Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
Josef Albers: Frases en inglés
4 quotes from: 'The Color in my Painting'
Homage to the square' (1964)
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
That's my creative process.
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
Fuente: Homage to the square' (1964), A conversation with Josef Albers' (1970), p. 459
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
Fuente: Homage to the square' (1964), A conversation with Josef Albers' (1970), p. 459
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
I had no money. Just a Rucksack and a hammer. And I started these assemblages. That was in 1921, But in all books on assemblages these things are not mentioned.
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
“The concern of the artist is with the discrepancy between physical fact and psychological effect.”
Quote from: 'Albers Paints a Picture' Elaine de Kooning, Art News 49, November 1950, p. 40; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 67
Quoted in: Abstract Art, Anna Moszynska, Thames and Hudson 1990, p. 147
Quote c. 1949, when Albers started his 'Homage to the Square' series of paintings
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
Quoted in: Margaret Walch (1979) Color source book, p. 98
“In order to use color effectively it is necessary to recognize that color deceives continually.”
Quoted in: Faber Birren (1976) Color Perception in Art. p. 20
Fuente: Homage to the square' (1964), A conversation with Josef Albers' (1970), p. 459
Albers, quoted by Patricia Sloane (1989) in The visual nature of color, p. 1
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
'And I'll stand upside down to demonstrate that, I said, 'Stop the sentence. You are self-disclosing; you are not self-expressing.'
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
'The Origin of Art'
Homage to the square' (1964)
Fuente: Homage to the square' (1964), A conversation with Josef Albers' (1970), p. 459
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
“A painter works to formulate with or in colors... My paintings follow the second option.”
Fuente: De tweede Helft Ad de Visser, SUN Nijmegen, The Netherlands, 1998, p. 123
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
6 short quotes from: 'The Origin of Art'
Homage to the square' (1964)
“I want color and form to have contradictorily functions.”
Quote from: 'Albers Paints a Picture' Elaine de Kooning, Art News 49, November 1950, p. 57; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 67