Frases célebres de Kurt Schwitters
“Todo cuanto un artista escupe es arte.”
Elger, Dietmar (2008), Dadaísmo, Barcelona: Taschen. 9788498155976.
Kurt Schwitters: Frases en inglés
Schwitters (1921) in: Abstract Art, Anna Moszynska, Thames and Hudson, London 1990, p. 68-69.
1920s
Fuente: 1940s, I is Style (2000), p. 48 : quoted by Margareth Miller to Oliver Kaufmann [the first principle aim is his Merzbau]
Fuente: 1940s, I is Style (2000), p. 47 : in a letter to Käthe Steinitz (24 June 1945)
Fuente: 1940s, I is Style (2000), pp. 100-101 : in: 'That is my confession I have to make MERZ' (1940 – 1946), Kurt Schwitters.
Fuente: 1940s, I is Style (2000), p. 48 : in a letter to Edgar Kaufmann, 16 July 1946
1920s
Fuente: the article 'i ein Manifest' (or 'i-manifest'), Kurt Schwitters, in Merz 2. 1923; as quoted in Kurt Schwitters Merzbau: The Cathedral of Erotic Misery, by Elizabeth Burns Gamard, Princeton Architectural Press, New York, 2000, p. 116
Quote in his letter to Hans Richter, c. 1916; as quoted in 'Hannover-Dada' by Hans Richter; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, commissioned by w:Rudi Fuchs, director of the Stedelijk Museum Amsterdam, NAI Publishers, Rotterdam 2000, p. 151
1910s
1910s
Fuente: 'Merz Painting' (1919); as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 91.
Fuente: 1940s, I is Style (2000), p. 46 : in a letter (22 October 1941) to Käthe Steinitz, written from the internment camp on Isle of Man, England.
Fuente: 1940s, I is Style (2000), p. 45 : in a letter (11 November 1940) to Käthe Steinitz, sent from the internment camp on Isle of Man, England.
1920s
Fuente: 'Merz. Für den Ararat geschrieben' (1920); as quoted in Kurt Schwitters Merzbau: The Cathedral of Erotic Misery, by Elizabeth Burns Gamard, Princeton Architectural Press, New York, 2000, p. 40, note 16
1920s
Fuente: 'Merz. Für den Ararat geschrieben' (1920); as quoted in Kurt Schwitters, das literarische Werk, ed. Friedhelm Lach, Dumont Cologne, 1973–1981, Vol. 5 p. 77.
quote, 1930
As quoted in Kurt Schwitters, das literarische Werk, ed. Friedhelm Lach, Dumont Cologne, 1973 – 1981, Vol. 5, p. 335.
1930s
1930s
Fuente: 'I and my purpose', in the journal 'Merz', no. 21, (1931)
Manifesto Proletkult, 1923
Schwitters, in discussion with political Dadaists as Huelsenbeck.
1920s
1920s
Fuente: 'Consistent Poetry Art', Schwitters' contribution to 'Magazine G', No. 3, 1924, ed. Hans Richter.
1920s
Fuente: 'Consistent Poetry Art', Schwitters' contribution to 'Magazine G', No. 3, 1924, ed. Hans Richter; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, (commissioned by Rudi Fuchs, director of the Stedelijk Museum Amsterdam), NAI Publishers, Rotterdam 2000, p. 151.
1920s, Huelsendada', Kurt Schwitters, 1920
Fuente: 1940s, I is Style (2000), p. 48 : in a letter (30 April 1946) to Oliver Kaufmann, (department of Painting and Sculpture of the MOMA, New York).
1910s
Fuente: 'Merz Painting' (1919); as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 91.
“We, the founders of Dada-movement try to give time its own reflection in the mirror.”
In first edition of the journal Merz, 1923.
1920s
1920s
Fuente: 'Consistent Poetry Art', Schwitters' contribution to 'Magazine G', No. 3, 1924, ed. Hans Richter.
In his 'Autobiography of Kurt Schwitters' (6 June 1926), sent to Hans Hilderbrandt; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 92.
1920s
1920s
Fuente: 'Die Blume Anna', a poem of Kurt Schwitters, published in 'Consistent Poetry Art' contribution to 'Magazine G', No. 3, ed. Hans Richter, 1924
In a letter to w:Galka Scheyer, 24 July 1937; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, Stedelijk Museum Amsterdam, NAI Publishers, Rotterdam 2000, p. 41.
1930s
Fuente: http://www.sprengel-museum.de/bilderarchiv/sprengel_deutsch/fotos/merzbau1933_530.jpg
Fuente: 1940s, I is Style (2000), p. 100 : in 'My art and My live' (1940 – 1946), Kurt Schwitters.
In a letter to w:Galka Scheyer, January 1926; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 34.
1920s
1920s, Huelsendada', Kurt Schwitters, 1920