Adolph Gottlieb: Frases en inglés
Variante: I was looking for some sort of systematic way of getting down these subjective images and I had always admired, particularly admired the early Italian painters who proceeded the Renaissance and I very much liked some of the altarpieces in which there would be, for example the story of Christ told in a series of boxes... And it seemed to me this was a very rational method of conveying something. So I decided to try it. But I was not interested in telling, in giving something its chronological sequence. What I wanted to do was give something, to present what material I was interested in simultaneously so that you would get an instantaneous impact from it. So I made boxes..
Fuente: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.
In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 33
1960s
“We are going to have perhaps a thousand years of non-representational painting.”
1950s, Conversations With Artists, 1957
Gottlieb's comment on the attacks on artistic freedom in the United States, 1948
Quote from Gottlieb's lecture at Forum: the Artist Speaks, museum of Modern Art, New York, May 5, 1948.
1940s
Radio broadcast with Mark Rothko, 1943, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990.
1940s
1950s, Conversations With Artists, 1957
Arts and Architecture, vol. 68, no 9, September 1951, p. 21.
1950s
The Ideas of Art, Tiger's Eye, Vol. 1, nr 2, December 1947, p. 43.
1940s
Arshile Gorky Adolph Gottlieb in exhibition catalogue Kootz Gallery New York, 1950; as quoted in Abstract Painting in America, W.C, Seitz p. 104.
1950s
Fuente: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.
Fuente: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.
Quote of Gottlieb, in an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Living Arts', June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 29
1960s
1950s, Conversations With Artists, 1957
“If we depart form tradition, it is out of knowledge, not innocence.”
Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. 51.
1950s
Fuente: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.
1950s, Conversations With Artists, 1957
Fuente: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.
quote of Gottlieb, on the attacks on artistic freedom in 1948
Lecture at Forum: the Artist Speaks, museum of Modern Art, New York, May 5, 1948.
1940s
Fuente: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.
Fuente: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.
In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 31
1960s
In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Living Arts', June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, pp. 27-28
1960s
Arts and Architecture, vol. 68, no 9, September 1951, p. 21.
1950s
Gottlieb's quote on the attacks of critics on abstract art, 1948
Quote from Gottlieb's Lecture, given at 'Forum: the Artist Speaks', museum of Modern Art, New York, May 5, 1948.
1940s
June 13, 1943 edition of the New York Times, brief manifesto: Adolph Gottlieb with Mark Rothko and Barnett Newman.
1940s
