Quote, 1937; in Gabo's letter to Herbert Read; cited in: Cyril Connolly (1944) Horizon: a review of literature and art. Vol 9-10. p. 58
1936 - 1977
Naum Gabo: Frases en inglés
Quote from Of divers arts, (1962), p. 21; as cited in International Handbook on Giftedness, Larisa V. Shavinina (2009), p. 862
undated
Fuente: 1936 - 1977, Circle: International Survey of Constructive Art, 1937, p. 116 as cited in: Melinda Baldwin (2012) " 'A review of Scientific Moderns', by Boris Jardine http://dissertationreviews.org/archives/1327" in dissertationreviews.org.
Naum Gabo (1937) 'Editorial', p. 7 as cited in: W. Rotzler (1989) Constructive Concepts - A History of Constructive Art from Cubism to the Present, Rizzoli.
1936 - 1977, Circle: International Survey of Constructive Art, 1937
quote, 1919; as cited in: Ruth Latta (1948) Naum Gabo. Museum of Modern Art (New York, N.Y.), p. 18
Here Gabo publicly criticized Tatlin's design for the 'Monument to the Third International' (1919)
1918 - 1935
Quote of Naum Gabo (1962), as cited in: Joseph Goguen (1999) Art and the Brain. p. 76
1936 - 1977
Naum Gabo (1937) "Editorial", p. 9
1936 - 1977, Circle: International Survey of Constructive Art, 1937
Quoted in: 'Naum Gabo, Construction: Stone with a Collar', by Jacky Klein, Aug. 2002; Tate, London http://www.tate.org.uk/art/artworks/gabo-construction-stone-with-a-collar-t06975
1936 - 1977, Sculpture: Carving and Construction in Space' (1937)
Attributed to Gabo in: Andrew Lambirth (2013) " Finding beauty in junk http://www.spectator.co.uk/arts/exhibitions/8839071/finding-beauty-in-junk/" in: The Spectator 9 February 2013
1936 - 1977
Quoted in: Naum Gabo, Michael Compton (1987) Naum Gabo: sixty years of constructivism. p. 8
1918 - 1935, Realistic Manifesto, 1920
Quote of Naum Gabo (1950), cited in: Eidos: a journal of painting, sculpture and design. Nr.1, p. 32 cited in: Herbert E. Read, Sir Herbert Edward Read (1971) The philosophy of modern art: collected essays. p. 94
1936 - 1977
Quote from The Quotable Artist, by Peggy Hadden; Skyhorse Publishing, Inc., 2010; not paged
undated
Quote of Naum Gabo (1957), as cited in: Gabo: Construction, Sculpture, Paintings, Drawings, Engravings. p. 164.
1936 - 1977
As quoted in: Fred Kleiner (2008) Intl Stdt Edition-Gardner's Art Thru/Ages: Globl Hist. Vol.2, p. 949
1918 - 1935, Realistic Manifesto, 1920
Quote in: Herschel Browning Chipp (1968) Theories of Modern Art. p. 330
1936 - 1977, Sculpture: Carving and Construction in Space' (1937)
“The shapes we are creating are not abstract, they are absolute.”
Quote of Naum Gabo (1937) Sculpture and Construction in Space, p. 109
1936 - 1977, Circle: International Survey of Constructive Art, 1937
Quote of Naum Gabo (1962), as cited in: Carel Blotkamp, Piet Mondrian (1994) Mondriaan: destructie als kunst
1936 - 1977
Quote in: Herschel Browning Chipp (1968) Theories of Modern Art. p. 332
1936 - 1977, Sculpture: Carving and Construction in Space' (1937)
Quote of Naum Gabo (1969), in Studio international. Vol.178. p. 64
1936 - 1977
“We take four planes and we construct with them the same volume as of four tons of mass.”
quote, 1920; from Tate Modern, London: Naum Gabo http://www.tate.org.uk/art/artworks/gabo-head-no-2-t01520
A method known as 'stereometric construction' was central to Gabo's work, by which form was achieved through the description of space rather than the establishment of mass (Tate Modern)
1918 - 1935
Quote of Naum Gabo, 1950; as cited in: Eidos: a journal of painting, sculpture and design. Nr.1, p. 31
1936 - 1977
Quote of Gabo, as cited in: Simon Wilson (1991), Tate Gallery: An Illustrated Companion, Tate Gallery, London, revised edition. p. 146
undated
London: Faber and Faber
1936 - 1977, Circle: International Survey of Constructive Art, 1937