Frases de David Hockney

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David Hockney

Fecha de nacimiento: 9. Julio 1937

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David Hockney, es un pintor, proyectista, escenógrafo, impresor y fotógrafo inglés. Vive en Bridlington, Yorkshire del Este, y Kensington en Londres.[1]​ Hockney mantiene dos residencias en California donde vivió por temporadas durante 30 años: una en Nichols Canyon, Los Ángeles, y una oficina en Santa Monica Boulevard[2]​ en West Hollywood.[3]​[4]​

Fue un importante contribuyente del movimiento conocido como Arte Pop en la década de 1960, siendo considerado uno de los artistas británicos más influyentes del siglo XX.[5]​[6]​

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Frases David Hockney

„He was a member of CND and a socialist with a rather romantic and naive idea of what Soviet Russia was like, all cornfields and ballet.“

—  David Hockney
Context: He [Hockney's father] hardly ever left Bradford. He was a member of CND and a socialist with a rather romantic and naive idea of what Soviet Russia was like, all cornfields and ballet. He would have gone mad for email because he was always sending letters to world leaders — Eisenhower, Mao, Stalin — telling them what was what. I think he imagined the Politburo would hold up his letter and say, "Hold everything, Kenneth Hockney has written again!" Interview with Nigel Farndale, "The talented Mr. Hockney," The Telegraph, (15 November 2001)

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„When conventions are old, there's quite a good reason, it's not arbitrary.“

—  David Hockney
Context: When conventions are old, there's quite a good reason, it's not arbitrary. So Picasso discovered that, as it were, and I'm sure that for him that was probably almost as exciting as discovering Cubism, rediscovering conventions of ordinary appearance, one-point perspective or something. The purists think you're going backwards, but I know you'd go forward. Future art that is based on appearances won't look like the art that's gone before. Even revivals of a period are not the same. The Renaissance is not the same as ancient Greece; the Gothic revival is not the same as Gothic. It might look like that at first, but you can tell it's not. The way we see things is constantly changing. At the moment the way we see things has been left a lot to the camera. That shouldn't necessarily be. From a series of interviews with Marco Livingstone (April 22 - May 7, 1980 and July 6 - 7, 1980) quoted in Livingstone's David Hockney (1981) , p. 112

„I think he imagined the Politburo would hold up his letter and say, "Hold everything, Kenneth Hockney has written again!"“

—  David Hockney
Context: He [Hockney's father] hardly ever left Bradford. He was a member of CND and a socialist with a rather romantic and naive idea of what Soviet Russia was like, all cornfields and ballet. He would have gone mad for email because he was always sending letters to world leaders — Eisenhower, Mao, Stalin — telling them what was what. I think he imagined the Politburo would hold up his letter and say, "Hold everything, Kenneth Hockney has written again!" Interview with Nigel Farndale, "The talented Mr. Hockney," The Telegraph, (15 November 2001)

„The way we see things is constantly changing. At the moment the way we see things has been left a lot to the camera. That shouldn't necessarily be.“

—  David Hockney
Context: When conventions are old, there's quite a good reason, it's not arbitrary. So Picasso discovered that, as it were, and I'm sure that for him that was probably almost as exciting as discovering Cubism, rediscovering conventions of ordinary appearance, one-point perspective or something. The purists think you're going backwards, but I know you'd go forward. Future art that is based on appearances won't look like the art that's gone before. Even revivals of a period are not the same. The Renaissance is not the same as ancient Greece; the Gothic revival is not the same as Gothic. It might look like that at first, but you can tell it's not. The way we see things is constantly changing. At the moment the way we see things has been left a lot to the camera. That shouldn't necessarily be. From a series of interviews with Marco Livingstone (April 22 - May 7, 1980 and July 6 - 7, 1980) quoted in Livingstone's David Hockney (1981) , p. 112

„Future art that is based on appearances won't look like the art that's gone before. Even revivals of a period are not the same.“

—  David Hockney
Context: When conventions are old, there's quite a good reason, it's not arbitrary. So Picasso discovered that, as it were, and I'm sure that for him that was probably almost as exciting as discovering Cubism, rediscovering conventions of ordinary appearance, one-point perspective or something. The purists think you're going backwards, but I know you'd go forward. Future art that is based on appearances won't look like the art that's gone before. Even revivals of a period are not the same. The Renaissance is not the same as ancient Greece; the Gothic revival is not the same as Gothic. It might look like that at first, but you can tell it's not. The way we see things is constantly changing. At the moment the way we see things has been left a lot to the camera. That shouldn't necessarily be. From a series of interviews with Marco Livingstone (April 22 - May 7, 1980 and July 6 - 7, 1980) quoted in Livingstone's David Hockney (1981) , p. 112

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„How can Blair fight a war on terror? Terror is not an ideology or an army; terror is a technique.“

—  David Hockney
Interview with Jasper Gerard, "Taking the fight to the dreary people" http://www.timesonline.co.uk/article/0,,2092-1806962,00.html The Sunday Times (London)

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„I can get excitement watching rain on a puddle. And then I paint it. Now, I admit, there are not too many people who would find that exciting. But I would. And I want life thrilling and rich. And it is. I make sure it is.“

—  David Hockney
Interview with Marion Finlay, "Hockney on … politics, pleasure, and smoking in public places" http://www.forestonline.org/output/Page264.asp FOREST Online (28 July 2004)

„Teaching people to draw is teaching people to look.“

—  David Hockney
Interview with Jasper Gerard, "Taking the fight to the dreary people," The Sunday Times (London) (2 October 2005)

„In the end nobody knows how it's done — how art is made. It can't be explained. Optical devices are just tools. Understanding a tool doesn't explain the magic of creation. Nothing can.“

—  David Hockney
Interview with Martin Gayford, "Hockney and the secrets of the Old Masters" http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2001/09/22/bagay22.xml The Telegraph(22 September 2001)

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