Frases de Lillian Hellman

Lillian Hellman Foto
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Lillian Hellman

Fecha de nacimiento: 20. Junio 1905
Fecha de muerte: 30. Junio 1984

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Lillian Florence Hellman fue una dramaturga y guionista de cine estadounidense. Conocida por su compromiso político con causas izquierdistas, por su relación sentimental con el escritor Dashiell Hammett, y por su larga amistad con la escritora Dorothy Parker, de quien fue su albacea.

Frases Lillian Hellman

„I cannot and will not cut my conscience to fit this year’s fashions“

— Lillian Hellman
Context: I am ready and willing to testify before the representatives of our Government as to my own opinions and my own actions, regardless of any risks or consequences to myself. But I am advised by counsel that if I answer the committee’s questions about myself, I must also answer questions about other people and that if I refuse to do so, I can be cited for contempt. My counsel tells me that if I answer questions about myself, I will have waived my rights under the fifth amendment and could be forced legally to answer questions about others. This is very difficult for a layman to understand. But there is one principle that I do understand: I am not willing, now or in the future, to bring bad trouble to people who, in my past association with them, were completely innocent of any talk or any action that was disloyal or subversive. I do not like subversion or disloyalty in any form and if I had ever seen any I would have considered it my duty to have reported it to the proper authorities. But to hurt innocent people whom I knew many years ago in order to save myself is, to me, inhuman and indecent and dishonorable. I cannot and will not cut my conscience to fit this year’s fashions, even though I long ago came to the conclusion that I was not a political person and could have no comfortable place in any political group. [http://historymatters.gmu.edu/d/6454 Letter to the House Committee on Un-American Activities] (HUAC) of the US House of Representatives (19 May 1952)

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„We will not think noble because we are not noble.“

— Lillian Hellman
Context: We will not think noble because we are not noble. We will not live in beautiful harmony because there is no such thing in this world, nor should there be. We promise only to do our best and to live out our lives. Dear God, that's all we can promise in truth. Candide (1956)

„Nobody outside of a baby carriage or a Judge's chamber can believe in an unprejudiced point of view“

— Lillian Hellman
Context: Nobody outside of a baby carriage or a Judge's chamber can believe in an unprejudiced point of view but, simply in self-interest, the biographer must try for one, or make us believe he has, or tell us that he hasn't. [http://www.nytimes.com/books/00/09/10/specials/west-ray.html "Love Letters, Some Not So Loving" (a review of H.G. Wells and Rebecca West by Gordon N. Ray), in The New York Times (13 October 1974)]; this has often been paraphrased as "Nobody outside of a baby carriage or a Judge's chamber believes in an unprejudiced point of view."

„Lives were being ruined and few hands were raised in help. Since when do you have to agree with people to defend them from injustice?“

— Lillian Hellman
Context: To many intellectuals the radicals had become the chief, perhaps the only, enemy. … Not alone because the radical's reasons were suspect but because his convictions would lead to a world that deprived the rest of us of what we had. Very few people were capable of admitting anything so simple. But the antiradical camp contained the same divisions: often they were honest and thoughtful men, often they were men who turned down a dark road for dark reasons. But radicalism or anti-radicalism should have had nothing to do with the sly, miserable methods of McCarthy, Nixon and colleagues, as they flailed at Communists, near-Communists, and nowhere-near Communists. Lives were being ruined and few hands were raised in help. Since when do you have to agree with people to defend them from injustice? p. 82

„I do not believe in recovery. The past, with its pleasures, its rewards, its foolishness, its punishments, is there for each of us forever, and it should be.“

— Lillian Hellman
Context: Sad is a fake word for me to be using, I am still angry that their reason for disagreeing with McCarthy was too often his crude methods.... Many of the anti-Communists were, of course, honest men. But none of them... has stepped forward to admit a mistake. It is not necessary in this country; they too know that we are a people who do not remember much. I have written here that I have recovered. I mean it only in a worldly sense because I do not believe in recovery. The past, with its pleasures, its rewards, its foolishness, its punishments, is there for each of us forever, and it should be. p. 150

„Old paint on a canvas, as it ages, sometimes becomes transparent.“

— Lillian Hellman
Context: Old paint on a canvas, as it ages, sometimes becomes transparent. When that happens it is possible, in some pictures, to see the original lines: a tree will show through a woman's dress, a child makes way for a dog, a large boat is no longer on an open sea. That is called pentimento because the painter "repented," changed his mind. Perhaps it would be as well to say that the old conception, replaced by a later choice, is a way of seeing and then seeing again. That is all I mean about the people in this book. The paint has aged and I wanted to see what was there for me once, what is there for me now. Pentimento: A Book of Portraits (1973), Introduction

„There are people who eat earth and eat all the people on it like in the Bible with the locusts. Then there are people who stand around and watch them eat it.“

— Lillian Hellman
Context: There are people who eat earth and eat all the people on it like in the Bible with the locusts. Then there are people who stand around and watch them eat it. (Softly) Sometimes I think it ain't right to stand and watch them do it. The Little Foxes (1939)

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„I like people who refuse to speak until they are ready to speak.“

— Lillian Hellman
As quoted in Untamed Tongues : Wild Words from Wild Women (1993) by Autumn Stephens, p. 132

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