Frases de Martin de Maat

Martin de Maat era director de teatro estadounidense.

✵ 12. enero 1949 – 15. febrero 2001
Martin de Maat: 17   frases 0   Me gusta

Martin de Maat: Frases en inglés

“I think many of us go through our life not fully having permission to be who we are and what we're going to become.”

A Conversation with Martin de Maat (1998)
Contexto: I think many of us go through our life not fully having permission to be who we are and what we're going to become. Most of us are often looking for approval. We hate it when we're not approved of. It's that approval that has us in our minds worrying about what we're doing as we're doing it, trying to figure out whether or not it's appropriate or will be accepted. We walk through our lives like we're on our first date. Trying to see if we're appropriate and trying not to step on other peoples' toes... you know, cautiously, prophylactically, for fear of not being approved of. In this work, there's only approval.

“The beginning of this work is just how to get people to remember how to play, to be in play. Once you're in play, you're in the moment. You're not judgmental, you're enjoying each other, you're accepting of everything that goes on; you're trusting yourself and just doing the game as best as you can.”

A Conversation with Martin de Maat (1998)
Contexto: The beginning of this work is just how to get people to remember how to play, to be in play. Once you're in play, you're in the moment. You're not judgmental, you're enjoying each other, you're accepting of everything that goes on; you're trusting yourself and just doing the game as best as you can. Your critical mind is gone, your analytical mind is not involved. Really, it's just the flow that goes on between human beings, the group the power of the ensemble.
As with any ensemble, it is the team effort or the group effort that makes the individual grow or look good. That's what the center of this work is all about, what these games and exercises are all about... breaking down barriers between people, empowering the individual to believe in their own associations and ideas, uncovering the courage to create, the courage to communicate.

“That's what the center of this work is all about, what these games and exercises are all about . . . breaking down barriers between people, empowering the individual to believe in their own associations and ideas, uncovering the courage to create, the courage to communicate.”

A Conversation with Martin de Maat (1998)
Contexto: The beginning of this work is just how to get people to remember how to play, to be in play. Once you're in play, you're in the moment. You're not judgmental, you're enjoying each other, you're accepting of everything that goes on; you're trusting yourself and just doing the game as best as you can. Your critical mind is gone, your analytical mind is not involved. Really, it's just the flow that goes on between human beings, the group the power of the ensemble.
As with any ensemble, it is the team effort or the group effort that makes the individual grow or look good. That's what the center of this work is all about, what these games and exercises are all about... breaking down barriers between people, empowering the individual to believe in their own associations and ideas, uncovering the courage to create, the courage to communicate.

“The base of the work is one of individuals believing in themselves, trusting themselves in the moment and being accepting of themselves and the people around them. In order to improvise in front of an audience, you have to be accepting, involved in the moment and courageous.”

A Conversation with Martin de Maat (1998)
Contexto: The base of the work is one of individuals believing in themselves, trusting themselves in the moment and being accepting of themselves and the people around them. In order to improvise in front of an audience, you have to be accepting, involved in the moment and courageous. Those issues, when transferred over to general communication, makes the communication richer and helps in all areas of life.

“You know, it's simply recognizing you're not alone. I'm way out in theory here; it's the study of what the power is, the power in improvisation and why it changes lives…. I'm crazy about it, and that's why I've dedicated my life to the study of it. The power is love, if you want to know the truth. It's love and unconditional acceptance.”

A Conversation with Martin de Maat (1998)
Contexto: What happens in the ensemble work is that in a cooperative work, the power of communication in being with each other in acceptance and "yes, and"-ing each other, is that you as an individual start to believe in yourself because you begin to see yourself in the others' eyes. Your ensemble, your group, your team, your committee, is the one that's believing in you and you pull it together to do it for them. You know, it's simply recognizing you're not alone. I'm way out in theory here; it's the study of what the power is, the power in improvisation and why it changes lives.... I'm crazy about it, and that's why I've dedicated my life to the study of it. The power is love, if you want to know the truth. It's love and unconditional acceptance. You put yourself in a place of support, unconditional acceptance and love for who you are, the way you are and your uniqueness, and what you do is grow. You surround yourself with people who are truly interested in you and listen to you, and you will grow. And it doesn't take much to start advancing you, it doesn't take much of that support, it doesn't take much of that love and that care and you can do it. You can play act with people. You can be in a state of play together.

“The Hokey Pokey. Think about it. At the end of the song, what do we learn? What is it all about?… You put your whole self in!”

As quoted in "Community Mourns the Death of Martin de Maat" by Lisa Lewis (2 March 2001)

“I am giving you permission to succeed.”

The Mysterious Martin de Maat (2001)

“Let’s try and create scenes that are about something… About something deeper than this ashtray.”

As quoted in "Community Mourns the Death of Martin de Maat" by Lisa Lewis (2 March 2001) http://www.performink.com/Archives/obituaries/DemaatMartin3201.html

“You do not have the right to use this art form to feel inferior.”

As quoted by a former student "TJ" (23 March 2006) http://yesandblog.blogspot.com/2006_03_01_yesandblog_archive.html

“I don't give you permission to fail.”

The Mysterious Martin de Maat (2001)

“You are pure potential.”

Sign quoting de Maat near the entrance of The Second City Training Center

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