Frases de Karel Appel

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Karel Appel

Fecha de nacimiento: 25. Abril 1921
Fecha de muerte: 3. Mayo 2006

Christiaan Karel Appel, conocido como Karel Appel fue un pintor neerlandés, miembro fundador del grupo CoBrA. Wikipedia

Photo: Marcel Antonisse / Anefo, Nationaal Archief / CC BY-SA 3.0 nl

Frases Karel Appel

„The Cobra group started new, and first of all we threw away all these things we had known and started afresh, like a child — fresh and new. Sometimes my works look very childish, or childlike, schizophrenic or stupid, you know. But that was the good thing for me. Because, for me, the material is the paint itself. The paint expresses itself. In the mass of paint, I find my imagination and go on to paint it.“

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— Karel Appel

Quoted in: 'Karel Appel, Dutch Expressionist Painter, Dies at 85', by Margalit Fox, in 'Art & Design', New York Times May 9, 2006
Quote of an oral history in 'Contemporary Artists' - Karel Appel describes the wild artistic urgency that gave rise to the Cobra artist-group

„.. people always talk about painting, because basically painting does not talk.“

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— Karel Appel

Karel Appel defines his painting', interview 1968

„All the absurdity and hope are the stimulants to create. You make art to find a little hole to go on. You go through the whole to find the world again, and the absurdity is that still, somehow it is the same... Hopelessness and hope are the same. It's a very thin line you don't see any more. I don't believe in that line between hopelessness and hope today.“

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— Karel Appel

in 'The eye of the beholder', Carlo McCormick
Karel Appel – the complete sculptures,' (1990) not-paged

„That is what he used to do, what he is doing now for the last hears. He is the only painter who paints like that.... like the wind, like the ocean, like the light, like the sunlight, like the moonlight, far away from everything, without any image..“

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— Karel Appel

quotes from Appel's poem '..and now I want to talk about Willem de Kooning, February 1990 http://beeldgedicht.info/Reprocitaat/appel-kooning.htm

„Of course, I painted before Cobra, as afterwards. Each one of us [CoBrA-artists] had his own personality. Cobra is only a very short period of my life. It was like a crossroads. We crossed paths and each continued on his way.... We [artists] are not born to form groups. A group that lasted for too long would destroy the creative activity of its members.“

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— Karel Appel

Quote of Appel in an interview with fr:Michel Ragon, 1963; as quoted in; Karel Appel, a gesture of colour, Jean-François Lyotard, (original French text of 1992 based upon intensive correspondence with Karel Appel), Christine Buci-Glucksmann, Herman Parret; University Press, Leuven, Belgium, 2009, p. 105
fr:Michel Ragon asked Appel: 'Without Cobra, would you have been what you are today?'

„.. at least fifty [gouaches painted in complete dark], one after another. Then I made a light, a candle, and I picked them up and turned them around, as I couldn't see a top or a bottom. I finished them off as I felt fit, a bit more white or a red spot [in his studio in Amsterdam, in 1947“

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— Karel Appel

Quote from a talk in 1990 with Rudi Fuchs; in 'Appel, about growing older'; as quoted by Frank van der Ploeg, in 'The Low Countries'. Jaargang 12(2004) http://www.dbnl.org/tekst/_low001200401_01/_low001200401_01_0027.php

„Pollock... I also feel
like an erupting volcano.“

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— Karel Appel

ATV, 187; p. 167
Karel Appel, a gesture of colour' (1992/2009)

„It is a question of expressing, at base,
the essence of the tree... What does not appear
in what does appear, in short.
What remains hidden, concealed,
withdraws into what appears.“

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— Karel Appel

ATV 13; p. 121
Karel Appel, a gesture of colour' (1992/2009)

„The wastelands belong to my youth [c. 1930's]. When I was young I played in the outskirts of the city - watching the cranes at the harbour. There was no law but garbage, grass and wildflowers like boys and girls, rough, hot and sexual and full of hidden pleasures. Life and death are overlapping in the wastelands like in my paintings.“

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— Karel Appel

Appel's quote is referring to his youth in Amsterdam, in the outskirts and the ports of the Dutch city
Fuente: Karel Appel – the complete sculptures,' (1990), pp. 75-77 'Quotes', K. Appel (1989)

„[artists are people] who employ matter between birth and death. Matter is something to use, not possess.“

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— Karel Appel

Karel Appel – the complete sculptures,' (1990) not-paged

„When I was young I once found a book in a Dutch translation, The 'Leaves of Grass'. It was the first time a book touched me by its feeling of freedom and open spaces, the way the poet spoke of the ocean by describing a drop of water in his hand. Walt Whitman was offering the world an open hand (now we call it democracy) and my 'Monument for Walt Whitman' became this open hand with mirrors, so you can see inside yourself.“

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— Karel Appel

Fuente: Karel Appel – the complete sculptures,' (1990), p. 93 'Quotes', K. Appel (1989)
Appel's quote is referring to his sculpture 'Monument for Walt Whitman', dedicated to the American poet

„Theories
Are the things and neither idealism
nor religions, nor histories
nor slogans.
The complexity of things themselves, that's what
theories are... The thing exists without showing itself,
entirely, it
does nor appear, theory is the
thing.“

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— Karel Appel

CF 63; p. 111
Karel Appel, a gesture of colour' (1992/2009)

„My work is in a complete transformation. Lately, in my studio in Amsterdam, 'beings' re-emerge more and more, but I have repainted all the canvases that I have brought with me [from Amsterdam to Paris]. It is matter itself. On the canvas, no discovery, no personal drama, no submission to a rhythm.... freed from 'Victory Boogiewoogie' [title of the last work of Piet Mondrian, 1944], bepop, bepop, we free ourselves from rhythm, we are not there yet, but it is coming... Now I paint stains, bigger stains, colours endlessly reapplied one upon the other, I scrape and I put down new stains of colour unto nothing remains but one great plane, concentrated and linked at the same time, suddenly a vivid red or yellow and the canvas and being merge.“

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— Karel Appel

Quote in a letter of Karel Appel from Paris to Aldo van Eyck, October 1950; as quoted in (MR1-85); Karel Appel, a gesture of colour, Jean-François Lyotard, (original French text of 1992 based upon intensive correspondence with Karel Appel), Christine Buci-Glucksmann, Herman Parret; University Press, Leuven, Belgium, 2009, p. 99

„I'm able to paint so nice and thick with those big splodges that stay upright because I mix my own paint. I use the formula that the seventeenth-century painters used and I've added one or two things myself. A very important element is stand oil. I once got hold of a whole barrel full and I'm still using it. There are pots of it in all my studios, in New York, in Connecticut, in Monaco, and in Tuscany. [the oil had been found when an old paint shop closed down, in a] stock that had been there since the seventeenth century... I mix my oil paint with it, and I throw in a lot of eggs and some concentrated turpentine. It's as thick as homemade mayonnaise. When it dries it is as tough and hard as rubber.“

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— Karel Appel

Quote from an interview in 'Elsevier', 22 December, 1990; translated and quoted by Frank van der Ploeg, in 'The Low Countries'. Jaargang 12 (2004) http://www.dbnl.org/tekst/_low001200401_01/_low001200401_01_0027.php

„In poetic creation there is no
question of overcoming matter, as the
idle aesthetic proclaimed
by so many people would have it – but to free matter.“

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— Karel Appel

ATV 187; p. 151
Karel Appel, a gesture of colour' (1992/2009)

„To keep it short and simple.... you take the subject, that is for example the wood, and the colour, the paint. You compose the subject, the realistic subject, you make a fantastic shape. For example, here, this is some wood, this is a table with a top and wooden flowers, you know, therefore I paint a [flowery] table, for example..“

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— Karel Appel

explaining his way of imagination
Karel Appel defines his painting', interview 1968

„When you get older as a painter and you've got the opportunities, the talent and the good fortune and have been provided with everything for getting old, then it's fantastic, because the same brushstroke that you put down is more mature and more poignant than it was when you were young.“

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— Karel Appel

Quote from a 1995 interview with Rudi Fuchs; in 'Appel, about growing older'; as quoted by Frank van der Ploeg, in 'The Low Countries'. Jaargang 12(2004) http://www.dbnl.org/tekst/_low001200401_01/_low001200401_01_0027.php

„Knowledge isolates phenomena and things to observe with.... nothing is isolatable or can be removed from its environment. Anything which becomes isolated ceases to exist. It is like the violent refusal of someone to play a game in which everyone cheats.“

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— Karel Appel

Karel Appel – the complete sculptures,' (1990) not-paged

„I am afraid of a new barbarism which is killing
man's freedom.“

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— Karel Appel

ATV 179; p. 151
Karel Appel, a gesture of colour' (1992/2009)

„[Karel Appel called out to 'his Night':] You, Beauty! And since I have to account for a body, I have handed this torture over to the executioner“

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— Karel Appel

CF,28; p. 219
Karel Appel, a gesture of colour' (1992/2009)