quoted by Floyd Goodrich, in Edward Hopper, H. Abrams, New York 1971
1941 - 1967
Edward Hopper:
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Edward Hopper: Frases en inglés
Quote in Hopper's letter to Charles H. Sawyer, October 29, 1939; as cited in Edward Hopper, Lloyd Goodrich; New York, Harry N. Abrams, 1971, p. 164
1911 - 1940
“All I ever wanted to do is to paint sunlight on the side of a wall.”
Comment on his 'Early Sunday Morning' (1930) https://www.wikiart.org/en/Search/Early%20Sunday%20Morning
1941 - 1967
“After I took up etchings [c. 1915], my paintings seemed to crystallize.”
1941 - 1967
Fuente: 'Edward Hopper: The Emptying Spaces', Suzanne Burrey; in 'Árt Digest', April 1, 1955 p. 10
Quote in 'Travelling Man', Time January 1948
1941 - 1967
“It is hard for me to know what to paint. It comes slowly.”
quoted by Gail Levin in 'Edward Hopper - an intimate biography' (1995)
1941 - 1967
1911 - 1940
Fuente: 'Wake of the News, Washington Square North Boasts Strangers Worth Talking to', by Archer Winston, 'New York Post', November 26, 1935
Hopper’s respond on a comment of an interviewer about the 'lack of communication' in his painting art
1941 - 1967
Fuente: an interview with Aline Saarinen, 'Sunday Show', NBC-TV 1964, transcript, p. 3
“The whole answer is there on the canvas.”
Hopper's answer to journalists - quoted by Sherry Maker, in 'Edward Hopper' (1990)
1941 - 1967
Quote of Hopper's letter to his sister, June 9, 1910; as cited in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 23
1905 - 1910
Quote in: 'Edward Hopper: The Emptying Spaces', Suzanne Burrey; in 'Art Digest', April 1, 1955 pp. 8 - 10
1941 - 1967
1941 - 1967
Fuente: 'Oral history interview with Edward Hopper' (1959, June 17), conducted by John Morse; 'Archives of American Art', Smithsonian Institution
“Ninety percent of them [artists in general] are forgotten ten minutes after they’re dead.”
1941 - 1967
Fuente: a letter to Margaret McKellar, 14 November 1965; as quoted in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984
In a letter to his mother, c. 1910; as quoted in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 27
1905 - 1910
“Recognition does not mean so much, you never get it when you need it.”
2 Quotes in 'The Silent Witness', Time, December 24, 1956
1941 - 1967
1941 - 1967
Fuente: 'Edward Hopper' (1962), Katherine Kuh, in 'The Artist's Voice: Interviews with Artists' New York: Harper and Row, 1962:140
Interview in the late 1950's, Katherine Kuh and Avis Berman ed., in 'My Love Affair With Modern Art', New York 2006, p.276; as quoted in 'The Artist’s Voice', Katharine Kuh, New York and Evanston 1962, p.135
Hopper qualified his early Paris sketches, by adding that these sketches were direct, about the 'immediate impression', while being very much concerned to represent with representing depth
1941 - 1967
1911 - 1940, Notes on Painting - Edward Hopper (1933)
