Fuente: Citado en El Mundo, 2010
Fuente: Fresneda, Carlos. «Michael Moore: 'Assange es el terror de los mentirosos y los señores de la guerra'.» http://www.elmundo.es/america/2010/12/14/estados_unidos/1292343482.html El Mundo. Consultado el 8 de mayo de 2019.
Frases de Michael Moore
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Michael Moore
Fecha de nacimiento: 23. Abril 1954
Michael Francis Moore es un cineasta, documentalista y escritor estadounidense, conocido por su postura progresista y su visión crítica hacia la globalización, las grandes corporaciones, la violencia armada, la invasión de Irak y de otros países y las políticas del gobierno de George W. Bush y sus antecesores así como también sus sucesores. Wikipedia
Photo: David Shankbone, Own work / CC BY 3.0
Frases Michael Moore
„Julian Assange es el terror de los mentiros y de los señores de la guerra.“
Fuente: Citado en El Mundo, 2010
Fuente: Fresneda, Carlos. «Michael Moore: 'Assange es el terror de los mentirosos y los señores de la guerra'.» http://www.elmundo.es/america/2010/12/14/estados_unidos/1292343482.html El Mundo. Consultado el 8 de mayo de 2019.
Dude, Where's My Country? (2003)
2003
„I will have to face an ugly truth that has been gnawing through my head…“
In response to the September 11 attacks on New York City
2001
Contexto: I can't even think about this movie. I don't WANT to think about it because if I think about it I will have to face an ugly truth that has been gnawing through my head...
This started out as a documentary on gun violence in America, but the largest mass murder in our history was just committed — without the use of a single gun! Not a single bullet fired! No bomb was set off, no missile was fired, no weapon (i. e., a device that was solely and specifically manufactured to kill humans) was used. A boxcutter! — I can't stop thinking about this. A thousand gun control laws would not have prevented this massacre. What am I doing?
„What the media are telling you to be afraid of are the wrong things…“
Interview with filmmaker Michael Moore, Rolling Stone (January 2003)
2003
Contexto: What the media are telling you to be afraid of are the wrong things... Fear is a necessary ingredient of our survival instincts.
2004
Contexto: I don't agree with the copyright laws, and I don't have a problem with people downloading the movie and sharing it with people… as long as they're not doing it to make a profit off it as long as they're not, you know trying to make a profit off my labor — I would oppose that but you know I do quite well, and I don't know... I make these books and movies and TV shows because I want things to change, and so the more people who get to see them, the better. And so I'm…I'm happy I'm happy if that happens. Should I not be happy? I don't know, It's like if a friend of yours had the DVD of my movie — gave it to you to watch one night is that person doing something wrong? I'm not seeing any money from that, but he's just handing the DVD to you so that you can watch my movie, that he bought, and you're not buying it — and yet you're watching it without paying me any money you see, I think that's OK, I mean, that's always been okay right? — You share things with people and I think information, and art, and ideas should be shared.
After being asked what he thought about his films being pirated on the internet, in a press conference (July 2004) (YouTube video) http://www.youtube.com/watch?v=OlAB0v8wHdc, quoted in
„We like nonfiction and we live in fictitious times.“
Oscar Speech for Best Documentary Feature (23 March 2003) http://www.oscars.org/75academyawards/winners/docfeature.html
2003
Contexto: Whoa. On behalf of our producers Kathleen Glynn and Michael Donovan from Canada, I'd like to thank the Academy for this. I have invited my fellow documentary nominees on the stage with us, and we would like to — they're here in solidarity with me because we like nonfiction. We like nonfiction and we live in fictitious times. We live in the time where we have fictitious election results that elects a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons. Whether it's the fictition of duct tape or fictition of orange alerts we are against this war, Mr. Bush. Shame on you, Mr. Bush, shame on you. And any time you got the Pope and the Dixie Chicks against you, your time is up. Thank you very much.
Upon being asked by Brian Reade if money and success have gone to his head, quoted in "The Awkward Conscience of a Nation" in The Daily Mirror (3 November 2003) - Full text available at Highbeam Research (paysite) http://www.highbeam.com/doc/1G1-109560361.html <!-- an interview http://www.mirror.co.uk/news/allnews/content_objectid=13583626_method=full_siteid=50143_headline=-THE-AWKWARD-CONSCIENCE-OF-A-NATION-name_page.html DEAD LINK as of 2007·06·19 -->
2003
Contexto: I'm going to do damage with it. I'll make sure that my work gets out. That no publisher will ever be able to tell me to take things out. Because I'll put it out myself. The more money I earn, the less they can stop me. Where I come from it's called fuck you money because I don't have to take an ounce of shit from anybody.
Interview on All Things Considered NPR (November 2002) http://www.npr.org/templates/rundowns/rundown.php?prgId=2
2002
Contexto: You survive by having your fear compass calibrated correctly. Our compass is off now because we're being told to be afraid of everything. The things that we're frightened of, or told to be frightened of, are not necessarily the things that we need to fear.
Roger & Me (1989)
Contexto: Well I failed to bring Roger to Flint. As we neared the end of the twentieth century, the rich were richer, the poor, poorer. And people everywhere now had a lot less lint, thanks to the lint rollers made in my hometown. It was truly the dawn of a new era.
On the posting of his film SiCKO on the Internet, prior to its official release, as quoted in "Michael Moore Takes on His Pirates!" by Edward Douglas (19 June 2007) http://www.comingsoon.net/news/movienews.php?id=21141
2007
Contexto: The film that's leaked onto the Internet is not taken at a movie theatre with a little home video camera, right? The way it's usually done? This is an inside job... Now, if you were a police detective, one of the first questions you'd ask is motive. Who has a vested interest in destroying the opening weekend's box office of this movie? If I were the police or the FBI investigating this felony that's taken place, that's where I would look.
Having said that, I'm glad that people were able to see my movie. … I'm not a big believer in our copyright laws. I think they're way too restrictive. … I've never supported this concept of going after Napster. I think the rock bands who fought this were wrong. I think filmmakers are wrong about this. I think sharing's a good thing. … They said television would kill the movies, it didn't. They said VCRs would kill the movies, it didn't. Now they're saying this is going to kill the movies. It won't. People want to get out of the house and go to the movies! Nothing's ever going to kill that, and I really hope people will do that on opening weekend.
In response to the September 11 attacks on New York City
2001
Contexto: I can't even think about this movie. I don't WANT to think about it because if I think about it I will have to face an ugly truth that has been gnawing through my head...
This started out as a documentary on gun violence in America, but the largest mass murder in our history was just committed — without the use of a single gun! Not a single bullet fired! No bomb was set off, no missile was fired, no weapon (i. e., a device that was solely and specifically manufactured to kill humans) was used. A boxcutter! — I can't stop thinking about this. A thousand gun control laws would not have prevented this massacre. What am I doing?
On the role of outraged librarians protesting when publisher HarperCollins insisted he rewrite Stupid White Men to be less critical of President Bush. "Muzzling Moore" Salon (7 January 2002) http://archive.salon.com/books/feature/2002/01/07/moore/print.html
2002
Contexto: Librarians see themselves as the guardians of the First Amendment. … You got a thousand Mother Joneses at the barricades! I love the librarians, and I am grateful for them!
After being asked what he thought about his films being pirated on the internet, in a press conference (July 2004) (YouTube video) http://www.youtube.com/watch?v=OlAB0v8wHdc, quoted in
2004
Contexto: I don't agree with the copyright laws, and I don't have a problem with people downloading the movie and sharing it with people… as long as they're not doing it to make a profit off it as long as they're not, you know trying to make a profit off my labor — I would oppose that but you know I do quite well, and I don't know... I make these books and movies and TV shows because I want things to change, and so the more people who get to see them, the better. And so I'm…I'm happy I'm happy if that happens. Should I not be happy? I don't know, It's like if a friend of yours had the DVD of my movie — gave it to you to watch one night is that person doing something wrong? I'm not seeing any money from that, but he's just handing the DVD to you so that you can watch my movie, that he bought, and you're not buying it — and yet you're watching it without paying me any money you see, I think that's OK, I mean, that's always been okay right? — You share things with people and I think information, and art, and ideas should be shared.
On the movie Fahrenheit 9/11 — Zap2it.com (27 June 2004)
2004, Fahrenheit 9/11 (2004)
"Capitalism is evil," says new Michael Moore film, Mike, Collett-White, Reuters, 6 September 2009 http://www.reuters.com/article/lifestyleMolt/idUSTRE5850F320090906,
2009
The quote is almost identical to a block of narration from the 1984 movie version of "1984", which is excerpted from various parts of the novel Nineteen Eighty-Four with some paraphrasing.
2004, Fahrenheit 9/11 (2004)
Statement after winning the top prize at the Cannes film festival for Fahrenheit 9/11, quoted Reuters reports (22 May 2004), partly quoted in [Moore scoops Palme d'Or with attack on US president, Patrick, Barkham, The Guardian, 24 May 2004, http://film.guardian.co.uk/cannes2004/story/0,,1223156,00.html]
2004
