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Frases de Georges Braque
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Georges Braque fue un pintor y escultor francés. Junto con Pablo Picasso fue uno de los iniciadores del cubismo.

✵ 13. mayo 1882 – 31. agosto 1963
Georges Braque Foto
Georges Braque: 55 citas7 Me gusta

Frases célebres de Georges Braque

“El jarrón da forma al vacío y la música al silencio.”

Georges Braque

Fuente: Moreno González, Acensión. La mediación artística: Arte para la transformación social, la inclusión social y el trabajo comunitario. Recursos educativos. Ediciones Octaedro, 2017. ISBN 9788499218861. https://books.google.es/books?id=WAiIDwAAQBAJ&pg=PT127&dq=El+jarr%C3%B3n+da+forma+al+vac%C3%ADo+y+la+m%C3%BAsica+al+silencio&hl=es&sa=X&ved=0ahUKEwiu0IWj-MfgAhUJyxoKHQ0_CJQQ6AEILjAB#v=onepage&q=El%20jarr%C3%B3n%20da%20forma%20al%20vac%C3%ADo%20y%20la%20m%C3%BAsica%20al%20silencio&f=false

“La verdad existe. Sólo se inventa la mentira.”

Georges Braque

Fuente: León Gómez, Adolfo. Breve tratado sobre la mentira. Colección Artes y humanidades. Editorial Universidad del Valle, 2007. ISBN 9789586702140. p. 176. https://books.google.es/books?id=6l3cTlfCJFYC&pg=PA176&dq=La+verdad+existe.+S%C3%B3lo+se+inventa+la+mentira&hl=es&sa=X&ved=0ahUKEwjMhNKQq8bgAhWLxYUKHdJIAL4Q6AEIKDAA#v=onepage&q=La%20verdad%20existe.%20S%C3%B3lo%20se%20inventa%20la%20mentira&f=false

“Mientras la ciencia tranquiliza, el arte perturba.”

Georges Braque

Fuente: Cultura universitaria, números 110-114. Publicado en 1989. p. 9.

“Amo la regla que corrige la emoción.”

Georges Braque

Fuente: Plazaola Artola, Juan. Introducción a la estética: Historia, Teoría, Textos. Serie Verde. Editorial Universidad de Deusto, 2008. ISBN 9788498306804. p. 476.

“El propósito no consiste en preocuparse por la reconstrucción de un hecho anecdótico, sino por la constitución de un hecho pictórico.”

Georges Braque

Fuente: Pensamientos y reflexiones sobre el arte,1917.

“No se puede imitar lo que se quiere crear.”

Georges Braque

Georges Braque Frases y Citas

“No deseo copiar a la naturaleza. Me interesa más ponerme a la par de ella.”

Georges Braque

Fuente: Salcedo Gómez, Jorge Eduardo. El humano social anti-natural: los anti-sistemas e instituciones sociales. Editorial Plaza y Valdés, 2012. ISBN 9786074024609. p. 49. https://books.google.es/books?id=uPFJmeVMuHQC&pg=PA49&dq=No+deseo+copiar+a+la+naturaleza.+Me+interesa+m%C3%A1s+ponerme+a+la+par+de+ella&hl=es&sa=X&ved=0ahUKEwi0h4Wfj8jgAhVNWxoKHYmJBGwQ6AEIKDAA#v=onepage&q=No%20deseo%20copiar%20a%20la%20naturaleza.%20Me%20interesa%20m%C3%A1s%20ponerme%20a%20la%20par%20de%20ella&f=false

“Yo no creo en las cosas, creo solamente en las relaciones que existen entre ellas.”

Georges Braque

Fuente: Goutman, Ana. Estudios para una semiótica del espectáculo. Edición ilustrada. Editorial Universidad Nacional Autónoma de México, 1995. ISBN 9789683644138. p. 87.

“Las pruebas cansan la verdad.”

Georges Braque

Fuente: Schlatter Navarro, Antonio. Mero catolicismo: Pensar como se vive, para poder vivir como se piensa. Volumen 25 de Mundo y Cristianismo. Colaborador Raúl Ostos García. Editorial Palabra, 2013. ISBN 9788498407945. p. 86. https://books.google.es/books?id=H1kgopLOVyoC&pg=PA86&dq=Las+pruebas+cansan+la+verdad&hl=es&sa=X&ved=0ahUKEwj9poGZkcjgAhVIRBoKHfOPAWoQ6AEIKDAA#v=onepage&q=Las%20pruebas%20cansan%20la%20verdad&f=false

“No podría hacer el retrato de una mujer, con todo su encanto. Carezco de capacidad para ello. Nadie la tiene. Debo, por lo tanto, crear una nueva clase de belleza que se me aparece en términos de volumen, línea, masa, peso y gracias a esa belleza interpreto mi impresión subjetiva. El natural es un mero pretexto para una composición decorativa, más el sentimiento. Sugiere emoción, y yo llevo esa emoción al arte. Quiero revelar el Absoluto, y no simplemente la mujer ficticia.”

Georges Braque

Fuente: Chipp, Herschel B. Teorías del arte contemporáneo. Volumen 12 de Fuentes de arte. Traducido por Julio Rodríguez Puértolas. Edición ilustrada. Ediciones AKAL, 1995. ISBN 9788446005971. p. 282. https://books.google.es/books?id=_6jCzXi-BScC&amp;pg=PA282&amp;dq=No+se+puede+imitar+lo+que+se+quiere+crear.+Georges+Braque&amp;hl=es&amp;sa=X&amp;ved=0ahUKEwiQqtnI-sfgAhUM1-AKHSKTCLMQ6AEIKDAA#v=onepage&amp;q=No%20se%20puede%20imitar%20lo%20que%20se%20quiere%20crear.%20Georges%20Braque&amp;f=false <br class="br">Fuente: Declaración, 1908 o 1909.

“En el arte, el progreso no consiste en la extensión, sino en el conocimiento de los límites.”

Georges Braque

Fuente: Pensamientos y reflexiones sobre el arte,1917.

“El tema no es el objeto, es una nueva unidad, un lirismo que nace enteramente de los medios.”

Georges Braque

Fuente: Pensamientos y reflexiones sobre el arte,1917.

Georges Braque: Frases en inglés

“Speaking purely for myself, I can say that it was my very acute feeling for the matière, for the substance of painting, which pushed me into thinking about the possibilities of the medium. I wanted to create a kind of substance by means of brush-work. But that is the kind of discovery which one makes gradually, though once a beginning had been made other discoveries follow. Thus it was that I subsequently began to introduce sand, sawdust and metal filings into my pictures. For I suddenly saw the extent to which colour is related to the substance... So my great delight was the 'material' character which I could give to my pictures by introducing these extraneous elements. In short, they provided me with a means of getting further away from idealism in 'representing' the things with which I was concerned.”

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Georges Braque

Fuente: 1921 - 1945, p. 76 - quote of Braque from 'Cahiers d'art', 1954, ed. Dora Vallier

“You see, I have made a great discovery. I no longer believe in anything. Objects don't exist for me except in so far as a rapport exists between them or between them and myself. When one attains this harmony, one reaches a sort of intellectual non-existence — what I can only describe as a sense of peace, which makes everything possible and right. Life then becomes a perpetual revelation. That is true poetry.”

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Georges Braque

Quote from The Power of Mystery (7 December 1957), a London Observer interview with John Richardson, as quoted in Braque: The Late Works (1997), by John Golding, Introduction, p. 10
unsourced variant translation: I made a great discovery. I don't believe in anything anymore. Objects do not exist for me, except that there is a harmonious relationship among them, and also between them and myself. When one reaches this harmony, one reaches a sort of intellectual void. This was everything becomes possible, everything becomes legitimate, and life is a perpetual revelation. This is true song.
1946 - 1963

“Thanks to the oval I have discovered the meaning of the horizontal and the vertical.”

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Georges Braque

as quoted in Abstract Painting, Michel Seuphor, Dell Publishing Co. (1964); p. 39
posthumous quotes

“Colour came into its own with papiers collés.... with these works we [Braque, and a little later Picasso, started to make 'collage art', circa 1912] succeeded in dissociating colour from form, in putting it on a footing independent of form, for that was the crux of the matter. Colour acts simultaneously with form, but has nothing to do with form.”

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Georges Braque

Fuente: posthumous quotes, Braque', (1968), p. 75

“The whole Renaissance tradition is antipathic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cézanne and after him Picasso and myself can take a lot of credit for this.... scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.”

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Georges Braque

1946 - 1963, interview with John Richardson' (1957)

“I felt dissatisfied with traditional perspective. Merely a mechanical process, this perspective never conveys things in full. It starts from one viewpoint and never gets away from it. But the viewpoint is quite unimportant. It is though someone were to draw profiles all his life, leading people to think that a man has only one eye... When one got to thinking like that, everything changed, you cannot imagine how much!”

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Georges Braque

Fuente: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264

“One must beware of a formula good for everything, that will serve to interpret the other arts as well as reality, and that instead of creating will only produce a style, or rather a stylization.”

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Georges Braque

Fuente: 1908 - 1920, quotes from Artists on Art...(1972), p. 422 - Braque's quote, Paris 1917

“In art progress consists not in extension but in the knowledge of its limits.”

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Georges Braque

Quote from the review 'Nord-Sud', December 1917
a remark of Braque's writings, he wrote during his long convalescence in the hospital, after he was seriously wounded in World War 1, in 1915
1908 - 1920

“The painting is finished when it has erased the idea.”

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Georges Braque

as quoted in Georges Braque: A Life (2005), p. 191 https://books.google.com/books?id=G2aWVKnJWaYC&amp;pg=PA191 <br class="br">posthumous quotes

“The painter thinks in terms of form and color. The goal is not to be concerned with the reconstitution of an anecdotal fact, but with constitution of a pictorial fact.”

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Georges Braque

Fuente: 1908 - 1920, quotes from Artists on Art...(1972), p. 423 - Braque's quote, Paris 1917

“Art is polymorphic. A picture appears to each onlooker under a different guise.”

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Georges Braque

Quote by Braque from: 'Cahiers d'Art', No. 10, 1935, ed. Christian Zervos
1921 - 1945

“I started above all by producing still-lives because in nature there is a tactile space, I would say almost manual.”

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Georges Braque

Fuente: 1946 - 1963, Cahiers d'art', 1954, p. 16 - In: 'Braque, la peinture et nous'

“I am always working on a number of canvases at one time, eight, ten.... I take years to finish them, but I look at them each day... You see the advantage of not working from real life – the apples would be rotten long before I completed my canvas... I find that it is important to work slowly. Anyone who looks at such a canvas will follow the same path the artist took, and he will experience that it is the path which counts more than the outcome of it, and that the route taken has been the most interesting part.”

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Georges Braque

Fuente: 1946 - 1963, Cahiers d'art', 1954, p. 14

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