Reviewing Warren Farrell's The Myth of Male Power, p. 392
Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality"
Camille Paglia:
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Camille Paglia: Frases en inglés
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 3
“Feminism, coveting social power, is blind to women’s cosmic sexual power.”
Fuente: Sex, Art and American Culture : New Essays (1992), Rape and Modern Sex War, p. 52
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 8
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 34
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 11
“I cannot be convinced that great artists are moralists. Art is first appearances, then meaning.”
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 166
Fuente: Sex, Art and American Culture : New Essays (1992), p. 47
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 1
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 36
“Everyone of my generation who preached free love is responsible for AIDS.”
Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 216
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 571
“Simply follow nature, Rousseau declares. Sade, laughing grimly, agrees.”
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 235
“The mystique of the femme fatale cannot be perfectly translated into male terms.”
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 15
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 65
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 40
“Everything great in western civilization has come from struggling against our origins.”
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 40
Contexto: The book of Genesis is a male declaration of independence from the ancient mother-cults. Its challenge to nature, so sexist to modern ears, marks one of the crucial moments in western history. Mind can never be free of matter. Only by mind imagining itself free can culture advance. The mother-cults, by reconciling man to nature, entrapped him in matter. Everything great in western civilization has come from struggling against our origins. Genesis is rigid and unjust, but it gave man hope as a man. It remade the world by male dynasty, canceling the power of mothers.
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 37
Fuente: Sex, Art and American Culture : New Essays (1992), Rape and Modern Sex War, p. 53
“[W]omen will never be taken seriously until they accept full responsibility for their sexuality.”
Fuente: Sex, Art and American Culture : New Essays (1992), p. 269
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 29
Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 213
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 37
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 52
On Joycelyn Elders and Clinton's firing of her
Playboy interview (May 1995)
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 30
Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 214
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 38
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 18
