Frases de Pablo Picasso (161 citas, página 4)

Fuente: Citado en [Vélaz Rivas], José Ignacio. Motivos y motivación en la empresa. Edición ilustrada. Ediciones Díaz de Santos, 1996. ISBN 9788479782672, p. 279.

“¿Qué es el arte? Si lo supiera, tendría buen cuidado de no revelarlo.”

Pablo Picasso

Fuente: [Ortega Blake], Arturo. El gran libro de las frases célebres. Editorial Penguin Random House Grupo Editorial México, 2013 ISBN 978-60-7311-631-2.

“Los ordenadores son inútiles. Sólo pueden darte respuestas.”

Pablo Picasso

Fuente: Citado en [Foster], Jack. Cómo generar ideas. Traducido por Carmen E. [León Pérez], Laura C. [Pérez de León]. Edición ilustrada. Editorial Universitaria Ramon Areces, 2003. ISBN 9788480045612, p. 83.

“Incluso tu firma es una obra de arte.”

Pablo Picasso

Texto original: «Anche la tua firma è un’opera d’arte».
Dirigiéndose al pintor albanés Ibrahim Kodra.
Fuente: «Addio al pittore Ibrahim Kodra l' albanese che piaceva anche a Brera.» 2 de febrero de 2006. http://ricerca.repubblica.it/repubblica/archivio/repubblica/2006/02/08/addio-al-pittore-ibrahim-kodra-albanese.html repubblica.it.
Fuente: [Pontiggia], Elena (en italiano). «Omaggio al pittore Kodra all’Adafa.» 2 de febrero de 2006. http://www.laprovinciacr.it/scheda/arte/136838/Omaggio-al-pittore-Kodra--all.html La Provincia.

Pablo Picasso Frases y Citas

“Cuando yo era pequeño mi madre me decía: Si te haces soldado llegarás a general, si te haces cura, llegarás a ser Papa. En cambio de todo eso decidí ser pintor y me convertí en Picasso.”

Pablo Picasso

Cambio

“La pintura es más fuerte que yo, siempre consigue que haga lo que ella quiere.”

Pablo Picasso

Fuente: Citado en [Mallén], Enrique. Poesía del lenguaje de T.S. Eliot a Eduardo Espina. Editorial Aldus, 2008. ISBN 9789707141421, p. 56.

Pintura , Fuerte

“Yo no busco; yo encuentro.”

Pablo Picasso

Variante: Yo no busco, yo encuentro.
Fuente: Citado en [Pérez-Bermúdez Inglés], Carlos. Lo que enseña el arte, (2a ed.): La percepción estética en Arnheim. Editorial Universitat de València, 2011. ISBN 9788437082738, p. 120.

“Todo lo que puede ser imaginado es real.”

Pablo Picasso

Variante: Todo lo que puedas imaginar es real.
Fuente: Citado en [Ortiz Moctezuma], Manuel Benjamín. Sistemas dinámicos en tiempo continuo: Modelado y simulación. Edición ilustrada. Editorial OmniaScience, 2015. ISBN 9788494467325, p. 185.

“Los grandes artistas copian, los genios roban.”

Pablo Picasso

“Yo hago lo imposible, porque lo posible lo hace cualquiera.”

Pablo Picasso

Fuente: Citado en [Cubeiro Villar], Juan Carlos; [Carretero], Jorge H. Atrévete a motivarte: Manual práctico para vivir motivado tanto en la vida como en el trabajo. Editorial Grupo Planeta Spain, 2014. ISBN 9788415678823.

“Siempre estoy haciendo cosas que no puedo hacer, así es como logro hacerlas.”

Pablo Picasso

“Desde niño pintaba como Rafael, pero me llevó toda una vida aprender a dibujar como un niño.”

Pablo Picasso

Fuente: Citado en [Vázquez], Nika. Aporta o aparta: Elimina de tu vida todo lo que no te deja avanzar. Editorial Penguin Random House Grupo Editorial España, 2017. ISBN 9788403516670.

De vida

“Cuando dicen que soy demasiado viejo para hacer una cosa, procuro hacerla enseguida.”

Pablo Picasso

Fuente: [Palomo y Triguero] (2013), p. 295.

“Cuando comienzas un retrato y buscas una forma pura, un volumen limpio, a través de eliminaciones sucesivas, llegas inevitablemente al huevo. Del mismo modo, comenzando con el huevo y siguiendo el mismo proceso a la inversa, terminas con el retrato.”

Pablo Picasso

“Cuando no tengo rojo, pongo negro.”

Pablo Picasso

“Cuando se es joven, se es joven para toda la vida.”

Pablo Picasso

Fuente: Citado en [Peicovich], Esteban. El ocaso de Perón. Edición ilustrada. Editorial Alacena Roja, 2013, p. 9.

De vida

“El que se guarda un elogio, es porque se lo merece.”

Pablo Picasso

“En cuestiones de pintura un experto sólo puede dar malos consejos porque ellos son los únicos con derecho a equivocarse.”

Pablo Picasso

Pintura , Mal

“La acción es la llave fundacional de todo éxito.”

Pablo Picasso

Éxito

“La calidad de un pintor depende de la cantidad de pasado que lleve consigo.”

Pablo Picasso

Fuente: Citado en [Haghenbeck], F. G. El libro secreto de Frida Kahlo. Editorial Simon and Schuster, 2012. ISBN 9781451641455, p. 252.

Pasado

“La pintura no ha sido hecha para decorar los departamentos. Es un instrumento de guerra ofensiva y defensiva contra el enemigo.”

Pablo Picasso

Fuente: Citado en [Moneta], Raúl; [Porto], Horacio; [Rollié], Roberto. Artes plásticas y cultura nacional. Editorial La Cebolla de Vidrio Ediciones, 1984, p. 96.

De fe , De guerra , Pintura

“Un pintor es un hombre que pinta lo que vende. Un [artista], en cambio, es un hombre que vende lo que pinta.”

Pablo Picasso

Fuente: [Israel], Ricardo. El libro de las verdades. Citas citables. Editorial RIL Editores, 2011, p. 13.

De hombres , Cambio

“Yo no pinto lo que veo, pinto lo que pienso.”

Pablo Picasso

Fuente: Citado en Descubre el Arte con la Colección Telefónica. Editor Fundación Telefónica. Editorial Fundación Telefónica, 2016.

“El artista es un receptáculo de emociones que vienen de cualquier sitio: del cielo, de la tierra, de un pedazo de papel, de una sombra pasajera o de una telaraña.”

Pablo Picasso

“No hay arte abstracto. Siempre hay que empezar con algo. Es preciso empezar siempre con algo. Después es posible eliminar todo rastro de realidad. De todos modos, al llegar a ese punto ya no hay peligro, porque la idea de objeto habrá dejado una marca indeleble.”

Pablo Picasso

Fuente: [Cobo Borda], J. G. Mis pintores. Edición ilustrada. Editorial Villegas, 2002. ISBN 9789588160276, p. 23.

De arte , Realidad , Idea

Pablo Picasso: Frases en inglés

“It is my misfortune - and probably my delight - to use things as my passions tell me. What a miserable fate for a painter who adores blondes to have to stop himself putting them into a picture because they don't go with the basket of fruit!”

Help us translate this quote

Pablo Picasso

Herschel Browning Chip (1968, p. 267).
(another and longer version:) What a sad fate for a painter who loves blondes, but who refrains from putting them in his picture because they don’t go with the basket of fruit! What misery for a painter who hates apples to be obliged to use them all the time because they go with the cloth! I put everything I love in my paintings. So much the worse for the things, they have only to arrange themselves with one another
Richard Friendenthal (1963, p. 256).
1930s, "Conversations avec Picasso," 1934–35

“…this bull is a bull and this horse is a horse… If you give a meaning to certain things in my paintings it may be very true, but it is not my idea to give this meaning. What ideas and conclusions you have got I obtained too, but instinctively, unconsciously. I make the painting for the painting. I paint the objects for what they are.”

Help us translate this quote

Pablo Picasso

Quoted in: Paul Jones (2011), The Sociology of Architecture: Constructing Identities. p. 47.
Other explanation by Picasso of the Guernica.
Quotes, 1930's

“Everyone wants to understand painting. Why don't they try to understand the song of the birds? Why do they love a night, a flower, everything which surrounds man, without attempting to understand them? Whereas where painting is concerned, they want to understand. Let them understand above all that the artist works from necessity; that he, too, is a minute element of the world to whom one should ascribe no more importance than so many things in nature which charm us but which we do not explain to ourselves. Those who attempt to explain a picture are on the wrong track most of the time. Gertrude Stein, overjoyed, told me some time ago that she had finally understood what my picture represented: three musicians. It was a still life!!”

Help us translate this quote

Pablo Picasso

Boisgeloup, winter 1934
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008
Quotes, 1930's, "Conversations avec Picasso," 1934–35

“Mathematics, trigonometry, chemistry, psychoanalysis, music, and what not have been related to cubism to give it an easier interpretation. All this has been pure literature, not to say nonsense, which brought bad results, blinding people with theories. Cubism has kept itself within the limits and limitations of painting, never pretending to go beyond it.”

Help us translate this quote

Pablo Picasso

As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
1920s, The Arts', New York, May 1923

“It is not what the artist does that counts. But what he is. Cézanne would never have interested me if he had lived and thought like Jaques-Emile Blanche, even if the apple he had painted had been ten times more beautiful. What interests us is the anxiety of Cézanne, the teaching of Cézanne, the anguish of Van Gogh, in short the inner drama of the man. The rest is false.”

Help us translate this quote

Pablo Picasso

Boisgeloup, winter 1934
Richard Friedenthal, (1963, p. 259)
Quotes, 1930's, "Conversations avec Picasso," 1934–35

“It would be very curious to record by means of photographs, not the stage of the picture, but its metamorphoses. Perhaps one would perceive the path taken by the mind in order to put its dreams into a concrete form. But what is really very curious is to observe that fundamentally the picture does not change, that despite appearances the initial vision remains almost intact”

Help us translate this quote

Pablo Picasso

Boisgeloup, winter 1934
Richard Friedenthal, (1963, p. 256).
Quotes, 1930's, "Conversations avec Picasso," 1934–35

“You have got to be able to picture side by side everything Matisse and I were doing at that time. No one has ever looked at Matisse's painting more carefully than I; and no one has looked at mine more carefully than he.”

Help us translate this quote

Pablo Picasso

Quote by old Picasso (1960's); as quoted in 'Matisse & Picasso', Paul Trachtman, Smithsonian Magazine, February 2003, p 1
1960s

“I deal with painting as I deal with things, I paint a window just as I look out of a window. If an open window looks wrong in a picture, I draw the curtain and shut it, just as I would in my own room. In painting, as in life, you must act directly.”

Help us translate this quote

Pablo Picasso

Herschel Browning Chip (1968, p. 271).
1930s, "Conversations avec Picasso," 1934–35

“Their forms had no more influence on me than they did on Matisse. Or Derain. But for them, the masks were sculptures like all others. When Matisse showed me his first African head, he spoke to me of Egyptian art.”

Help us translate this quote

Pablo Picasso

Andre Malraux cites Picasso in: Anatoliĭ Podoksik, ‎Marina Aleksandrovna Bessonova, ‎Pablo Picasso (1989), Picasso: The Artists Work in Soviet Museums. p. 13.
Picasso talking about his discovery of African art.
Attributed from posthumous publications

“The painter goes through states of fullness and evacuation. That is the whole secret of art. I go for a walk in the forest of Fontainebleau. I get 'green' indigestion. I must get rid of this sensation into a picture. Green rules it. A painter paints to unload himself of feelings and visions. People seize on painting to cover up their nakedness. They get what they can wherever they can. In the end I don't believe they get anything at all. They've simply cut a coat to the measure of their own ignorance. They make everything, from God to a picture, in their own image. That is why the picture-hook is the ruination of a painting.”

Help us translate this quote

Pablo Picasso

Boisgeloup, winter 1934
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008
Quotes, 1930's, "Conversations avec Picasso," 1934–35

“When there's anything to steal, I steal”

Help us translate this quote

Pablo Picasso

Quoted in: Thought. Vol. 17 (1965). p. 154.
The magazine further commented:
Picasso's remark — "When there's anything to steal, I steal" — was fair warning to the competition. In modern art he has been, for years, the cock-of- the-walk, (The broody hens, one supposes, are also part of that picture.) But the book is valuable, primarily, for Picasso's observations about his own work and the work of others.
1960s

“You mustn't alway believe what I say", he once told me. "Questions tempt you to tell lies, particularly when there is no answer.”

Help us translate this quote

Pablo Picasso

From Picasso, His Life and Work, Sir Roland Penrose, (1981), p. 413
Attributed from posthumous publications

“I can hardly understand the importance given to the word research in connection with modern painting. In my opinion to search means nothing in painting. To find is the thing. Nobody is interested in following a man who, with his eyes fixed on the ground, spends his life looking for the purse that fortune should put in his path. The one who finds something no matter what it might be, even if his intention were not to search for it, at least arouses our curiosity, if not our admiration.”

Help us translate this quote

Pablo Picasso

Fuente: 1920s, "Picasso Speaks" (1923), p. 315

“And from the point of view of art there are no concrete or abstract forms, but only forms which are more or less convincing lies. That those lies are necessary to our mental selves is beyond any doubt, as it is through them that we form our aesthetic point of view of life.”

Help us translate this quote

Pablo Picasso

Paris 1923
As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
Quotes, 1920's, "Picasso Speaks," 1923

“The glories, trumpets, palms… and low reliefs,… all that makes a monument.”

Help us translate this quote

Pablo Picasso

Les gloires, les trompettes, les palmes... et les bas-reliefs,... tout cela fait un monument.
Picasso (1952). Quoted in: Michael D. Garval (2004), "A Dream of Stone": Fame, Vision, and Monumentality in Nineteenth-century French Literary Culture. p. 226.
Picasso commented on the matter of the monument destruction in Paris.
Quotes, 1950's

“To contradict. To show one eye full face and one in profile. Nature does many things the way I do, but she hides them! My painting is a series of non-sequiturs. …”

Help us translate this quote

Pablo Picasso

Quoted in: Pierre Cabanne (1977), Pablo Picasso: His Life and Times, p. 268.
Quotes, 1970's

“Do you think it interests me that this painting represents two figures? These two figures existed, they exist no more. The sight of them gave me an initial emotion, little by little their real presence grew indistinct they became a fiction for me, then they disappeared, or rather, were turned into problems of all kinds. For me they are no longer two figures but shapes and colours, don’t misunderstand me, shapes and colours, though, that sum up the idea of the two figures and preserve the vibration of their”

Help us translate this quote

Pablo Picasso

Boisgeloup, winter 1934
Richard Friedenthal, (1963, p. 258)
Quotes, 1930's, "Conversations avec Picasso," 1934–35

“They speak of naturalism in opposition to modern painting. I would like to know if anyone has ever seen a natural work of art. Nature and art, being two different things, cannot be the same thing. Through art we express our conception of what nature is not. Velasquez left us his idea of the people of his epoch. Undoubtedly they were different from what he painted them, but we cannot conceive a Philip IV in any other way than the one Velasquez painted…”

Help us translate this quote

Pablo Picasso

Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 312
Quotes, 1920's

“Success is dangerous. One begins to copy oneself and to copy oneself is more dangerous than to copy others.”

Help us translate this quote

Pablo Picasso

Quoted in: The Artist, Vol. 93 (1978) p. 5.
1970s

“People who try to explain pictures are usually barking up the wrong tree.”

Help us translate this quote

Pablo Picasso

Quoted in Picasso on Art (1988), ed. Dore Ashton.
Attributed from posthumous publications

“On August 2, 1914, I took Braque and Derain to the Gare d'Avignon [drafted as a soldier for World war 1. ] I never saw them again [not literally a fact, but the close relation between Picasso and Braque ended].”

Help us translate this quote

Pablo Picasso

Quote in My Galleries and Painters, Daniel-Henry Kahnweiler, New York Viking Press, 1971, p. 46
Picasso in a talk c. 1955, with Daniel-Henry Kahnweiler
Quotes, 1950's

“Cubism is no different from any other school of painting. The same principles and the same elements are common to all. The fact that for a long time cubism has not been understood and that even today there are people who cannot see anything in it, means nothing. I do not read English, and an English book is a blank to me. This does not mean that the English language does not exist, and why should I blame anyone but myself if I cannot understand what I know nothing about?”

Help us translate this quote

Pablo Picasso

Fuente: 1920s, "Picasso Speaks" (1923), p. 319.

“In the old days pictures went forward toward completion by stages. Every day brought something new. A picture used to be a sum of additions. In my case a picture is a sum of destructions. I do a picture — then I destroy it. In the end though, nothing is lost: the red I took away from one place turns up somewhere else”

Help us translate this quote

Pablo Picasso

Herschel Browning Chip (1968, p. 267)
Other translation:
Formerly pictures used to move towards completion in progressive stages. Each day would bring something new. A picture was a sum of additions. With me, picture is a sum of destructions. I do a picture, then I destroy it. But in the long run nothing is lost; the red that I took away from one place turns up somewhere else.
Richard Friedenthal (1968, p. 256); Also quoted in: John Bowker (1988), Is anybody out there?: religions and belief in God in the contemporary world. p. 57.
1930s, "Conversations avec Picasso," 1934–35

“Among the several sins that I have been accused of committing, none is more false than the one that I have, as the principal objective in my work, the spirit of research. When I paint my object is to show what I have found and not what I am looking for. In art intentions are not sufficient and, as we say in Spanish, love must be proved by facts and not by reasons…”

Help us translate this quote

Pablo Picasso

Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 311
Quotes, 1920's

“Many think that Cubism is an art of transition, an experiment which is to bring ulterior results. Those who think that way have not understood it. Cubism is not either a seed or a foetus, but an art dealing primarily with forms, and when a form is realized it is there to live its own life. A mineral substance, having geometric formation, is not made so for transitory purposes, it is to remain what it is and will always have its own form.”

Help us translate this quote

Pablo Picasso

Fuente: 1920s, "Picasso Speaks" (1923), p. 323.

“How can you expect a beholder to experience my picture as I experienced it? A picture comes to me a long time beforehand; who knows how long a time beforehand, I sensed, saw, and painted it and yet the next day even I do not understand what I have done. How can anyone penetrate my dreams, my instincts, my desires, my thought, which have taken a long time to fashion themselves and come to the surface, above all to grasp what I put there, perhaps involuntary.”

Help us translate this quote

Pablo Picasso

Richard Friedenthal, (1963, p. 260).
1930s, "Conversations avec Picasso," 1934–35

“Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms, well then think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affects us more or less intensely.”

Help us translate this quote

Pablo Picasso

Boisgeloup, winter 1934
Richard Friedenthal, (1963, pp. 257-258).
Quotes, 1930's, "Conversations avec Picasso," 1934–35

“I was thinking about Casagemas's death that started me painting in blue.”

Help us translate this quote

Pablo Picasso

Quoted in Pierre Daix, La Vie de Peintre de Pablo Picasso, Paris: Editions du Seuil, 1977.
Picasso explained his friend Pierre Daix (around 1965), why he started painting in blue early around 1905. Picasso had made a portrait of Carles Casagemas in 1899.
1970s
Original: C’est en passant que Casagemas était mort que je me suis mis à piendre en bleu

“Matisse makes a drawing, then he makes a copy of it. He recopies it five times, ten times, always clarifying the line. He's convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt.”

Help us translate this quote

Pablo Picasso

Quote (1964); as quoted in Picasso and Company (trans. 1966) by Gyula Brassaï
1960s

“Drink to me. Drink to my health. You know I can't drink any more.”

Help us translate this quote

Pablo Picasso

Quoted in: Scott Slater, ‎Alec Solomita (1980), Exits: stories of dying moments & parting words. p. 8.
Slater & Solomita (1980) explained:
"It was a spirited dinner and Picasso a cheerful, genial host. After the meal, while pouring wine into a friend's glass, Picasso said, Drink to me. Drink to my health. You know I can't drink any more. A little later, about 11:30 P.M., he left his guests, saying, And now I must go back to work. He was up painting until 3:00 A.M. That morning Picasso woke at 11:30, unable to move. By 11:40 he was dead..".
1970s