Grown Old in Love
1800s, Poems from Blake's Notebook (c. 1807-1809)
William Blake: Frases en inglés (página 11)
William Blake era poeta y pintor inglés. Frases en inglés.1810s, The Everlasting Gospel (c. 1818)
“Every Harlot was a Virgin once”
For the Sexes: The Gates of Paradise: [Epilogue] To The Accuser who is The God of This World
1810s
“Nothing can be more contemptible than to suppose Public RECORDS to be True.”
Annotations to An Apology for the Bible by R. Watson
1790s
“Why art thou silent and invisible,
Father of Jealousy?”
To Nobodaddy, st. 1
1790s, Poems from Blake's Notebook (c. 1791-1792)
Love to Faults
1790s, Poems from Blake's Notebook (c. 1791-1792)
The Little Black Boy, st. 4
1780s, Songs of Innocence (1789–1790)
Annotations to Sir Joshua Reynolds's Discourses
1790s
“The Goddess Fortune is the devils servant ready to Kiss any ones Arse.”
Inscription on Illustrations to Dante "No. 16: HELL Canto 7"
1810s
The Crystal Cabinet, st. 2
1800s, Poems from the Pickering Manuscript (c. 1805)
Fuente: 1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820), Ch. 1, plate 27, "To the Jews" 1) lines 1-4
So I piped; he wept to hear.
Introduction, st. 1–2
Songs of Innocence (1789–1790)
“The harlot's cry from street to street
Shall weave old England's winding sheet.”
Fuente: 1800s, Auguries of Innocence (1803), Line 115
“One thought fills immensity.”
Fuente: 1790s, The Marriage of Heaven and Hell (1790–1793), Proverbs of Hell, Line 36
“In the morning glad I see
My foe outstretch'd beneath the tree.”
Ibid., st. 4
1790s, Songs of Experience (1794)
“Half Friendship is the bitterest Enmity…”
Frontiespiece, plate 1, line 8 (as it seen on the additional plate, Fitzwilliam Museum).
1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820)
Public Address, Blake's Notebook c. 1810
1810s