Frases de Charlotte Perkins Gilman
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Charlotte Anna Perkins , fue una intelectual estadounidense multidisciplinar, muy activa en defensa de los derechos civiles de las mujeres entre finales de 1890 y mediados de 1920. Su obra más conocida es El papel pintado amarillo[1]​ publicada en 1892, un relato breve con tintes autobiográficos escrito tras una profunda depresión postparto. Su utopía Herland , es considerada la precursora de la ciencia-ficción feminista moderna. Su figura servirá de modelo para futuras generaciones de mujeres debido a sus ideas y su estilo de vida poco ortodoxo para la época. Wikipedia  

✵ 3. julio 1860 – 17. agosto 1935
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Charlotte Perkins Gilman: Frases en inglés

“Where young boys plan for what they will achieve and attain, young girls plan for whom they will achieve and attain.”

Ch. 5 http://books.google.com/books?id=94EEAAAAYAAJ&q=%22achieve+and+attain+young+girls+plan+for+whom+they+will+achieve+and+attain%22&pg=PA87#v=onepage
Women and Economics (1898)

“For many years I suffered from a severe and continuous nervous breakdown tending to melancholia — and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still-good physique responded so promptly that he concluded there was nothing much the matter with me, and sent me home with solemn advice to "live as domestic a life as far as possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush, or pencil again" as long as I lived. This was in 1887.
I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.
Then, using the remnants of intelligence that remained, and helped by a wise friend, I cast the noted specialist's advice to the winds and went to work again — work, the normal life of every human being; work, in which is joy and growth and service, without which one is a pauper and a parasite — ultimately recovering some measure of power.
Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it.”

"Why I Wrote The Yellow Wallpaper" in The Forerunner (October 1913) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html

“Many years later I was told that the great specialist had admitted to friends of his that he had altered his treatment of neurasthenia since reading The Yellow Wallpaper.”

It was not intended to drive people crazy, but to save people from being driven crazy, and it worked.
"Why I Wrote The Yellow Wallpaper" in The Forerunner (October 1913).

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