Frases de Howard Becker (36 citas)

Fuente: Writing for Social Scientists (1986), p. 141-142 as cited in: Using the Literature to Formulate your Research Question http://www.utexas.edu/research/pair/usingthe.htm at utexas.edu. Accessed Feb 19, 2013.

“Even though no one else discovers the nonconformity or enforces the rules against it, the individual who has committed the impropriety may himself act as the enforcer. He may brand himself as deviant because of what he has done and punish himself in one way or another for his behavior.”

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Howard S. Becker

Fuente: Outsiders: Studies in the Sociology of Deviance (1963), p. 31.

“Maybe the years I spent playing the piano in taverns in Chicago and elsewhere led me to believe that the people who did that mundane work were as important to an understanding of art as the better-known players who produced the recognized classics of jazz. Growing up … may have led me to think that the craftsman who help make art works areas important as the people who conceive them… Learning the "Chicago tradition" of sociology from Everett C. Hughes and Herbert Blumer surely led to a skepticism about conventional definitions of the objects of sociological study.”

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Howard S. Becker

Fuente: Art Worlds (1982), p. ix.

“Doesn't every sentence somehow contain in itself, at least by implication, the whole argument? Sure. So what? Remember that any sentence can be changed, rewritten, thrown out or contradicted. That lets you write anything at all.”

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Howard S. Becker

Fuente: Writing for Social Scientists (1986), p. 70.

“Every part of the photographic image carries some information that contributes to its total statement; the viewer's responsibility is to see, in the most literal way, everything that is there and respond to it”

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Howard S. Becker

Becker (1986) "Do Photographs Tell the Truth?” and “Aesthetics and Truth" as cited in: Ingolf Erler (2010) Das Buch als soziales Symbol. p. 147.

“The marketing people don't care about the elegance and perfection that impresses the engineers' peers. They think engineers are impractical cuckoos who would just as soon bankrupt the company by pursuing perfectionist pipe dreams.”

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Howard S. Becker

Fuente: Writing for Social Scientists (1986), p. 159.

“The idea of an art world forms the backbone of my analysis. "Art world" is commonly used by writers on the arts in a loose and metaphoric way, mostly to refer to the most fashionable people associated with those newsworthy objects and events that command astronomical prices. I have used the term in a more technical way, to denote the the network of people whose cooperative activity, organized via their joint knowledge of conventional means of doing things, produce(s) the kind of art works that art world is noted for.”

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Howard S. Becker

Fuente: Art Worlds (1982), p.x.

“When a rule is enforced, the person who is supposed to have broken it may be seen as a special kind of person, one who cannot be trusted to live by the rules agreed upon by the group. He is regarded as an outsider. But the person who is thus labeled an outsider may have a different view of the matter. He may not accept the rule by which he is being judged and may not regard those who judge him as either competent or legitimately entitled to do so. Hence, a second meaning of the term emerges: the rule-breaker may feel his judges are outsiders.”

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Howard S. Becker

Fuente: Outsiders: Studies in the Sociology of Deviance (1963), pp. 1-2.

“Treating a person as though he were generally rather than specifically deviant produces a self-fulfilling prophecy. It sets in motion several mechanisms which conspire to shape the person in the image people have of him. It the first place, one tends to be cut off, after being identified as deviant, from participation in more conventional groups, even though the specific consequences of the particular deviant activity might never of themselves have caused the isolation had there not also been the public knowledge and reaction to it. For example, being a homosexual may not affect one’s ability to do office work, but to be known as a homosexual in an office may make it impossible to continue working there. Similarly, though the effects of opiate drugs may not impair one’s working ability, to be known as an addict will probably lead to losing one’s job… The homosexual who is deprived of a “respectable” job by the discovery of his deviance may drift into unconventional, marginal occupations where it does not make so much difference. The drug addict finds himself forced into other illegitimate kinds of activity, such as robbery and theft, by the refusal of respectable employers to have him around.”

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Howard S. Becker

Fuente: Outsiders: Studies in the Sociology of Deviance (1963), p. 34.

“Good sociology is sociological work that produces meaningful descriptions of organizations and events, valid explanations of how they come about and persist, and realistic proposals for their improvement or removal.”

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Howard S. Becker

Becker (1972) "'Radical politics and sociological research" cited in: John Peter Sugden, Alan Tomlinson (2002) Power Games: A Critical Sociology of Sport. p. 108.

“The normal development of people in our society (and probably in any society) can be seen as a series of progressively increasing commitments to conventional norms and institutions.”

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Howard S. Becker

Fuente: Outsiders: Studies in the Sociology of Deviance (1963), p. 27.

“[Professionals] define the problems of their art similarly and agree on criteria for an acceptable solution. They know the history of previous attempts to solve those problems, or some of it, and the new problems those attempts generated. They know the history of work like theirs, so that they, their support personnel, and their audiences can understand what they have attempted and how and to what degree it works.”

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Howard S. Becker

Fuente: Art Worlds (1982), p. 230.

“For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in. The picture will, of course, suggest that some questions are likely to find answers in it. For instance, Owens's pictures of pantries and refrigerators clearly suggest that they will answer questions about what kinds of food the inhabitants of the houses store and presumably eat, while other pictures in Suburbia suggest that they will answer other questions about the housekeeping arrangements of these people.”

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Howard S. Becker

Howard Becker (1974). "Art as Collective Action." American Sociological Review 39:767-76.