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Frases de Anthony Burgess
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John Anthony Burgess Wilson /ˈbɜːdʒəs/ fue un escritor y compositor inglés.

✵ 25. febrero 1917 – 22. noviembre 1993
Anthony Burgess Foto
Anthony Burgess: 325 citas7 Me gusta

Frases célebres de Anthony Burgess

“Ríe y el mundo reirá contigo, ronca y dormirás solo”

Anthony Burgess

“Ser bueno puede llegar a ser algo horrible.”

Anthony Burgess libro La naranja mecánica

A Clockwork Orange

“Quizás el hombre que elige el mal es en cierto modo mejor que aquel a quien se le impone el bien”

Anthony Burgess libro La naranja mecánica

A Clockwork Orange

“Pero hermanos, este morderse las uñas acerca de la causa de la maldad es lo que me da verdadera risa. No les preocupa saber cuál es la causa de la bondad, y entonces, ¿por qué quieren averiguar el otro asunto? Si los liudos (individuos) son buenos es porque les gusta, y ni se me ocurriría interferir en sus placeres, así que lo mismo deberían hacer en el otro negocio. Y yo soy cliente del otro negocio.”

Anthony Burgess libro La naranja mecánica

A Clockwork Orange

“Hay pecado supongo, pero el castigo fue del todo desproporcionado. Te han convertido en algo que ya no es una criatura humana. Ya no estás en condiciones de elegir. Estás obligado a tener una conducta que la sociedad considera aceptable, y eres una máquina que sólo puede hacer bien".”

Anthony Burgess

Frases de hombres de Anthony Burgess

“Algunas veces no es grato ser bueno, pequeño 6655321. Ser bueno puede llega a ser algo horrible. Y te lo digo sabiendo que puede ser una afirmación muy contradictoria. ¿Qué quiere Dios, el bien o que uno elija el camino del bien? Quizás el hombre que elige el mal es en cierto modo mejor que aquel a quien se le impone el bien.”

Anthony Burgess libro La naranja mecánica

A Clockwork Orange

“Algunas veces no es grato ser bueno, pequeño 6655321. Ser bueno puede llegar a ser algo horrible. Y te lo digo sabiendo que quizá te parezca una afirmación muy contradictoria. Sé que esto me costará muchas noches de insomnio. ¿Qué quiere Dios? ¿El bien o que uno elija el camino del bien? Quizás el hombre que elige el mal es en cierto modo mejor que aquel a quien se le impone el bien. Son problemas profundos y difíciles, pequeño 6655321.”

Anthony Burgess libro La naranja mecánica

A Clockwork Orange

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“Él ordeñaría al hombre blanco ... El hombre blanco tenía más dinero que sentido.”

Anthony Burgess

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“(Singapur) no es ni siquiera un lugar donde a un hombre blanco se le permite desmoronarse...”

Anthony Burgess

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“¿Es mejor para un hombre haber elegido el mal que tener el bien impuesto sobre él?”

Anthony Burgess

Anthony Burgess Frases y Citas

“Oh, era suntuoso, y la suntuosidad hecha carne. Los trombones crujían como láminas de oro bajo mi cama, y detrás de mi golová las trompetas lanzaban lenguas de plata, y al lado de la puerta los timbales me asaltaban las tripas y brotaban otra vez como un trueno de caramelo. Oh, era una maravilla de maravillas. Y entonces, como un ave de hilos entretejidos del más raro metal celeste, o un vino de plata que flotaba en una nave del espacio, perdida toda gravedad, llegó el solo de violín imponiéndose a las otras cuerdas, y alzó como una jaula de seda alrededor de mi cama. Aquí entraron la flauta y el oboe, como gusanos platinados, en el espeso tejido de plata y oro. Yo volaba poseído por mi propio éxtasis, oh hermanos.”

Anthony Burgess libro La naranja mecánica

A Clockwork Orange

“Bueno, que me cuelguen si no es ese gordo maloliente, el cabrón Billy y toda la porquería. ¿Cómo estás, botellón de aceite de cocina barato? Acércate, que te daré una en los yarblocos, si es que los tienes, eunuco grasiento.”

Anthony Burgess libro La naranja mecánica

A Clockwork Orange

“Las cosas serán siempre peores, nunca mejores.
Qué nuevo mundo están preparándose ustedes.”

Anthony Burgess libro La naranja mecánica

A Clockwork Orange

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“El enfoque científico de la vida no es necesariamente apropiado para los estados de angustia visceral.”

Anthony Burgess

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“... ¿Solo ustedes malditos hipócritas con sus cuatro esposas y sus diez mil horas en el cielo? ...”

Anthony Burgess

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“Bien alimentado y licuado, respondí con ardor.”

Anthony Burgess

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“Los escritores no son, por naturaleza, respetables: su función es ser subversivos.”

Anthony Burgess

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“¿Qué va a pasar entonces, eh?”

Anthony Burgess

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“Me curé bien.”

Anthony Burgess

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“... Tu pequeño feuilleton ... grabando ... el crudo filisteísmo de mi nabob ...”

Anthony Burgess

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“excita el páncreas a nuevos esfuerzos”

Anthony Burgess

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“La iglesia sostiene que puede ser maltratada, pero los puños que la maltratan conocen su propia impotencia.”

Anthony Burgess

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“Las lenguas nunca se detienen. La ortografía moderna cristaliza las pronunciaciones perdidas: lo visual nunca alcanza a lo auditivo.”

Anthony Burgess

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“… Prefiero pensar en las [mujeres jóvenes] menos como seres humanos que como parcelas llenas de reflejos televisivos.”

Anthony Burgess

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“Mientras caminaba hacia el viaje, esa ilusión de liberación, extrañamente me sentí caminando de regreso a la infancia.”

Anthony Burgess

Anthony Burgess: Frases en inglés

“We can no longer expect the one big book, the single achievement, to be an author's claim to posterity's regard. We shall be more inclined to assess the stature of a novelist by his ability to create what the French call an oeuvre, to present fragments of an individual vision in book after book, to build, if not a War and Peace or Ulysses, at least a shelf.”

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Anthony Burgess

Non-Fiction, The Novel Now: A Student's Guide to Contemporary Fiction (1967)

“An Egyptian priest…. plays up the mystery of language to enhance his own power.”

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Anthony Burgess

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

“In a sense [Lawrence] is the patron saint of all writers who have never had an Oxford or Cambridge education who are somewhat despised by those who have.”

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Anthony Burgess libro 1985

'The Rage of D.H. Lawrence', The South Bank Show (TV), 1985
People, Joseph Conrad, D.H. Lawrence

“He walked down the side street to a wide thoroughfare of shop-windows and offices. This, he assumed, was one of the main arteries of London, a city he did not know very well. There were sodium street-lights, lights in windows. Occasional cars sped by. There was even an airline bus crammed with yawning passengers. Edwin saw himself reflected in a window full of tape-recorders.”

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Anthony Burgess

Fiction, The Doctor is Sick (1960)

“Europeans had sometimes invited him to dinner and given him stuffed aubergines and onion soup and Nuits St Georges and what they said was good coffee.…They had evinced, in their curious French mixed with Malay (both were foreign languages, both occupied the same compartment, they were bound to get mixed), a nostalgia for France which amused him slightly, bored him much, flattered him not at all.”

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Anthony Burgess

Fiction, The Enemy in the Blanket (1958)

“Mr Liversedge…saw the whole ridiculous Oriental susah in true proportion. Here men would murder for five dollars, here men would seek divorce because their wives sighed at the handsomeness of the film star P. Ramlee…. nodding at the lucid exposition of Mr Lim from Penang, though contemning inwardly the Pommie accent…”

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Anthony Burgess

Fiction, Beds in the East (1959)

“…Australian English may be thought of as a kind of fossilised Cockney of the Dickensian era.”

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Anthony Burgess

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

“…And the rising sun shall rise yet higher, destroying with its flaming fire the evil will of the wicked West, but smiling warmly on the rest”

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Anthony Burgess

Fiction, Beds in the East (1959)

“They saw themselves, you could see, as real grown-up devotchkas already, what with the old hipswing when they saw your Faithful Narrator, brothers, and padded groodies and red all ploshed on their goobers…. They viddied themselves as real sophistoes…. They had the same ideas or lack of, and the same colour hair — a like dyed strawy. Well, they would grow up real today…. No school this afterlunch, but education certain, Alex as teacher.”

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Anthony Burgess

Fiction, A Clockwork Orange (1962)

“…1660 virtually starts a new era - an era in which the old land-owning class sinks and the new middle-class rises, an era too in which the English character seems to have become subtly changed. A sense of guilt seems to permeate all pleasure, and this has continued to the present day…. the many living monuments to Puritan rule…. the Englishman’s peculiar restraint - the coldness that repels so many Africans and Asians, an unwillingness to ‘let oneself go’.”

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Anthony Burgess

Non-Fiction, English Literature: A Survey for Students (1958, revised 1974)

“Dr Williams’s book is about a number of nineteenth-century French writers who caught syphilis and probably died of paresis. They are Baudelaire, Jules de Goncourt, Flaubert, Guy de Maupassant and Daudet. A similar book could probably be written about nineteenth-century British writers, including such unlikely victims of syphilis as John Keats and Edward Lear. People were not so frightened of the disease as we are. Few physicians saw the connection between cerebral degeneration and the primary chancre: when the secondary stage of the infection had healed, it was generally assumed that everything was over and lightning would not strike the tree again. This was Baudelaire’s belief. One could even rejoice at picking up the pox: it was not merely an inoculation; it advertised one’s virility to the world….”

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Anthony Burgess

Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

“Defiling their shadows, infidels, accursed of Allah, with fingernails that are foot-long daggers, with mouths agape like cauldrons full of teeth on the boil, with eyes all fire, shaitans possessed of Iblis, clanking into their wars all linked, like slaves, with iron chains. Murad Bey, the huge, the single-blowed ox-beheader, saw without too much surprise mild-looking pale men dressed in blue, holding guns, drawn up in squares six deep as though in some massed dance depictive of orchard walls. At the corners of the squares were heavy giins and gunners. There did not seem to be many horsemen. Murad said a prayer within, raised his scimitar to heaven and yelled a fierce and holy word. The word was taken up, many thousandfold, and in a kind of gloved thunder the Mamelukes threw themselves on to the infidel right and nearly broke it. But the squares healed themselves at once, and the cavalry of the faithful crashed in three avenging prongs along the fire-spitting avenues between the walls. A great gun uttered earthquake language at them from within a square, and, rearing and cursing the curses of the archangels of Islam on to the uncircumcized, they wheeled and swung towards their protective village of Embabeh. There they encountered certain of the blue-clad infidel horde on the flat roofs of the houses, coughing musket-fire at them. But then disaster sang along their lines from the rear as shell after shell crunched and the Mamelukes roared in panic and burden to the screams of their terrified mounts, to whose ears these noises were new. Their rear dissolving, their retreat cut off, most sought the only way, that of the river. They plunged in, horseless, seeking to swim across to join the inactive horde of Ibrahim, waiting for. action that could now never come. Murad Bey, with such of his horsemen as were left, yelped off inland to Gizeh.”

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Anthony Burgess

Fiction, Napoleon Symphony (1974)

“Whether the French were better colonists than the British is an academic question, but at least such Frenchmen as were planting in Malaya (Pierre Boulle, for instance, and Henri Fauconnier) were kept sane by their own culture and some of them (those two, anyway) produced memorable novels based on their Malayan experiences. The British were mostly philistines, and they left behind a heritage of philistinism. Kampung culture is dying, and a metropolitan culture of art galleries and orchestras seems unlikely to arise. What there is, and flourishing too, is a materialist consumerism that is threatened from the north by the communists and from the west by the militant Islam of the ayatollahs. Mr Butcher’s book deals with a race of people who may well be surveyed in terms of anthropological generalities. There was no room for the brilliant or the eccentric. British Malaya was created by courageous and suffering mediocrities. The building of Singapore in 1819 was a rather different affair.”

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Anthony Burgess

"White Men Sweating" - review of The British in Malaya 1880-1941: The Social History of a European Community in Colonial South-East Asia, by John G. Butcher.
Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

“…surely that sneered-at suburban life was more stable than this shadow life…in a country where no involvement was possible…better than the sordid dalliance that soothed me after work?”

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Anthony Burgess

Fiction, The Right to an Answer (1960)

“His heart beating faster, his throat drying, Nabby whispered to the driver, ‘Not so bloody fast.’
‘Tuan?’
‘All right, all right.’ One of these days he must really get down to the language. There never seemed to be the time, somehow….”

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Anthony Burgess

Fiction, Time for a Tiger (1956)

“The scientific approach to life is not necessarily appropriate to states of visceral anguish.”

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Anthony Burgess

Fiction, Tremor of Intent (1966)

“He forgot that the Malays revere cats and that the Chinese merely relish them.”

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Anthony Burgess

Fiction, The Enemy in the Blanket (1958)

“What you could do with is a nice strong cup of tea, sir. I’ll tell the kuki to make you one.’
‘Does it really do any good, Nabby? (That was better.) ‘I’ve tried every damn thing.’….”

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Anthony Burgess

Fiction, Time for a Tiger (1956)

“Legrand scratched his cheek with one of Conté's lead pencils and started to Koranize: I say unto you that you have been brought low by kings who lie with houris on the fat sofas of Stamboul and by those that were once among you and came from lands of the sunset, men pale but warlike, to steal your camels and women and snatch the bread from your teeth, in no wise to raise you high among the peoples of the earth. Meanwhile the C-in-C got on with other things - gunpowder factory, street-lighting, Paris-style café, accommodation for laundresses, a balloon demonstration.”

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Anthony Burgess

Fiction, Napoleon Symphony (1974)

“From ancient drains and sewers of the language (maritime inns and brothels…), from scrawls in the catacombs…whoremasters’ chapbooks…the vocabulary of tavern brawls”

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Anthony Burgess

Fiction, Devil of a State (1961)

““…My name…is Mahalingam…. is Sanskrit for ‘large or great or mighty generative organ’ - this, of course, having more a religious (through associations of religion and fertility) significance than an anatomical one. Though anatomically and…socially the name has not proved inept.”

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Anthony Burgess

Fiction, Devil of a State (1961)

“…a fetid cabaret with a beer-bar, two houses of ill-fame disguised as coffee-shops…”

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Anthony Burgess

Fiction, Beds in the East (1959)

“…in the bar, he treated me and all around us to a loud recapitulation, based loosely on the visas and entry permits in his passport, of the more scandalous elements of our life together. ‘New York, dear, and that pissyarsed publisher of yours who tried to stop me going to the fistfuck party, dangerous he said, lethal, stupid sod. Toronto, that was where we had that little whatsit at the same time, remember, lovely kind of henna colour, half Indian, half French, not an ounce of bloody Anglosaxon blood remember.’ He got drunk very rapidly on undiluted Pernod. ‘The man on the Washington Post who once had it off with a ghost. At the…”

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Anthony Burgess

Fiction, Earthly Powers (1980)

“It was the afternoon of my eighty-first birthday, and I was in bed with my catamite when Ali announced that the archbishop had come to see me.”

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Anthony Burgess

Fiction, Earthly Powers (1980)

“The window opened gently and a still Autumn night entered cat-like. Edwin smelt freedom and London autumn – decay, smoke, cold, motor oil.”

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Anthony Burgess

Fiction, The Doctor is Sick (1960)

“It was all a matter of a Goddess – dark, hidden, deadly, horribly desirable.”

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Anthony Burgess

Fiction, Nothing Like the Sun (1964)

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