Frases de Denise Levertov

Denise Levertov Foto
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Denise Levertov

Fecha de nacimiento: 24. Octubre 1923
Fecha de muerte: 20. Diciembre 1997

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Denise Levertov fue una poeta inglesa, nacionalizada estadounidense.

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Frases Denise Levertov

„Leaps of nerve, heart —
cries of communion: if there is bliss,
it has
been already
and will be; out-
reaching, utterly.“

—  Denise Levertov
Context: Leaps of nerve, heart — cries of communion: if there is bliss, it has been already and will be; out- reaching, utterly. Blind to itself, flooded with otherness.

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„I like to find
what's not found
at once, but lies within something of another nature,
in repose, distinct.“

—  Denise Levertov
Context: I like to find what's not found at once, but lies within something of another nature, in repose, distinct. Pleasures

„It is said he made his earth-journey, and lost
what he sought.
It is said they felled him
and cut up his limbs for firewood.
And it is said
his head still sang and was swept out to sea singing.“

—  Denise Levertov
Context: It is said he made his earth-journey, and lost what he sought. It is said they felled him and cut up his limbs for firewood. And it is said his head still sang and was swept out to sea singing.

„I was the first to see him, for I grew
out on the pasture slope, beyond the forest.
He was a man, it seemed. . .“

—  Denise Levertov
Context: I was the first to see him, for I grew out on the pasture slope, beyond the forest. He was a man, it seemed...

„He told of journeys,
of where sun and moon go while we stand in dark,
of an earth-journey he dreamed he would take some day
deeper than roots ...“

—  Denise Levertov
Context: He told of journeys, of where sun and moon go while we stand in dark, of an earth-journey he dreamed he would take some day deeper than roots... He told of the dreams of man, wars, passions, griefs, and I, a tree, understood words – ah, it seemed my thick bark would split like a sapling's that grew too fast in the spring when a late frost wounds it.

„Acknowledgement, and celebration, of mystery probably constitutes the most consistent theme of my poetry from its very beginnings.“

—  Denise Levertov
Context: Acknowledgement, and celebration, of mystery probably constitutes the most consistent theme of my poetry from its very beginnings. Because it is a matter of which I am conscious, it is possible, however imprecisely, to call it an intellectual position; but it is one which emphasizes the incapacity of reason alone (much though I delight in elegant logic) to comprehend experience, and considers Imagination the chief of human faculties. It must therefore be by the exercise of that faculty that one moves toward faith, and possibly by its failure that one rejects it as delusion. Poems present their testimony as circumstantial evidences, not as closing argument. Where Wallace Stevens says, "God and the imagination are one," I would say that the imagination, which synergizes intellect, emotion and instinct, is the perceptive organ through which it is possible, though not inevitable, to experience God. A Poets View (1984)

„Poems present their testimony as circumstantial evidences, not as closing argument.“

—  Denise Levertov
Context: Acknowledgement, and celebration, of mystery probably constitutes the most consistent theme of my poetry from its very beginnings. Because it is a matter of which I am conscious, it is possible, however imprecisely, to call it an intellectual position; but it is one which emphasizes the incapacity of reason alone (much though I delight in elegant logic) to comprehend experience, and considers Imagination the chief of human faculties. It must therefore be by the exercise of that faculty that one moves toward faith, and possibly by its failure that one rejects it as delusion. Poems present their testimony as circumstantial evidences, not as closing argument. Where Wallace Stevens says, "God and the imagination are one," I would say that the imagination, which synergizes intellect, emotion and instinct, is the perceptive organ through which it is possible, though not inevitable, to experience God. A Poets View (1984)

„We have stood here since,
in our new life.
We have waited.
He does not return.“

—  Denise Levertov
Context: By dawn he was gone. We have stood here since, in our new life. We have waited. He does not return.

„And I
in terror
but not in doubt of
what I must do
in anguish, in haste,
wrenched from the earth root after root,
the soil heaving and cracking, the moss tearing asunder —“

—  Denise Levertov
Context: And I in terror but not in doubt of what I must do in anguish, in haste, wrenched from the earth root after root, the soil heaving and cracking, the moss tearing asunder — and behind me the others: my brothers forgotten since dawn. In the forest they too had heard, and were pulling their roots in pain out of a thousand years' layers of dead leaves, rolling the rocks away, breaking themselves out of their depths.

„To leave the open fields
and enter the forest, that was the rite.
Knowing there was mystery, they could go.“

—  Denise Levertov
Context: To leave the open fields and enter the forest, that was the rite. Knowing there was mystery, they could go. Go back now! And he receded among the multitude of forms, the twists and shadows they saw now, listening to the hum of the world's wood. "The Novices" (1960)

„I was seed again.
I was fern in the swamp.
I was coal.“

—  Denise Levertov
Context: Fire he sang, that trees fear, and I, a tree, rejoiced in its flames. New buds broke forth from me though it was full summer. As though his lyre (now I knew its name) were both frost and fire, its chords flamed up to the crown of me. I was seed again. I was fern in the swamp. I was coal.

„I would say that the imagination, which synergizes intellect, emotion and instinct, is the perceptive organ through which it is possible, though not inevitable, to experience God.“

—  Denise Levertov
Context: Acknowledgement, and celebration, of mystery probably constitutes the most consistent theme of my poetry from its very beginnings. Because it is a matter of which I am conscious, it is possible, however imprecisely, to call it an intellectual position; but it is one which emphasizes the incapacity of reason alone (much though I delight in elegant logic) to comprehend experience, and considers Imagination the chief of human faculties. It must therefore be by the exercise of that faculty that one moves toward faith, and possibly by its failure that one rejects it as delusion. Poems present their testimony as circumstantial evidences, not as closing argument. Where Wallace Stevens says, "God and the imagination are one," I would say that the imagination, which synergizes intellect, emotion and instinct, is the perceptive organ through which it is possible, though not inevitable, to experience God. A Poets View (1984)

„You are the stream, the fish, the light,
the pulsing shadow.
You the unchanging presence, in whom all
moves and changes.“

—  Denise Levertov
Context: You are the stream, the fish, the light, the pulsing shadow. You the unchanging presence, in whom all moves and changes. How can I focus my flickering, perceive at the fountain's heart the sapphire I know is there?

„I love them
for finding what
I can't find, and for loving me
for the line I wrote,
and for forgetting it“

—  Denise Levertov
Context: I love them for finding what I can't find, and for loving me for the line I wrote, and for forgetting it so that a thousand times, till death finds them, they may discover it again, in other lines in other happenings. And for wanting to know it, for assuming there is such a secret, yes, for that most of all.

„Delivered out of raw continual pain,
smell of darkness, groans of those others
to whom he was chained —“

—  Denise Levertov
Context: Delivered out of raw continual pain, smell of darkness, groans of those others to whom he was chained — unchained, and led past the sleepers, door after door silently opening — out! St. Peter and the Angel

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