Frases de Emil Nolde

Emil Nolde Foto
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Emil Nolde

Fecha de nacimiento: 7. Agosto 1867
Fecha de muerte: 13. Abril 1956

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Emil Nolde fue uno de los más destacados pintores expresionistas alemanes.[1]​ Su verdadero nombre era Hans Emil Hansen. Estuvo muy influido por Vincent van Gogh, Edvard Munch, y James Ensor.

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Frases Emil Nolde

„You speak of errors... Men who are so correct and flawless are mostly boring; small weaknesses can be loved... One chief characteristic of the etchings gives me much pleasure: because out of them streams forth a tremendous life.“

— Emil Nolde
in two letters, to , 23 October and 22 November, 1905; as quoted by Hans Fehr, in: 'Aus Leben und Werkstatt', 'Das Kunstblatt' no. 7 (1919), pp. 205-6; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 5 Nolde described in 1905 the role his experiments played in etching - in generating a subjective imagery and unorthodox surfaces that unlocked his own inner world

„In the working of wood and for the determining of its character I had had enough experience in my five-year pursuit of woodcutting. I also always gladly let the various charming grainings and sometimes the knots become involved in the printing.“

— Emil Nolde
in Nolde's letter, c. 1910; in , 'Nolde als Graphiker', Das Kunstblatt 11, no. 8., 1927, p. 289; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 52

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„It was in mid-summer [1906]. The colors of the flowers attracted me irresistibly and almost sudden I was painting. My first small gardens paintings were born.“

— Emil Nolde
Quote of Nolde, 1906 in Jahre der Kämpfe (The years of struggles); as cited by Francesco Mazzaferro in 'The Diaries of Paul Klee' - Part Three: Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html

„Dualism is particularly important in both my paintings and my graphics.“

— Emil Nolde
from: Years of Struggle 1902-14' Autobiography Berlin 1934

„Every true artist creates new values, new beauty... When you notice anarchy, recklessness, or licentiousness in works of contemporary art, when you notice crass coarseness and brutality, then occupy yourself long and painstakingly precisely with these works, and you will suddenly recognize how the seeming recklessness transforms itself into freedom, the coarseness into high refinements. Harmless pictures are seldom worth anything.“

— Emil Nolde
Quote of Nolde's letter to , 1905; published in 'Aus Leben und Werkstatt Emil Noldes', 'Das Kunstblatt' no. 7 (1919), p. 208; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 40 Hans Fehr expressed in a letter to Nolde his concern about the 'recklessness' and 'licentiousness' of some prints by Nolde. Fehr published Nolde's response in 1919

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„Nobody had made the same full use of the properties of acids and metal in this way before. Having drown on the copper-plate and left areas of it bare, I laid it in the bath of acid and achieved effects that astonished even me, full of subtle nuances.“

— Emil Nolde
quote c. 1906-07; as quoted by , in Expressionism; Praeger Publishers, New York, 1973, p. 78 Nolde is explaining his technique of surface-etching to the other Brücke-artists

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„.. colors are my notes for fashioning sounds and chords with and against one another.“

— Emil Nolde
as quoted in Expressionism, a German intuition, 1905-1920, Neugroschel, Joachim; Vogt, Paul; Keller, Horst; Urban, Martin; Dube, Wolf Dieter; (transl. Joachim Neugroschel); publisher: Solomon R. Guggenheim Foundation, New York, 1980, p. 35 3 short quotes in which Nolde expresses the evocative power of color, which became with his garden and flower paintings from 1906-07 the chief medium of his art.

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