Frases de Robert Lee Frost

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Variante: En dos palabras puedo resumir cuanto he aprendido acerca de la vida: Sigue adelante.
Fuente: "The Death of the Hired Man" (1914).

Fuente: "Fuego y hielo".

Variante: Dos caminos se bifurcaban en un bosque y yo... Yo tomé el menos transitado, y eso hizo toda la diferencia.
Fuente: "The Road Not Taken", 1916.

Fuente: "The Death of the Hired Man" (1914).

Fuente: "A Servant to Servants" (1914).

Fuente: "The Black Cottage" (1914).

Address at Milton Academy, Massachusetts (17 May 1935)
1930s
Variante: Writing free verse is like playing tennis with the net down.

&quot; Once by the Pacific http://www.poemhunter.com/poem/once-by-the-pacific-2/&quot; (1928) <br class="br">General sources <br class="br">Contexto: You could not tell, and yet it looked as if<br>The shore was lucky in being backed by cliff,<br>The cliff in being backed by continent;<br>It looked as if a night of dark intent<br>Was coming, and not only a night, an age.<br>Someone had better be prepared for rage.<br>There would be more than ocean-water broken<br>Before God&#x27;s last Put out the Light was spoken.

Fuente: Complete Poems Of Robert Frost, 1949

Fuente: You Come Too

BBC Interview with Cecil Day Lewis (13 September 1957); transcripts published in &quot;It Takes a Hero to Make a Poem&quot; in the Claremont Quarterly (Spring 1958) http://www.frostfriends.org/FFL/Periodicals/Interview-lewis.html <br class="br">1950s

"A Servant to Servants" (1914)
General sources
Variante: The best way out is always through.

Fuente: The Poetry of Robert Frost

Letter to Sydney Cox (3 January 1937), quoted in Robert Frost : The Trial By Existence (1960) by Elizabeth Shepley Sergeant, p. 351, and Robert Frost and Sidney Cox: Forty Years of Friendship (1981) by William Richard Evans, p. 223
General sources
Contexto: Talking is a hydrant in the yard and writing is a faucet upstairs in the house. Opening the first takes all the pressure off the second. My mouth is sealed for the duration of my stay here. I'm not even going to write letters around to explain to collectors my not having had any Christmas card this year. I'm not going to explain anything personal any more.

"Birches" (1920)
General sources
Fuente: Swinger of Birches
Contexto: I’d like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth’s the right place for love:
I don’t know where it’s likely to go better.

"Fire and Ice" (1923)
General sources
Contexto: Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.

"Two Tramps in Mud Time" (1936), st. 9
General sources

The Figure a Poem Makes (1939)
Contexto: Originality and initiative are what I ask for my country. For myself the originality need be no more than the freshness of a poem run in the way I have described: from delight to wisdom. The figure is the same as for love. Like a piece of ice on a hot stove the poem must ride on its own melting. A poem may be worked over once it is in being, but may not be worried into being. Its most precious quality will remain its having run itself and carried away the poet with it. Read it a hundred times: it will forever keep its freshness as a petal keeps its fragrance. It can never lose its sense of a meaning that once unfolded by surprise as it went.