Frases de Omar Jayam

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“Si los amantes del vino y del amor van al infierno… vacío debe estar el paraíso.”

“Puesto que ignoras lo que te reserva el mañana, esfuérzate por ser feliz hoy. Coge un cántaro de vino, siéntate a la luz de la luna y bebe pensando en que mañana quizá la luna te busque en vano.”

“Vive plenamente mientras puedas y no calcules el precio.”

“A nadie pedí la vida. Me esfuerzo por aceptar, sin júbilo ni rabia, todo lo que la vida ofrece. Partiré sin preguntar al prójimo acerca de mi curiosa permanencia en este mundo.”

“El ayer ya dispuso del hoy la suerte triste”

“¿Por qué vendes tu vino, mercader?”

“Un jardín, una cimbreante doncella, un cántaro de vino, mi deseo y mi amargura: he aquí mi paraíso y mi infierno. Pero, ¿quién ha recorrido el cielo o el infierno?”

“Pues si todo lo tienes en el vino, dime, mercader, ¿por qué lo vendes?”

“A pesar de la felicidad que tuvimos, no adoro el pasado. ¡Es tan honda la dulzura del presente!”

“El álgebra es un arte científico. Su objeto son los números absolutos y las magnitudes medibles, las cuales son desconocidas, pero referidas a cualquier cosa conocida de tal manera que puedan ser determinadas, y a esta cosa conocida se llega, analizando las condiciones del problema; en este arte se buscan las relaciones que vinculan las magnitudes dadas en el problema con la incógnita, la cual, de la forma antes indicada, constituye el objeto del álgebra. La perfección de este arte consiste en el conocimiento de los métodos matemáticos, con ayuda de los cuales puede realizarse la determinación mencionada, tanto de las incógnitas numéricas como geométricas. La resolución algebraica, como es bien conocido, se realiza solo mediante una ecuación, o sea, por la igualación de unas potencias con otras.”

“He aquí la única verdad. Somos los peones de la misteriosa partida de ajedrez que juega Alá. Él nos mueve, nos detiene, vuelve a empujarnos, y al final nos arroja, uno a uno a la caja de la nada.”

“Lámparas que se apagan, esperanzas que se encienden: la aurora.”

“Lámparas que se encienden, esperanzas que se apagan: la noche.”

“Todo es un tablero de ajedrez de noches y días, donde el destino, con hombres como piezas, juega: acá y acullá mueve, y da jaque y mata, y uno por uno, vuelve a ponerlos en la caja.”

“¡Qué mezquino el corazón que no sabe amar! Si no estás enamorado, ¿cómo puedes gozar con la deslumbrante luz del sol o la suave claridad de la luna?”

“A moment guess'd — then back behind the Fold
Immerst of Darkness round the Drama roll'd
Which, for the Pastime of Eternity,
He doth Himself contrive, enact, behold.”

“Indeed the Idols I have loved so long
Have done my credit in this World much wrong:
Have drown'd my Glory in a shallow Cup
And sold my Reputation for a Song.”

“Shapes of all Sorts and Sizes, great and small,
That stood along the floor and by the wall;
And some loquacious Vessels were; and some
Listen'd perhaps, but never talk'd at all.”

“Up from Earth's Centre through the Seventh Gate
rose, and on the Throne of Saturn sate;
And many a Knot unravel'd by the Road;
But not the Master-knot of Human Fate.”

“Wake! For the Sun, who scatter'd into flight
The Stars before him from the Field of Night,
Drives Night along with them from Heav'n, and strikes
The Sultan's Turret with a Shaft of Light.”

“Ah, but my Computations, People say,
Reduced the Year to better reckoning? — Nay
'Twas only striking from the Calendar
Unborn To-morrow, and dead Yesterday.”

“Would but some wing'ed Angel ere too late
Arrest the yet unfolded Roll of Fate,
And make the stern Recorder otherwise
Enregister, or quite obliterate!”

“Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust to lie
Sans Wine, sans Song, sans Singer, and — sans End!”

“Perplext no more with Human or Divine,
To-morrow's tangle to the winds resign,
And lose your fingers in the tresses of
The Cypress — slender Minister of Wine.”

“For some we loved, the loveliest and the best
That from his Vintage rolling Time hath prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to rest.”

“Now the New Year reviving old Desires,
The thoughtful Soul to Solitude retires,
Where the White Hand Of Moses on the Bough
Puts out, and Jesus from the Ground suspires.”

“Iram indeed is gone with all his Rose,
And Jamshyd's Sev'n-ring'd Cup where no one knows;
But still a Ruby kindles in the Vine,
And many a Garden by the Water blows.”

“Before the phantom of False morning died,
Methought a Voice within the Tavern cried,
"When all the Temple is prepared within,
Why nods the drowsy Worshipper outside?"”

“The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute:
The sovereign Alchemist that in a trice
Life's leaden metal into Gold transmute:”

“Oh, Thou, who didst with pitfall and with gin
Beset the Road I was to wander in,
Thou wilt not with Predestined Evil round
Enmesh, and then impute my Fall to Sin!”

“Tis but a Tent where takes his one day's rest
A Sultan to the realm of Death addrest;
The Sultan rises, and the dark Ferrash
Strikes, and prepares it for another Guest.”

“That ev'n my buried Ashes such a snare
Of Vintage shall fling up into the Air
As not a True-believer passing by
But shall be overtaken unaware.”

“Then to the lip of this poor earthen Urn
I lean'd, the Secret of my Life to learn:
And Lip to Lip it murmur'd — "While you live
Drink! — for, once dead, you never shall return".”

“Waste not your Hour, nor in the vain pursuit
Of This and That endeavour and dispute;
Better be jocund with the fruitful Grape
Than sadden after none, or bitter, Fruit.”

“Whereat some one of the loquacious Lot —
I think a Sufi pipkin-waxing hot —
"All this of Pot and Potter — Tell me then,
Who is the Potter, pray, and who the Pot?"”

“After a momentary silence spake
Some Vessel of a more ungainly Make;
"They sneer at me for leaning all awry:
What! did the Hand then of the Potter shake?"”

“The Moving Finger writes; and, having writ,
Moves on: nor all your Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all your Tears wash out a Word of it.”

“And this reviving Herb whose tender Green
Fledges the River-Lip on which we lean —
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!”

“Well," Murmur'd one, "Let whoso make or buy,
My Clay with long Oblivion is gone dry:
But fill me with the old familiar juice,
Methinks I might recover by and by.”

“Oh, Thou who Man of baser Earth didst make,
And ev'n with Paradise devise the Snake:
For all the Sin wherewith the Face of Man
Is blacken'd — Man's forgiveness give — and take!”

“The Revelations of Devout and Learn'd
Who rose before us, and as Prophets burn'd,
Are all but Stories, which, awoke from Sleep,
They told their comrades, and to Sleep return'd.”

“When You and I behind the Veil are past,
Oh, but the long, long while the World shall last,
Which of our Coming and Departure heeds
As the Sea's self should heed a pebble-cast.”

“The mighty Mahmud, Allah-breathing Lord
That all the misbelieving and black Horde
Of Fears and Sorrows that infest the Soul
Scatters before him with his whirlwind Sword.”

“For "Is" and "Is-not" though with Rule and Line
And "Up" and "Down" by Logic I define,
Of all that one should care to fathom,
Was never deep in anything but — Wine.”