“Ser comprendidos no es necesario.”
Fuente: "Manifiesto técnico de la literatura futurista", 11 de mayo de 1912.
Filippo Tommaso Marinetti:
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Frases célebres de Filippo Tommaso Marinetti
Fuente: "Manifiesto técnico de la literatura futurista", 11 de mayo de 1912.
Fuente: "Manifiesto técnico de la literatura futurista", 11 de mayo de 1912.
Fuente: "Fundación y manifiesto del futurismo", en Le Figaro, 20 de febrero de 1909.
Fuente: "Fundación y manifiesto del futurismo", en Le Figaro, 20 de febrero de 1909.
“¡Es necesario escupir todos los días sobre el Altar del Arte!”
Fuente: "Manifiesto técnico de la literatura futurista", 11 de mayo de 1912.
Frases sobre literatura de Filippo Tommaso Marinetti
Fuente: "Fundación y manifiesto del futurismo", en Le Figaro, 20 de febrero de 1909.
Fuente: "Manifiesto técnico de la literatura futurista", 11 de mayo de 1912.
“Hagamos corajudamente el "feo" en literatura y matemos como sea la solemnidad.”
Fuente: "Manifiesto técnico de la literatura futurista", 11 de mayo de 1912.
Filippo Tommaso Marinetti Frases y Citas
Fuente: "Fundación y manifiesto del futurismo", en Le Figaro, 20 de febrero de 1909.
Fuente: "Fundación y manifiesto del futurismo", en Le Figaro, 20 de febrero de 1909.
“Ya no hay belleza si no es en la lucha.”
Fuente: "Fundación y manifiesto del futurismo", en Le Figaro, 20 de febrero de 1909.
Fuente: "Manifiesto técnico de la literatura futurista", 11 de mayo de 1912.
“Sustituir la psicología del hombre, ya agotado, por la obsesión lírica de la materia.”
Fuente: "Manifiesto técnico de la literatura futurista", 11 de mayo de 1912.
Filippo Tommaso Marinetti: Frases en inglés
1910's, Futurist Speech to the English' (1910)
quote from 'Guerra sola igiene del mundo', in Edizione Futuriste di Poesia', Milan 1915; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 21
1910's
1910's, Multiplied Man and the Reign of the Machine' 1911
Fuente: Poggi, Christine, and Laura Wittman, eds. Futurism: An Anthology. Yale University Press, 2009. p. 89
1910's
Fuente: 'Contra Venezia passatista', ('Against Venice, mired in the past') 27 April, 1910; as quoted in The Other Futurism: Futurist Activity in Venice, Padua and Verona, Willard Bohn, University of Toronto Press Incorporated, 2004, ISBN 0-8020-8816-3, p. 8
In 'La mort tient le volant...', in La ville charnelle, E. Sansot, Paris 1908, p. 228; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 27, (note 77)
1900's
Quoted in: Anthony L. Geist, Jose B. Monle-N, Modernism and Its Margins: Reinscribing Cultural Modernity from Spain and Latin America. Taylor & Francis, 1999, p. 57.
1910's, Futurist Speech to the English' (1910)
Quote of marinetti in his 'Le Premier Manifeste du Futurisme', 1909
1900's
Quote of Filippo Marinetti, in his review 'Poesia' 1905; as cited in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 78
1900's
Quote in: Fortunato Depero & Giacomo Balla 'The Futurist Reconstruction of the Universe' in: Direzione del Movimento Futurista, March 11, 1915. Transl. Caroline Tisdall, 1973.
1910's
“Mondrian is the greatest Futurist painter of the North.”
As quoted in Abstract Painting, Michel Seuphor, Dell Publishing Co., 1964, p. 36
1910's
In a letter to Gino Severini, 20 November 1914; as quoted in Futurism, Tisdall and Bozsolla, Thames and Hudson, 1973, p. 190
1910's
1910's, Multiplied Man and the Reign of the Machine' 1911
Fuente: Günter Berghaus (2000) International Futurism in Arts and Literature. p. 318
1910's, War, the Only Hygiene of the World' (1911)
Fuente: Poggi, Christine, and Laura Wittman, eds. Futurism: An Anthology. Yale University Press, 2009. p. 84
describing Boccioni
In the 'Preface' of Boccioni's show at Ca' Pesaro, July 1910; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 107
1900's
1900's, Let's Murder the Moonlight!' (1909)
Fuente: Mario J. Valdés, Daniel Javitch, Alfred Owen Aldridge (1992) Comparative literary history as discourse, p. 313
In the 'First Futurist Manifesto,' Filippo Marinetti, 1909; as quoted in Critical Writings: Filippo Tommaso Marinetti, New Edition, quoted in the text on the Back Cover, Macmillan, 7 Apr 2007
1900's
Original Italian text:
È dall'Italia, che noi lanciamo pel mondo questo nostro manifesto di violenza travolgente e incendiaria, col quale fondiamo oggi il «Futurismo», perchè vogliamo liberare questo paese dalla sua fetida cancrena di professori, d’archeologhi, di ciceroni e d’antiquarii.
Fuente: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52
Marinetti (1910); as quoted in: Lawrence Rainey (2005) Modernism: An Anthology, p. 2
1910's
To the conception of the imperishable, the immortal, we oppose, in art, that of becoming, the perishable, the transitory, and the ephemeral.
We Abjure Our Symbolist Masters..., from War, the World's Only Hygiene (1911-1915)
1910's
1910
1900's
Fuente: 'Le Figaro', 20 February 1909, as quoted in Futurist Manifestos, ed. Umbro Appolonio, Thames and Hudson, London, 1973
Quote of Marinetti, from the 'Preface' of his novel Mafraka, le Futuriste, Filippo Marinetti, 1909; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 313, note 15
1900's
quote from an interview in 'A Paris painter', H. Hapgood; in 'Globe and commercial Advertiser', 20 February 1913, p. 8 / 10
1910's
Original Italian text:
Avevamo vegliato tutta la notte — i miei amici ed io — sotto lampade di moschea dalle cupole di ottone traforato, stellate come le nostre anime, perchè come queste irradiate dal chiuso fulgòre di un cuore elettrico. Avevamo lungamente calpestata su opulenti tappeti orientali la nostra atavica accidia, discutendo davanti ai confini estremi della logica ed annerendo molta carta di frenetiche scritture.
Fuente: 1900's, The Founding and Manifesto of Futurism' 1909, p. 49 Lead paragraph
Original Italian text:
Noi canteremo le grandi folle agitate dal lavoro, dal piacere o dalla sommossa: canteremo le maree multicolori e polifoniche delle rivoluzioni nelle capitali moderne; canteremo il vibrante fervore notturno degli arsenali e dei cantieri incendiati da violente lune elettriche; le stazioni ingorde, divoratrici di serpi che fumano; le officine appese alle nuvole pei contorti fili dei loro fumi; i ponti simili a ginnasti giganti che scavalcano i fiumi, balenanti al sole con un luccichio di coltelli; i piroscafi avventurosi che fiutano l'orizzonte, le locomotive dall'ampio petto, che scalpitano sulle rotaie, come enormi cavalli d'acciaio imbrigliati di tubi, e il volo scivolante degli aereoplani, la cui elica garrisce al vento come una bandiera e sembra applaudire come una folla entusiasta.
Fuente: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52 : Last bullet-item in THE MANIFESTO OF FUTURISM
1900's, Let's Murder the Moonlight!' (1909)
Fuente: Poggi, Christine, and Laura Wittman, eds. Futurism: An Anthology. Yale University Press, 2009. p. 54: Lead paragraph
Quoted in: Anthony L. Geist, Jose B. Monle-N, Modernism and Its Margins: Reinscribing Cultural Modernity from Spain and Latin America. Taylor & Francis, 1999, p. 57.
1910's, Futurist Speech to the English' (1910)
This ideological a fusion has reduced all romance to a sort of heroic assault that a bellicose and lyrical male launches against a tower that bristles with enemies, a story which ends when the hero, now beneath starlight, carries the divine Beauty-Woman away to new heights. Novels such as Toilers of the Sea by Victor Hugo or Salammbô by Flaubert can clarify my point. It is a matter of a dominant leitmotif, already worn out,c of which we would like to disencumber literature and art in general.
1910's, Multiplied Man and the Reign of the Machine' 1911
Fuente: Poggi, Christine, and Laura Wittman, eds. Futurism: An Anthology. Yale University Press, 2009. p. 89
