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Frases de Peter Greenaway
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Peter Greenaway, CBE , es un director de cine británico, cuya formación se dio en las artes plásticas, específicamente en la pintura. Wikipedia  

✵ 5. abril 1942
Peter Greenaway Foto
Peter Greenaway: 271   frases 1   Me gusta

Frases célebres de Peter Greenaway

“Si alguna vez reencarno quisiera que fuera en un arquitecto porque puedes evitar el cine, dejar de oír música, ignorar la pintura…pero nunca la arquitectura.”

Peter Greenaway

Fuente: "El cine actual está muerto" http://bogota.vive.in/cine/bogota/articulos_cine/octubre2008/ARTICULO-WEB-NOTA_INTERIOR_VIVEIN-4592999.html Bogotá.vive.in

“Creo que el mejor cine, la mejor música y a mejor literatura vienen de Europa. Pero es muy difícil posicionarlo porque el mercado está lleno de basura de mierda, lo cual indica que las expectativas de la audiencia son bajas.”

Peter Greenaway

Fuente: "El cine actual está muerto" http://bogota.vive.in/cine/bogota/articulos_cine/octubre2008/ARTICULO-WEB-NOTA_INTERIOR_VIVEIN-4592999.html Bogotá.vive.in

“El cine de esta época está muerto, acabado. La idea de que el cine es un cuento de hadas para niños no es buena ni suficiente. Necesitamos algo mejor.”

Peter Greenaway

Fuente: "El cine actual está muerto" http://bogota.vive.in/cine/bogota/articulos_cine/octubre2008/ARTICULO-WEB-NOTA_INTERIOR_VIVEIN-4592999.html Bogotá.vive.in

“Harry Potter y El señor de los anillos no son películas, son libros ilustrados.”

Peter Greenaway

Fuente: Entrevista en Bogotá http://www.eltiempo.com/archivo/documento/CMS-4601555 Eltiempo.com

“Solo hay dos temas que importan, uno es sexo y el otro es muerte, de que otra cosa podríamos hablar. Y la mayoría de las películas hablan todo el tiempo sobre sexo y muerte, y mis películas se refieren al sexo y a la muerte entonces… ¿cuál es el problema?”

Peter Greenaway

Durante su visita a Bogotá Colombia en el 2008.
Cita original: "There are only two subjects that matters, one is sex and the other is death, what else we could talk about it. And most the cinema talks all the time about sex and death. And my cinema deals with sex and death so... what's the problem?".
Fuente: Entrevista en Bogotá http://www.eltiempo.com/archivo/documento/CMS-4601555 Eltiempo.com

Peter Greenaway: Frases en inglés

“Hadrian… as you know an architect of note… put a lot of faith in stones… died peacefully… planning a Temple to Wisdom… still, he's dead. Nero -- best not to talk about him -- burnt Rome, caused untold misery, deserved to die; died screaming in a summerhouse.”

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Peter Greenaway

The Belly of An Architect

“Book #8: The Vesalius Anatomy of Birth. As it hits the water, it screams and spurts blood like a pierced heart -- as it sinks, there is a suggestion of entrails.”

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Peter Greenaway

Prospero's Books

“On the same day as I started to keep my own pillow-book -- I met my future husband for the first time. I was six, he was ten. We did not exchange a word. He had been hand-picked by my father's publisher.”

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Peter Greenaway

Nagiko's journal for Sep 16 1993
The Pillow Book

“A final word. Drowning by Numbers is a story of three women who murder their husbands -- one in a bath, one in the sea and one in a swimming pool. It is a black and ironic fairy-tale for adults, half invented by children who are innocently obsessed with sex and death -- especially death. It is a poetic, amoral tale told morally to support the belief that the good are seldom rewarded, the bad go largely unpunished and the innocent are always abused.”

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Peter Greenaway

Fear of Drowning By Numbers

“We wait -- it seems for minutes -- looking at the night sky. Then, suddenly breaking the silence and making us start with alarm and fear… there is a savage, heart-rending, gurgling scream.”

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Peter Greenaway

Prospero's Books

“The Endgame: "The object of this game is to dare to fall with a noose around your neck from a place sufficiently off the ground such that a fall will hang you. The object of the game is to punish those who have caused great unhappiness by their selfish actions. This is the best game of all because the winner is also the loser and the judge's decision is always final."”

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Peter Greenaway

Drowning By Numbers

“I think that films or indeed any art work should be made in a way that they are infinitely viewable; so that you could go back to it time and time again, not necessarily immediately but over a space of time, and see new things in it, or new ways of looking at it.”

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Peter Greenaway

From an interview in Art and Design, no. 49
Interviews

“Finally we hit upon the old cathedral of Amsterdam, which belongs to the Reformed Church and which we remodeled. The owners gave us permission, on certain financial conditions, to shoot the film there. Before that, we had planned to use the cathedral of Cologne, but two days before we began our preparations, The Cook, the Thief, His Wife, and Her Lover was shown on German television and the archbishop immediately forbade us from entering the cathedral site!”

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Peter Greenaway

From an interview in Positif, January 1994
Interviews

“Americans don't understand what metaphor in cinema is about. They're extremely good at making straightforward, linear narrative movies, which entertain superbly. But they very rarely do anything else.”

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Peter Greenaway

In an interview in Film Comment, May/June 1990
Interviews

“Take Mitchel here -- no -- on second thoughts -- don't -- because he's a crude little bugger.”

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Peter Greenaway

Albert
The Cook, The Thief, His Wife, and Her Lover

“It's strange. In the last five minutes you have used my Christian name over and over again and never before. People I like learn my name too late.”

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Peter Greenaway

Georgina
The Cook, The Thief, His Wife, and Her Lover

“It serves the purpose of not serving a purpose, surely quite a valid one.”

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Peter Greenaway

In an interview in Artforum, Nov. 83
Interviews

“Roy, this is my wife, Georgina Spica -- she has a heart of gold and a body to match… and I am Albert Spica and I have a heart of gold and a great deal of money to match.”

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Peter Greenaway

Albert
The Cook, The Thief, His Wife, and Her Lover

“I never go to the cinema. I can't stand sitting in the dark with strangers -- all of us obliged to share the same emotional experiences -- it's too intimate. I like to be emotional in private.”

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Peter Greenaway

Philip
8 1/2 Women

“A trembling and some laughter, / a squirt of pee, a spit, / whispers of the heart, / a smell, / the drift to sleep, / pursuit by Gods, / exposure of the bum, / mathematics …”

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Peter Greenaway

"The Schultz Song"
M is for Man, Music, and Mozart

“Jerome was dyslexic until he was twelve, before it became fashionable. And he broke every pair of glasses I bought him. He hated wearing glasses. He was good at breaking things. Especially relationships. Just like his father.”

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Peter Greenaway

Jerome's mother
The Pillow Book

“No -- it's not necessary for a bookkeeper to read all the stock.”

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Peter Greenaway

Georgina and Michael
The Cook, The Thief, His Wife, and Her Lover

“The major sweep of this book's living is too often marred by qualifying. It is hedged about with ifs and buts and if onlys and howevers, excuses for a life that is about to shut its covers for the last time and then crumple into dust in an unseen and never-to-be-remembered library.”

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Peter Greenaway

From the fourth book, "The Book of Impotence"
The Pillow Book

“All my films are somewhat experimental, they are all, each one, taking a certain amount of risk, but there's always the basic assumption that we should be able to appreciate the cinema as much with the mind as we can through emotional empathy. Sometimes it works, sometimes it doesn't.”

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Peter Greenaway

From an interview in Art and Design, no. 49
Interviews

“The word for smoke should look like smoke -- the word for rain should look like rain…”

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Peter Greenaway

One of the calligraphers
The Pillow Book

“There is a shy client who uses invisible ink on Nagiko's body to hide his obvious talent. The woman attempts to develop the invisible ink by bathing in warm water, by standing as close as she dare to a hot fire, by washing her body in the juice of onion-skins until the onions make her weep and her tears prove to be the necessary solvent to reveal the writing.”

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Peter Greenaway

Section J of 26 Facts About Flesh and Ink
The Pillow Book

“We went to Kyoto -- back to Japan -- to work in the Matsuo Tiasha shrine which Sei Shonagon had visited regularly. I couldn't give up such an opportunity. I was also a little homesick. We didn't finish walking the cat-walk until midnight when all the audience had gone. I didn't mind -- Sei Shonagon had watched the moon rise in that garden a thousand years ago -- I could have walked up and down that path all night long.”

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Peter Greenaway

Nagiko's journal for Nov 9 1997
The Pillow Book

“The game of Bees in the Trees is a variant of musical chairs and is best played with funeral music and in the open air. The object of the game is to sit down on a vacant chair when the music stops. If the chair sat in is occupied by bees, it is permissible to arrange a professional foul.”

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Peter Greenaway

Drowning By Numbers

“Life is full of a thousand red herrings, and it takes the history of a civilisation to work out which are the red herrings and which aren't.”

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Peter Greenaway

In an interview in Artforum, Nov. 83
Interviews

“And I've also written a play called Miranda, about what happens afterwards on the ship on the way home. It's about what happens to innocence and how it has to be destroyed.”

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Peter Greenaway

During the filming of Prospero's Books, quoted in an interview in American Film, Nov/Dec 1991
Prospero's Books

“The pages are so harmonious in their proportion / disharmony in the contents is impossible.”

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Peter Greenaway

From the sixth book, "The Book of the Lover"
The Pillow Book

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