Frases de Thomas Gainsborough

Thomas Gainsborough fue un pintor de paisajes y retratista inglés. considerado como uno de los grandes maestros del retrato y del paisaje. Fue el hijo menor de John Gainsborough, un tejedor en Suffolk, y, en 1740, dejó su hogar para estudiar arte en Londres con Hubert Gravelot, Francis Hayman y William Hogarth. En 1746, se casó con Margaret Burr, y la pareja tuvo dos hijas. Se trasladó a Bath en 1759 donde tuvo la protección de la sociedad a la moda, y comenzó a exponer en Londres. En 1769, se convirtió en miembro fundador de la Royal Academy, pero su relación con la organización fue espinosa y a veces retiró su trabajo de la exposición. Gainsborough se mudó a Londres en 1774, y pintó retratos del Rey y de la Reina, pero el Rey se vio obligado a nombrar como pintor real al rival de Gainsborough, Joshua Reynolds. En sus últimos años, Gainsborough pintó paisajes relativamente sencillos y se le atribuye como el creador de la escuela paisajista británica del siglo XVIII. Gainsborough murió de cáncer en el año 1788 y está enterrado en la iglesia de St. Anne, Kew, Surrey. Pintó con rapidez y sus últimas pinturas se caracterizan por una paleta ligera y pinceladas fáciles. Prefería el paisaje al retrato. Cecil Kellaway retrató a Gainsborough en la película del año 1945 Kitty.

✵ 14. mayo 1727 – 2. agosto 1788
Thomas Gainsborough Foto
Thomas Gainsborough: 28   frases 0   Me gusta

Thomas Gainsborough: Frases en inglés

“Many a real genius is lost in the fictitious character of the Gentleman. I am the most inconsistent, changeable being so full of fits and starts.”

Quote in Gainsborough's letter, 14 Sept. 1767, to his friend William Jackson of Exeter; as cited in The Letters of Thomas Gainsborough, ed. Mary Woodall, 1961
1755 - 1769

“I wish you would recollect that Painting and Punctuality mix like Oil and Vinegar, and that Genius and regularity are utter Enemies.”

Quote of Gainsborough in a 'Letter to Edward Stratford' (a patron), 1 May 1772
1770 - 1788

“[I] Pray do you remember carrying me to a picture-dealer's somewhere by Hanover Square, [London], and my being struck with the leaving and touch of a little bit of tree[? ]; the whole picture was not above 8 or 10 inches high and about a foot long. I wish if you had time that you'd inquire what it might be purchased for..”

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, 11 May 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 383 (Appendix A - Letter VI)
1755 - 1769

“We are all going to Heaven, and Vandyck is of the company.”

Quote in Summer 1788, as cited in Thomas Gainsborough, Lord Ronald Sutherland F.S.A. - publishers, George Bell and Sons, London 1903, p. 10
1770 - 1788

“Dear Jackson, -.. First and most unfortunately, I have been four times after Bach, and have never laid eyes on him.... but surely I shall catch Bach soon to get you an answer to your letter..”

Quote from Gainsborough's letter to his friend & composer William Jackson of Exeter, from Pall Mall, 25 Jan. 1777; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 388
1770 - 1788

“I am favoured with your obliging letter, and shall finish your picture in two or three days at farthest, and send to Colchester according to your order, with a frame. I thank you. Sir, for your kind intention of procuring me a few heads to paint when I come over, which I purpose doing as soon as some of those are finished which I have [now] in hand. I should be glad if you'd place your picture as far from the light as possible; observing to let the light fall from the left.”

Quote in Gainborough's letter, 24 Feb. 1757 from Ipswich, to a correspondent in the neighbouring town of Colchester; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 20
1755 - 1769

“damn gentlemen, there is not such a set of enemies to a real artist in the world as they are, if not kept at a proper distance.... They think (and so may you for a while) that they reward your merit by their Company and notice.... if they don't stand clear, know that they have but one part worth looking at, and that is their Purse; their Hearts are seldom near enough the right place to get a sight of it..”

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, 2 Sept 1767; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 380 (Appendix A - Letter II)
1755 - 1769

“Fools talk of imitation and copying, all is imitation.”

Quote of Gainsborough in a Letter to John Henderson, 27th June 1773
1770 - 1788

“I must own your calculations & comparisons betwixt our different professions to be just, provided you remember that in mine a Man may do great things and starve in a garret if he does not conquer his Passions.”

Quote in: Undated letters to Jackson, in The Letters of Thomas Gainsborough, ed. Mary Woodall, 1961
undated, Undated letters to William Jackson

“One part of a picture ought to be like the first part of a tune, that you guess what follows, and that makes the second part of the tune, and so I'm done..”

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, Feb. 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 383 (Appendix A - Letter V)
1755 - 1769

“I grow dauntless as I grow old, I believe any one that plods on in any one way, especially if that one way will bring him bread & cheese, will grow the same.”

Quote in: Undated letters to Jackson, in The Letters of Thomas Gainsborough, ed. Mary Woodall, 1961
undated, Undated letters to William Jackson

“By God you are the only great man, except George Pitt, that I care a farthing for, or would wear out a pair of shoes in seeking after. Long-headed cunning people and rich fools are so plentiful in our country that I don’t fear getting now and then a face to paint for bread, but a man of genius with truth and simplicity, sense and good nature, I think worth his weight in gold - [signed:] 'Your Likeness Man”

Quote in Gainsborough's letter to Hon. Constantine Phipps, undated; as cited in 'My Dear Maggoty Sir – The Letters of Thomas Gainsborough' http://thedabbler.co.uk/2011/10/my-dear-maggoty-sir-the-letters-of-thomas-gainsborough/, review by Roger Hudson, in Slightly Foxed, 18 Oct, 2011
undated

“to Joshua Kirby, Esq. - to be left at the Turk's Head, Gerrard Street, St. Ann's, London - Mr. President and Gentlemen, Directors of the Society of Artists of Great Britain. I thank ye for the honor done me in appointing me one of your Directors, but for a particular reason I beg leave to resign, and am. Gentlemen, your most obliged and obedient Humble Servant.”

Quote from Gainsborough's letter, Bath, 5 Dec. 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 397 (Appendix B)
18 October 1768, Gainsborough was elected to a Directorship of the Society of Artists, and on the same day his old Ipswich friend, Joshua Kirby, was made President. Gainsborough, however, declined to accept office, and his letter of refusal must have grieved Kirby
1755 - 1769

“We love a genius for what he leaves and mourn him for what he takes away.”

Quote in Gainsborough's Letter to Henry Bate, 20th June 1787
1770 - 1788

“There is a branch of painting next in profit to Portrait and quite within your power without any more drawing them I'm answer for you having, which is Drapery & Land-skip.”

Quote in: Undated letters to Jackson, in The Letters of Thomas Gainsborough, ed. Mary Woodall, 1961
undated, Undated letters to William Jackson

“Whilst a Face painter is harassed to death a drapery painter sits & earns 5 or 6 hundered a year & laughs all the while.”

Quote in: Undated letters to Jackson, in The Letters of Thomas Gainsborough, ed. Mary Woodall, 1961
undated, Undated letters to William Jackson

“Dear Sir Joshua, - I am just to write what I fear you will not read - after lying in a dying state for 6 months [in reality much shorter]. The extreme affection which I am informed of by a Friend which Sir Joshua has expresd induces me to beg a last favor, which is to come once under my Roof and look at my things, my woodman you never saw, if what I ask now is not disagreeable to your feeling that I may have the honour to speak to you. I can from a sincere Heart say that I always admired and sincerely loved Sir Joshua Reynolds. 'Tho. Gainsborough.”

A last letter of Gainsborough to Sir Joshua Reynolds, End of July 1788; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 307
Gainsborough, on the occasion of that last visit, actually had many of his unfinished canvases brought to his bedside to show to Sir Joshua
1770 - 1788

“It is my strict charge that after my decease no plaster cast, model, or likeness whatever be permitted to be taken.”

'Tho. Gainsborough'.
In a note of 15 June, 1788; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 305
1770 - 1788

“.. though I'm a rogue in talking upon Painting and love to seem to take things wrong I can be serious and honest upon any subject thoroughly pleasing to me.”

Quote in Gainsborough's letter,from Bath 2 Sept. 1767, to his friend William Jackson of Exeter; as cited in The Letters of Thomas Gainsborough, ed. Mary Woodall, 1961
1755 - 1769

“I am much obliged to you for your last letter, and the lessons reed, before. I think I now begin to see a little into the nature of modulation and the introduction of flats and sharps ; and when we meet you shall hear me play extempore..”

his friend William Jackson of Exeter was composer and organist
letter to his friend William Jackson of Exeter, from Bath, 4 June 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 385 (Appendix A - Letter VIII)
1760s

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