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Frases de Lila Downs

Anna Lila Downs Sánchez, conocida como Lila Downs ,[4]​ es una cantante, compositora, productora, actriz y antropóloga[5]​ mexicana. Además de cantar en español e inglés, también interpreta melodías en diversos idiomas nativos de su país, como mixteco y zapoteco, así como maya, purépecha y náhuatl. Reivindica sus raíces mexicanas y de los pueblos originarios, además de la música regional de Oaxaca.

Inició su carrera musical a finales de la década de 1980 como vocalista de un grupo local de percusión llamado Los Cadetes de Yodoyuxi. En 1990 se integró a la banda La Trova Serrana, con la que consiguió distinguirse entre el público latino de Estados Unidos y de la que se separó en 1992. En ese mismo año viajó a Los Ángeles para prepararse como solista. En 1994, regresó a México y lanzó su primer álbum como solista titulado Ofrenda, grabado de forma independiente, al que siguieron Azuláo: En vivo con Lila Downs en 1996 y Trazos en 1998, los cuales no obtuvieron mayores éxitos de ventas. Pero en 1999 firmó un contrato con la discográfica Narada, con la cual lanzó cinco álbumes de estudio y vendió alrededor de 1,5 millones de discos.[6]​ El más conocido de esos discos es La Sandunga. En 2007 firmó un contrato con EMI Music; bajo este sello lanzó tres álbumes y finalmente en 2011 firmó con Sony Music, disquera con la que actualmente graba.

Downs adquirió fama tras el lanzamiento de su álbum La Sandunga en 1999, el cual logró éxito comercial y una recepción crítica positiva. Su disco de 2000 Árbol de la Vida/Tree of Life fue también muy exitoso pero el éxito internacional definitivo lo alcanzó en 2001 con La Línea/Border. Ha sido ganadora en una ocasión del Premio Grammy en 2013 por su disco Pecados y Milagros y ha quedado nominada dos veces por sus álbumes Ojo de Culebra en 2009 y Raíz en 2015.[7]​ También ha sido ganadora de cinco premios Grammy Latino por los álbumes Una Sangre en 2005, Pecados y Milagros en 2012, Raíz en 2014, Balas y chocolate en 2015,[8]​[9]​ y Salón, lágrimas y deseo en 2017.[10]​

Inspirada en cantantes legendarias de música ranchera como Lucha Reyes, Lola Beltrán y Flor Silvestre,[11]​[12]​ así como artistas de música folklórica como Amparo Ochoa y Mercedes Sosa, Downs es conocida por su especial sentido estético. También ha dado de qué hablar su peculiar estilo de vestir, en el que combina trajes regionales de México con estilos modernos y alternativos. También ha ganado notoriedad con sus presentaciones en vivo y sus videos musicales, en los que siempre se presenta con un estilo original. Ha obtenido numerosos reconocimientos.[13]​[14]​

Sus mayores éxitos incluyen temas como «La sandunga», «Canción mixteca», «El venadito», «La llorona», «La cumbia del mole», «Palomo del comalito », «Pecadora», «Mezcalito» y «Zapata se queda».

En su trayectoria como actriz, ha participado en tres películas y dos documentales.[15]​[16]​ Es considerada una de las artistas femeninas más influyentes de México, por la revista Forbes.[17]​[18]​ Wikipedia  

✵ 9. septiembre 1968
Lila Downs Foto
Lila Downs: 12   frases 0   Me gusta

Lila Downs: Frases en inglés

“I think that I have influenced several generations of performers in Mexico. I’m proud of that because it isn’t easy in these scenes. But then it is easy because it’s what you love to do, and it’s your passion. Even in your down times, you are always accompanied by your music.”

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Lila Downs

On being a folk musician in “Lila Downs Explores Mexican Heritage Through the Pepper in New LP, ‘Al Chile’” https://www.rollingstone.com/music/music-latin/lila-downs-new-lp-al-chile-interview-841209/ in Rolling Stone (29 May 2019)
Music and culture

“The sin is about our notion of what is right and what is wrong, and how we bend the truth based on we want and I think. In Catholicism, we tend to do this a lot, and I think it’s very interesting and very beautiful yet very disturbing at the same time. A miracle is about believing and having faith. I think that it these times, and in Mexico, we have been to the point where we have been loosing [sic] faith. It’s really important for me to remind myself that I must continue on having faith, in my people, in my nation, in the woman, and in all the beautiful things that my country represents.”

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Lila Downs

On the notion of faith and how it might apply to Mexico and its peoples in “Q&A: Lila Downs, A Sin and A Miracle” https://remezcla.com/music/lila-downs-sin-miracle-pecados-milagros-interview/ in Remezcla (c. 2011)
Heritage and indigenous peoples

“…I remember as a child holding these long notes, so there’s something that’s already there. But I do think it’s a constant question of knowing and taking care of yourself. It doesn’t necessarily mean you can’t have a tequila or a mezcal once in a while…In my case, it’s very important to have it because through that you express the emotion you have from within. Sometimes that gives you some more secrets about how to handle your instruments.”

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Lila Downs

On her vocal style in “Lila Downs Reminds Us of the Strength Women Bring to Latin America and its History” https://sheshredsmag.com/lila-downs-14/ in She Shreds (2018 May 3)
Music and culture

“I thought it was a very important to remind us that we have all been migrants and to give credit to the people who are putting the oranges in our orange juice and the strawberries in our cakes.”

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Lila Downs

On her inclusion of Woody Guthrie’s “This Land is Your Land” in a musical set to reflect the migrant experience in “Mex factor” https://www.theguardian.com/music/2003/feb/10/artsfeatures.popandrock in The Guardian (2003 Feb 10)
Music and culture

“I feel a spiritual sense, and that sense is a connection between generations. Some of the lyrics are about connecting intuitively with Mother Earth, sometimes with our evil nature, sometimes with our goodness. I love to connect with my ancestors. Also, I need to express these concerns that are a part of my generation.”

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Lila Downs

On striking a balance between traditional and contemporary issues in “Lila Downs Reminds Us of the Strength Women Bring to Latin America and its History” https://sheshredsmag.com/lila-downs-14/ in She Shreds (2018 May 3)
Music and culture

“I also come from a matriarchal family. My grandmother was left alone, not by choice. And then my mother as well. We lost my father when I was 16; he died. I was an adolescent figuring out that you’re not really worth much when you’re all women…”

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Lila Downs

On how her village shunned Downs’ solely female household in “Lila Downs Reminds Us of the Strength Women Bring to Latin America and its History” https://sheshredsmag.com/lila-downs-14/ in She Shreds (2018 May 3)
Womanhood

“My mother would really make me notice the world of women, and in Latin America they have a kind of magic in that they make society function in every kind of intimate way, as well as in the bigger picture.”

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Lila Downs

On the lessons that Downs’ mother instilled in her in “Lila Downs Reminds Us of the Strength Women Bring to Latin America and its History” https://sheshredsmag.com/lila-downs-14/ in She Shreds (2018 May 3)
Womanhood

“I consider myself a border person, even though I grew up in the south of Mexico and very north of the U.S., in Minneapolis. I hold many of the same realities with the people who have grown up around these borders. We share the languages, they have a very kind of open identity of who we are, they are constantly growing and learning from different cultures, and also absorb what comes from other cultures to make it our own…”

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Lila Downs

On her affinity with those who were raised or reside on the U.S.-Mexico border in “Q&A: Lila Downs, A Sin and A Miracle” https://remezcla.com/music/lila-downs-sin-miracle-pecados-milagros-interview/ in Remezcla (c. 2011)
Heritage and indigenous peoples

“The border still doesn't make much sense in my mind. It's a place that has so many things going on, a lot of sad stories, a lot of positive ones, a lot of people who are looking to break the rules and I identify a lot with that. I like to break the rules.”

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Lila Downs

On how the border between the U.S. and Mexico influenced her work in “Mex factor” https://www.theguardian.com/music/2003/feb/10/artsfeatures.popandrock in The Guardian (2003 Feb 10)
Heritage and indigenous peoples

“We [as Latinxs] got to be there representing, explaining, and translating…It’s the only way we are going to have people come together.”

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Lila Downs

Heritage and indigenous peoples

“When I was in college, I wanted to know more about my Native American past because I come from one of the 64 Native groups that are very much alive [in Mexico]. But there was nothing like that. So I ended up designing my own major that included women’s studies, philosophy, and anthropology.”

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Lila Downs

On shaping her higher education in order to learn more about her heritage in “Lila Downs Reminds Us of the Strength Women Bring to Latin America and its History” https://sheshredsmag.com/lila-downs-14/ in She Shreds (2018 May 3)
Heritage and indigenous peoples

“Oh it’s very beautiful to have a very rich heritage from my Indian ancestors. My mother is Mixtec [a native tribe of Oaxaca], and my father was Scottish American. Growing up with those cultures has been enriching. Though, at first very difficult because I was rejected by one culture — in the Mexican Nation there is a lot of discrimination towards the Indian groups. So I struggled with that and with being discriminated as a Mexican. But I think music has been able to erase those boundaries. I think it’s easier to stop talking about those borders, and talk more about the music — to make music so that those borders are erased in a poetic way.”

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Lila Downs

On her racial heritage in “Q&A: Lila Downs, A Sin and A Miracle” https://remezcla.com/music/lila-downs-sin-miracle-pecados-milagros-interview/ in Remezcla (c. 2011)
Heritage and indigenous peoples

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