kierkegaard, and each week I brought back to the apartment one more of the Princeton University Press’s elegant and expensive editions of his works. They were beautiful books, sometimes very thick, sometimes very thin, always typographically exhilarating, with their welter of title pages, subheads, epigraphs, emphatic italics, italicized catchwords taken from German philosophy and too subtle for translation, translator’s prefaces and footnotes, and Kierkegaard’s own endless footnotes, blanketing pages at a time as, crippled, agonized by distinctions, he scribbled on and on, heaping irony on irony, curse on curse, gnashing, sneering, praising Jehovah in the privacy of his empty home in Copenhagen. The demons with which he wrestled—Hegel and his avatars—were unknown to me, so Kierkegaard at his desk seemed to me to be writhing in the clutches of phantoms, slapping at silent mosquitoes, twisting furiously to confront presences that were not there.”

“Man is an animal, but a social animal. Society for its manifold blessings asks in exchange sacrifice and compromise. Concession is the world's walking gait. Fevers and hallucinations sweep over us, it is true; but be they permitted to infect the public body, slaughter shall result. Government is either organized benevolence or organized madness; its peculiar magnitude permits no shading.”