Frases de William Seward Burroughs

William Seward Burroughs Foto
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William Seward Burroughs

Fecha de nacimiento: 5. Febrero 1914
Fecha de muerte: 2. Agosto 1997
Otros nombres: William Burroughs

William Seward Burroughs fue un novelista, artista visual, ensayista y crítico social estadounidense. Renovador del lenguaje narrativo y una de las principales figuras de la Generación Beat, etiqueta con la que nunca estuvo de acuerdo.

Frases William Seward Burroughs

„Como dijo un juez a otro: "sé justo, y si no puedes ser justo, sé arbitrario".“

—  William Seward Burroughs

Original en inglés: “Well as, one judge said to the other, 'Be just and if you can't be just be arbitrary.' Regret cannot observe customary obscenities”..
Fuente: Naked Lunch del capítulo "And Start West", p.5 y capítulo "Lazarus Go Home", p.62.

„La droga es el producto ideal…La mercancía definitiva. No hace falta literatura para vender. El cliente se arrastrará por una alcantarilla para suplicar que le vendan…El comerciante de droga no vende su producto al consumidor, vende el consumidor a su producto. No mejora ni simplifica su mercancía. Degrada y simplifica al cliente.“

—  William Seward Burroughs

Fuente:“The junk merchant doesn't sell his product to the consumer, he sells the consumer to his product. He does not improve and simplify his merchandise. He degrades and simplifies the client”.
Fuente: "Letter from a Master Addict to Dangerous Drugs", escrita en 1956, publicada por primera vez en The British Journal of Addiction, Vol. 52, No. 2 (enero 1957), p.1, y después usada como nota al pie en Naked Lunch.

„Nuestra droga nacional es el alcohol. Tendemos a considerar el uso de cualquier otra droga con especial horror.“

—  William Seward Burroughs

Original en inglés:“Our national drug is alcohol. We tend to regard the use of any other drug with special horror”.
Fuente: "Deposition: Testimony Concerning a Sickness", p.201.

„Desperté de la enfermedad a los cuarenta y cinco años, sereno, cuerdo y en bastante buen estado de salud, a no ser por un hígado algo resentido y ese aspecto de llevar la carne de prestado que tienen todos los que sobreviven a la enfermedad…“

—  William Seward Burroughs

Original en inglés:“I awoke from The Sickness at the age of forty-five, calm and sane, and in reasonably good health except for a weakened liver and the look of borrowed flesh common to all who survive The Sickness…”
Fuente: Speaking the Unspeakable: A Poetics of Obscenity Escrito por Peter Michelson en 1993. 312 pp.

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„A bureau operates on opposite principles of inventing needs to justify its existence.“

—  William S. Burroughs, libro Naked Lunch

Ordinary Men and Women
Naked Lunch (1959)
Contexto: The end result of complete cellular representation is cancer. Democracy is cancerous, and bureaus are its cancer. A bureau takes root anywhere in the state, turns malignant like the Narcotic Bureau, and grows and grows, always reproducing more of its own kind, until it chokes the host if not controlled or excised. Bureaus cannot live without a host, being true parasitic organisms. (A cooperative on the other hand can live without the state. That is the road to follow. The building up of independent units to meet needs of the people who participate in the functioning of the unit. A bureau operates on opposite principles of inventing needs to justify its existence.) Bureaucracy is wrong as a cancer, a turning away from the human evolutionary direction of infinite potentials and differentiation and independent spontaneous action to the complete parasitism of a virus. (It is thought that the virus is a degeneration from more complex life-form. It may at one time have been capable of independent life. Now has fallen to the borderline between living and dead matter. It can exhibit living qualities only in a host, by using the life of another — the renunciation of life itself, a falling towards inorganic, inflexible machine, towards dead matter.) Bureaus die when the structure of the state collapse. They are as helpless and unfit for independent existence as a displaced tapeworm, or a virus that has killed the host.

„Bureaus die when the structure of the state collapse. They are as helpless and unfit for independent existence as a displaced tapeworm, or a virus that has killed the host.“

—  William S. Burroughs, libro Naked Lunch

Ordinary Men and Women
Naked Lunch (1959)
Contexto: The end result of complete cellular representation is cancer. Democracy is cancerous, and bureaus are its cancer. A bureau takes root anywhere in the state, turns malignant like the Narcotic Bureau, and grows and grows, always reproducing more of its own kind, until it chokes the host if not controlled or excised. Bureaus cannot live without a host, being true parasitic organisms. (A cooperative on the other hand can live without the state. That is the road to follow. The building up of independent units to meet needs of the people who participate in the functioning of the unit. A bureau operates on opposite principles of inventing needs to justify its existence.) Bureaucracy is wrong as a cancer, a turning away from the human evolutionary direction of infinite potentials and differentiation and independent spontaneous action to the complete parasitism of a virus. (It is thought that the virus is a degeneration from more complex life-form. It may at one time have been capable of independent life. Now has fallen to the borderline between living and dead matter. It can exhibit living qualities only in a host, by using the life of another — the renunciation of life itself, a falling towards inorganic, inflexible machine, towards dead matter.) Bureaus die when the structure of the state collapse. They are as helpless and unfit for independent existence as a displaced tapeworm, or a virus that has killed the host.

„Cut word lines — Cut music lines — Smash the control images — Smash the control machine“

—  William S. Burroughs, libro The Soft Machine

Burn the books — Kill the priests — Kill! Kill! Kill!
The Soft Machine (1961)
The Soft Machine (1961)

„This is a war universe. War all the time. That is its nature. There may be other universes based on all sorts of other principles, but ours seems to be based on war and games.“

—  William S. Burroughs

"The War Universe", taped conversation, first published in Grand Street, No. 37 (1991) http://openlibrary.org/b/OL7452886M/Grand_Street_37_(Grand_Street)
Contexto: This is a war universe. War all the time. That is its nature. There may be other universes based on all sorts of other principles, but ours seems to be based on war and games. All games are basically hostile. Winners and losers. We see them all around us: the winners and the losers. The losers can oftentimes become winners, and the winners can very easily become losers.

„There is simply no room left for 'freedom from the tyranny of government' since city dwellers depend on it for food, power, water, transportation, protection, and welfare.“

—  William S. Burroughs, libro Cities of the Red Night

Cities of the Red Night (1981)
Contexto: There is simply no room left for 'freedom from the tyranny of government' since city dwellers depend on it for food, power, water, transportation, protection, and welfare. Your right to live where you want, with companions of your choosing, under laws to which you agree, died in the eighteenth century with Captain Mission. Only a miracle or a disaster could restore it.

„I don't know how to care for the child. But I am dedicated to protecting and nurturing him at any cost! It is the function of the Guardian to protect hybrids and mutants in the vulnerable stage of infancy.“

—  William S. Burroughs, libro The Cat Inside

The Cat Inside (1986)
Contexto: Last night I encountered a dream cat with a very long neck and a body like a human fetus, gray and transluscent. I don't know what it needs or how to provide for it. Another dream years ago of a human child with eyes on stalks. It is very small, but can walk and talk "Don't you want me?" Again, I don't know how to care for the child. But I am dedicated to protecting and nurturing him at any cost! It is the function of the Guardian to protect hybrids and mutants in the vulnerable stage of infancy.

„But nerve connections were blocked and infiltrated and atrophied so the brain couldn’t give orders any more. It was trapped in the skull, sealed off. For a while you could see the silent, helpless suffering of the brain behind the eyes, then finally the brain must have died, because the eyes went out, and there was no more feeling in them than a crab’s eyes on the end of a stalk.“

—  William S. Burroughs, libro Naked Lunch

Ordinary Men and Women
Naked Lunch (1959)
Contexto: Benway: Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down you dig farting out the words. It was unlike anything I ever heard. This ass talk had sort of a gut frequency. It hit you right down there like you gotta go. You know when the old colon gives you the elbow and it feels sorta cold inside, and you know all you have to do is turn loose? Well this talking hit you right down there, a bubbly, thick stagnant sound, a sound you could smell. This man worked for a carnival you dig, and to start with it was like a novelty ventriliquist act. Real funny, too, at first. He had a number he called “The Better ‘Ole” that was a scream, I tell you. I forget most of it but it was clever. Like, “Oh I say, are you still down there, old thing?” “Nah I had to go relieve myself.” After a while the ass start talking on its own. He would go in without anything prepared and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teeth-like little raspy in-curving hooks and started eating. He thought this was cute at first and built an act around it, but the asshole would eat its way through his pants and start talking on the street, shouting out it wanted equal rights. It would get drunk, too, and have crying jags nobody loved it and it wanted to be kissed same as any other mouth. Finally it talked all the time day and night, you could hear him for blocks screaming at it to shut up, and beating it with his fist, and sticking candles up it, but nothing did any good and the asshole said to him: “It’s you who will shut up in the end. Not me. Because we don't need you around here any more. I can talk and eat and shit.” After that he began waking up in the morning with a transparent jelly like a tadpole’s tail all over his mouth. This jelly was what the scientists call un-D. T., Undifferentiated Tissue, which can grow into any kind of flesh on the human body. He would tear it off his mouth and the pieces would stick to his hands like burning gasoline jelly and grow there, grow anywhere on him a glob of it fell. So finally his mouth sealed over, and the whole head would have have amputated spontaneous — (did you know there is a condition occurs in parts of Africa and only among Negroes where the little toe amputates spontaneously?) — except for the eyes you dig. That's one thing the asshole couldn’t do was see. It needed the eyes. But nerve connections were blocked and infiltrated and atrophied so the brain couldn’t give orders any more. It was trapped in the skull, sealed off. For a while you could see the silent, helpless suffering of the brain behind the eyes, then finally the brain must have died, because the eyes went out, and there was no more feeling in them than a crab’s eyes on the end of a stalk.

„You become a narcotics addict because you do not have strong motivations in the other direction. Junk wins by default.“

—  William S. Burroughs, libro Junkie

Prologue
Junkie (1953)
Contexto: The questions, of course, could be asked: Why did you ever try narcotics? Why did you continue using it long enough to become an addict? You become a narcotics addict because you do not have strong motivations in the other direction. Junk wins by default. I tried it as a matter of curiosity.

„I'm creating an imaginary — it's always imaginary — world in which I would like to live.“

—  William S. Burroughs

Quoted in interview, The Paris Review (Fall 1965)
Contexto: You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary — it's always imaginary — world in which I would like to live.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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