“The reform of a college English department cuts no ice down at the corner garage.”
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 22
Camille Anna Paglia[1] es una crítica social, intelectual, escritora y profesora estadounidense. Es profesora de humanidades y de estudios sobre medios de comunicación en la Universidad de las Artes en Filadelfia. Entre otras muchas definiciones, ha sido considerada como "la feminista a la que las otras feministas odian", "una feminista post-feminista", "uno de los 100 intelectuales más importantes del mundo" en 2005 por la revista Prospect del Reino Unido[2] e, incluso, en sus propias palabras, "una egomaníaca feminista bisexual".
Considerada una de las principales críticas del feminismo de género. [3]
“The reform of a college English department cuts no ice down at the corner garage.”
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 22
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 32
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 101
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 232
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 102
Playboy interview (May 1995)
Fuente: Sex, Art and American Culture : New Essays (1992), p. 36
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 173
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 56
Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 213
“Modernization means Westernization.”
Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 239
Fuente: Sex, Art and American Culture : New Essays (1992), p. 82
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 71
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 293
Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 246
Fuente: Vamps and Tramps (1994), p. xx
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 41
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 429
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 65
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 3
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 25
“Women's studies is institutionalized sexism.”
Fuente: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 242
“Art advances by self-mutilation of the artist.”
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 54
Fuente: Sex, Art and American Culture : New Essays (1992), p. 23
Fuente: Sex, Art and American Culture : New Essays (1992), p. 15
Fuente: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 80
Fuente: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 8