Frases de Édouard Manet

Édouard Manet fue un pintor y grabador francés, reconocido por la influencia que ejerció sobre los iniciadores del impresionismo.[1]​[2]​



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✵ 23. enero 1832 – 30. abril 1883
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Édouard Manet Frases y Citas

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“Puedes hacer la pintura al aire libre adentro, pintando blanco por la mañana, lila durante el día y tonos anaranjados por la tarde.”

Fuente (en inglés): «You can do plein-air painting indoors, by painting white in the morning, lilac during the day and orange tones in the evening».
A su discípulo entonces, Berthe Morisot.
Cita registrada por el crítico de arte francés Philippe Burty.
Fuente: Manet, Edouard; Wilson-Bareau, Juliet (ed.). Manet by Himself: Correspondence & Conversation, Paintings, Pastels, Prints & Drawings. 3ª Edición, ilustrada y reimpresa. Little, Brown, 2000. ISBN 9780316855051, p. 303.

Édouard Manet: Frases en inglés

“I never imagined that France could be represented by such doddering old fools, not excepting that little twit Thiers…”

Quote from Manet's letter to Félix Bracquemond (18 March 1871); as cited in Manet by Himself (1995) by Julliet Wilson-Bareau
1850 - 1875

“How I miss you here [his friend in Paris - Manet visited Madrid and the famous museums there], and how delighted you would have been to see Velázquez, who in himself alone is worth the journey... He is the painter of painters. He did not astonish me, but delighted me.”

Quote from Manet's letter to Fantin-Latour, Madrid 1865, as quoted in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, (translation Daphne Woodward), p. 118
1850 - 1875

“He has no talent at all, that boy! You, who are his friend, tell him please to give up painting.”

spoken to Claude Monet about Pierre-Auguste Renoir (1874), as quoted by John Rewald, The History of Impressionism, Vol.1 (1961).
1850 - 1875

“Get it down quickly, don't worry about the background. Just go for the tonal values. You see? When you look at it, and above all when you see how to render it as you see it, thats is, in such a way that its make the same impression on the viewer as it does on you, you don't look for, you don't see the lines on the paper over there, do you? And then, when you look at the whole thing you don't try to count the scales on the salmon, of course you don't. You see them as little silver pearls against grey and pink – isn't thats right? – look at the pink of the salmon, with the bone appearing white in the centre and then grays, like the shades of mother of pearl. And the grapes, now do you count each? No, of course not. What strikes you is their clear, amber colour and the bloom which models the form by softening it. What you have to decide with the cloth is where the highlights come and then the planes which are not in the direct light. Halftones are for the magasin pittoresque engravers. The folds will come by themselves if you put them in the proper place. Ah! M. Ingres, there's the man! We're all just children. There's the one who knew how to paint materials! Ask Bracquemond [Paris' artist and print-maker]. Above all, keep your colours fresh. [instructing his new protegee, the Spanish young woman-painter Eva Gonzales, circa 1869]”

Manet, recorded by Philippe Burty, as cited in Manet by Himself, ed. Juliet Wilson-Bareau, Little Brown 2000, London; p. 52
1850 - 1875

“I beg you, if I die, don't let me go piecemeal into the public collections, my work would not be fairly judged. I want to get in complete or not at all... Please, please, promise me one thing, never let my things go into a museum piecemeal.”

remark to his friend Antonin Proust; as cited in: Manet by Himself, p. 304; as quoted in The private lives of the Impressionists Sue Roe; Harpen Collins Publishers, New York 2006, p. 241
Antonin Proust had recently become minister of Arts in France
1876 - 1883

“I am influenced by everybody. [and Willem de Kooning admitted: 'every time I put my hands in my pockets I find someone else's fingers there'].”

Willem de Kooning quotes Manet in a conversation in 1968, with art-critic Harold Rosenberg; as cited in Willem De Kooning, 1904-1997 : Content as a Glimpse, Barbara Hess; Taschen, 2004, p. 67
1876 - 1883

“I spent a long time, my dear Suzanne, looking for your photograph - I eventually found the album in the table in the drawing room, so I can look at your comforting face from time to time. I woke up last night thinking I heard you calling me... Every day we're expecting a major offensive to break through the iron ring that surrounds us. We are counting on the provinces, because we can't just send our little [French] army of to be massacred. Those devious Prussians may well try to starve us out.”

Quote from Manet's letter to his wife, Suzanne Leenhof 23 Oct. 1870, a cited in The private lives of the Impressionists Sue Roe, Harpen Collins Publishers, New York 2006, p. 78
the Prussian army was encircling Paris completely in Autumn, 1870; Manet was locked up, but had sent his wife Suzanne to the county before, out of dangerous Paris
1850 - 1875

“No one knows what it feels like to be constantly insulted [by art-critics in Paris]. It sickens and destroys you... The fools! They've never stopped telling me I'm inconsistent [in his painting style]; they couldn't have said anything more flattering.”

quote of Manet, recorded by his friend Antonin Proust in his last years, Manet by Himself, p. 304, as quoted in The private lives of the Impressionists, Sue Roe; Harpen Collins Publishers, New York 2006, p. 241
1876 - 1883

“The Bellevue air [suburb outside Paris with curative waters] has done me a world of good... But Alas! Naturalist painting is more in disfavor than ever.”

quote in a letter to Emile Zola, June 1880; as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 16 - note 5
Manet had severe rheumatism and visited in 1879 a clinic in the same location, Bellevue, a suburb outside Paris with curative waters
1876 - 1883

“I was painting modern Paris while you were still painting Greek athletes..”

quote from The Impressionists at first hand, by Bernard Denvir; Thames and Hudson, London 1991, p. 78
remark to his friend Edgar Degas, (quoted by George Moore circa 1879). Later Degas reacted: 'That Manet, as soon as I started painting dancers, he did them.'
1876 - 1883

“You must always remain master of the situation and do what you please. No school tasks, ah, no! no tasks!”

Fuente: Posthumous publications, Portrait of Manet by himself and his contemporaries (1960), p. 99.

“In art, conciseness is both a necessity and a luxury; a concise man provokes thought, a wordy man provokes boredom; always move towards conciseness. In the figure, look for the main light and the main shadow, the rest will come of itself: often, it amounts to very little.”

Quote by Georges Jeanniot, Jan. 1882 - written after visiting Manet's studio; as quoted in 'The Importance of Manet's Conceptualization in 'Olympia' and 'The Bar at the Folies-Bergère' http://www.arthistoryarchive.com/arthistory/manet/arthistory_manet.html, by Charles Moffat, on 'The Art History Archive', c. 2001
Manet kept on working during Jeanniot's visit; he was painting 'The Bar at the Folies-Bergère' https://upload.wikimedia.org/wikipedia/commons/0/0d/Edouard_Manet%2C_A_Bar_at_the_Folies-Berg%C3%A8re.jpg
1876 - 1883

“What a pelisse! It's tawny brown with an old gold lining – staggering. It will make a wonderful background for some things I'm thinking of doing. Promise that when it's worn out you'll give it to me”

Méry promised!
quote of Manet, c. 1881; as cited in The private lives of the Impressionists, Sue Roe; Harpen Collins Publishers, New York 2006, p. 232
Méry Laurent was posing for Manet's painting 'Autumn', one work of Manet's series of the seasons, he painted in 1881 – she had ordered the pelisse from Worth for that posing]
1876 - 1883

“Who is this Monet whose name sounds just like mine and who is taking advantage of my notoriety?”

Quote 1865, recorded by Theodore Duret at the [[w:Salon (Paris)|Paris Salon that year; as quoted on: SCRIBD - 'Manet's letters' https://www.scribd.com/document/344176445/manets-letters-worksheet
1850 - 1875

“One must be of one's time and paint what one sees.”

As quoted in Encyclopedia of Artists (2000) by William Vaughan and Christopher Ackroyd, p. 28
1876 - 1883

“You can deduce everything about a woman from the way she holds her feet. Seductive women always turn their feet out. Don't expect to get anywhere with a woman who turns her feet in.”

a remark of Manet to Mallarmé, recorded by Thadée Natanson [husband of Misia Sert ]; as quoted in Berthe Morisot, the first lady of impressionism, Margaret Shennan; Sutton Books London 1996, p.136
1876 - 1883

“You can do plein-air painting indoors, [to his pupil then, Berthe Morisot ] by painting white in the morning, lilac during the day and orange tones in the evening.”

quote of Manet, recorded bij Berthe Morisot; in Manet by Himself, ed. Juliet Wilson Bareau Little Brown 2000, London; p. 303
1850 - 1875

“Goodbye my dear Suzanne [his wife], your portraits are hanging in every corner of the bedroom, so I see you first and last thing..”

Quote from Manet's letter to his wife, Suzanne Leenhof, 3 December 1870; as quoted in Manet by Himself, Correspondence & Conversation; Paintings, pastels, prints and drawings, ed. Juliette Bareau-Wilson; Macdonald (1991)
1850 - 1875

“I should be going with Champfleury and Stevens, but they keep putting it off. Anyway, they are bloody bores. Excuse the unseeming language, but since my letter is not for publication, I can say what I please. Touché.”

Quote in a letter, 23 August 1865, to his friend Zacharie Astruc; as quoted in Manet by Himself, Correspondence & Conversation; Paintings, pastels, prints and drawings, ed. Juliette Bareau-Wilson; Macdonald (1991)
1850 - 1875

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