Frases de Timothy Leary

Timothy Leary Foto
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Timothy Leary

Fecha de nacimiento: 22. Octubre 1920
Fecha de muerte: 31. Mayo 1996

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Timothy Francis Leary, Ph.D. fue un escritor, psicólogo y entusiasta de la investigación y uso de drogas psicodélicas. También fue una de las primeras personas cuyos restos fueron enviados al espacio por petición propia. Fue un famoso proponente de los beneficios terapéuticos y espirituales del uso del LSD.

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Frases Timothy Leary

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„You're only as young as the last time you changed your mind.“

—  Timothy Leary
As quoted in Office Yoga : Simple Stretches for Busy People (2000) by Darrin Zeer, p. 52

„Women who seek to be equal with men lack ambition.“

—  Timothy Leary
As quoted in Third and Possibly the Best 637 Best Things Anybody Ever Said (1987) by Robert Byrne, #40

„Don't take LSD unless you are very well prepared, unless you are specifically prepared to go out of your mind. Don't take it unless you have someone that's very experienced with you to guide you through it. And don't take it unless you are ready to have your perspective on yourself and your life radically changed“

—  Timothy Leary
Context: We always have urged people: Don't take LSD unless you are very well prepared, unless you are specifically prepared to go out of your mind. Don't take it unless you have someone that's very experienced with you to guide you through it. And don't take it unless you are ready to have your perspective on yourself and your life radically changed, because you're gonna be a different person, and you should be ready to face this possibility. CBC Documentary: How To Go Out of Your Mind: The LSD Crisis (1966)

„The only control is self-control.“

—  Timothy Leary
Harvard Law School Forum (1966), Context: The only abuse of drugs is the control of drugs by other people.... The only control is self-control.

„Each religion has got their own way of making you feel like a victim.“

—  Timothy Leary
Context: Each religion has got their own way of making you feel like a victim. The Christians say "you are a sinner", and you better just zip up your trousers and give the money to the pope and we'll give you a room up in the hotel in the sky. Timothy Leary's Last Trip (1997)

„They've got a brain dressed up with nowhere to go.“

—  Timothy Leary
Context: We are dealing with the best-educated generation in history. They are a hundred times better educated than their grandparents, and ten times more sophisticated. There has never been such an open-minded group. The problem is that no one is giving them anything fresh. They've got a brain dressed up with nowhere to go. Interview by David Sheff in Rolling Stone Twentieth Anniversary Issue (1987)

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„We are dealing with the best-educated generation in history.“

—  Timothy Leary
Context: We are dealing with the best-educated generation in history. They are a hundred times better educated than their grandparents, and ten times more sophisticated. There has never been such an open-minded group. The problem is that no one is giving them anything fresh. They've got a brain dressed up with nowhere to go. Interview by David Sheff in Rolling Stone Twentieth Anniversary Issue (1987)

„My advice to myself and to everyone else, particularly young people, is to turn on, tune in and drop out.“

—  Timothy Leary
The Politics of Ecstasy (1968), Context: My advice to myself and to everyone else, particularly young people, is to turn on, tune in and drop out. By drop out, I mean to detach yourself from involvement in secular, external social games. But the dropping out has to occur internally before it can occur externally. I'm not telling kids just to quit school; I'm not telling people to quit their jobs. That is an inevitable development of the process of turning on and tuning in. A Trip with Paul Kassner <!-- Politics of Ecstasy 1999 p. 215 -->

„While sitting in my prison cell, I was astonished to hear the local rock station play a new song by the Beatles entitled "Come Together." Although the new version was certainly a musical and lyrical improvement on my campaign song, I was a bit miffed that Lennon had passed me over this way.“

—  Timothy Leary, libro Flashbacks
Flashbacks, An Autobiography (1983), Context: While sitting in my prison cell, I was astonished to hear the local rock station play a new song by the Beatles entitled "Come Together." Although the new version was certainly a musical and lyrical improvement on my campaign song, I was a bit miffed that Lennon had passed me over this way. (I must explain that even the most good-natured persons tend to be a bit touchy about social neglect while in prison). When I sent a mild protest to John, he replied with typical Lennon charm and wit: that he was a tailor and I was a customer who had ordered a suit and never returned. So he sold it to someone else. p. 388

„To describe externals, you become a scientist. To describe experience, you become an artist.“

—  Timothy Leary
Context: To describe externals, you become a scientist. To describe experience, you become an artist. The old distinction between artists and scientists must vanish. Every time we teach a child correct usage of an external symbol, we must spend as much time teaching him how to fission and reassemble external grammar to communicate the internal. The training of artists and creative performers can be a straightforward, almost mechanical process. When you teach someone how to perform creatively (ie, associate dead symbols in new combinations), you expand his potential for experiencing more widely and richly. Changing My Mind, Among Others : Lifetime Writings (1982), p. 76; also in Change Your Brain (2000), p. 72

„When you teach someone how to perform creatively (ie, associate dead symbols in new combinations), you expand his potential for experiencing more widely and richly.“

—  Timothy Leary
Context: To describe externals, you become a scientist. To describe experience, you become an artist. The old distinction between artists and scientists must vanish. Every time we teach a child correct usage of an external symbol, we must spend as much time teaching him how to fission and reassemble external grammar to communicate the internal. The training of artists and creative performers can be a straightforward, almost mechanical process. When you teach someone how to perform creatively (ie, associate dead symbols in new combinations), you expand his potential for experiencing more widely and richly. Changing My Mind, Among Others : Lifetime Writings (1982), p. 76; also in Change Your Brain (2000), p. 72

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