Frases de Camille Paglia

página 11

Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 203

Fuente: Sex, Art and American Culture : New Essays (1992), The Rape Debate, Continued, p. 61

Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 27

Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 12

Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 1

Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 3

Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 218

Fuente: Sex, Art and American Culture : New Essays (1992), Rape and Modern Sex War, p. 53

Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 216

Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 89

On Robert Mapplethorpe’s portrait of Patti Smith on the cover of Smith’s debut album Horses (1975), p. 45
Sex, Art and American Culture : New Essays (1992)

Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 295

Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 11

pg. 8
The Birds

Fuente: The Birds, p. 7

The Magic of Images: Word and Picture in a Media Age (2004)

Contemporary feminism called this "misogyny," but it was wrong. Masculine identity is embattled and fragile. In the absence of opportunity for heroic physical action, as in the modern office world, women's goodwill is crucial for preserving the male ego, which requires, alas, daily maintenance. It is in the best interests of the human race, and of women themselves, for men to be strong.
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 85

Males pursue, show off, brawl, scuffle, and make general fools of themselves for love. A major failing of most feminist ideology is its dumb, ungenerous stereotyping of men as tyrants and abusers, when in fact — as I know full well from my own mortifying lesbian experience — men are tormented by women’s flirtatiousness and hemming and hawing, their manipulations and changeableness, their humiliating rejections. Cock teasing is a universal reality. It is part of women’s merciless testing and cold-eyed comparison shopping for potential mates. Men will do anything to win the favor of women.
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 35

Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 224

Fuente: Sex, Art and American Culture : New Essays (1992), The Rape Debate, Continued, p. 61

Fuente: Sex, Art and American Culture : New Essays (1992), p. 262

Fuente: Sex, Art and American Culture : New Essays (1992), p. xi

It is not male society but mother nature who lays the heaviest burden on woman. No husband or day care can adequately substitute for a mother’s attention. My feminist heroes are the boldly independent and childless Amelia Earhart and Katherine Hepburn, who has been outspoken in her opposition to the delusion of “having it all.”
Fuente: Sex, Art and American Culture : New Essays (1992), p. 89

Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 28

In an interview about the book. " Camille Paglia on her controversial feminism https://www.youtube.com/watch?v=69rgLvitaYM" (at 10m35s), CBC News: The National on YouTube, 7 May 2017.
Free Women, Free Men (2017)