Frases de Paul Bourget

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“En el amor todo ha terminado cuando uno de los amantes piensa que sería posible una ruptura.”

“Hay labios tan finos que en vez de besar cortan.”

“Hay que vivir como se piensa, si no se acaba por pensar como se ha vivido.”

“La felicidad reúne, pero el dolor une.”

“Lo que ciertos hombres perdonan más difícilmente a una mujer es que se consuelen de haber sido burladas por ellos.”

“Existe un solo procedimiento para ser feliz merced al corazón, y es no tenerlo.”

“Hay solamente una cosa infame en el amor, y es la falsedad”

“Here was the worldly environment with which Fauchery is so often reproached. But the books and papers that littered the table bore witness that the present occupant of this charming retreat remained a substantial man of letters. His habit of constant work was still further attested by his face, which I admit, gave me all at once a feeling of remorse for the trick I was about to play him. If I had found him the snobbish pretender whom the weekly newspapers were in the habit of ridiculing, it would have been a delight to outwit his diplomacy. But no! I saw, as he put down his pen to receive me, a man about fifty-seven years old, with a face that bore the marks of reflection, eyes tired from sleeplessness, a brow heavy with thought, who said as he pointed to an easy chair, "You will excuse me, my dear confrère, for keeping you waiting."”

“Look at Goethe, at Lamartine and at many others! To depict feelings on this high plane, you must give up the process of minute and insignificant observation which is the bane of the artists of to-day.”

“When a man has been the lover of a woman as that man had been hers, with the vibrating communion of a voluptuousness unbroken for two years, that woman maintains a sort of physiological, quasi-animal instinct. A gesture, the accent of a word, a sigh, a blush, a pallor, are signs for her that her intuition interprets with infallible certainty. How and why is that instinct accompanied by absolute oblivion of former caresses? It is a particular case of that insoluble and melancholy problem of the birth and death of love.”

“At certain moments, words are nothing; it is the tone in which they are uttered.”

“The forests have taught man liberty.”

“There is iconoclasm in the excessively intellectual, and they delight in destroying their dearest moral or sentimental idols, the better to prove their strength.”

“Have the courage to analyze great emotions to create characters who shall be lofty and true. The whole art of the analytical novel lies there.”

“There is an intelligent man, who never questions his ideas," said Dorsenne to himself, when the Marquis had left him. "He is like the Socialists. What vigor of mind in that old wornout machine!”

“Even after making up one's mind to the sacrifices I had decided upon, there is always left a trace of envy for those who have triumphed in the melancholy struggle for literary supremacy.”

“The cruelest revenge of a woman is to remain faithful to a man.”

“I have retired to Nemours to work upon a novel called The Age for Love, and it is on this subject that I wished to consult you, my dear master.”

“My friend returned to the gallery, looked once more at the adorable imprint of the most innocent, the most passionate of caresses. A mirror hung near by, where he could compare his present with his former face, the man he was with the man he had been. He never told me and I never asked what his feelings were at that moment. Did he feel that he was too culpable to have inspired a passion in a young girl whom he would have been a fool, almost a criminal, to marry? Did he comprehend that through his age which was so apparent, it was his youth which this child loved? Did he remember, with a keenness that was all too sad, that other, who had never given him a kiss like that at a time when he might have returned it? I only know that he left the same day, determined never again to see one whom he could no longer love as he had loved the other, with the hope, the purity, the soul of a man of twenty.”

“You wished to be only a spectator, the gentleman in the balcony who wipes the glasses of his lorgnette in order to lose none of the comedy. Well, you could not do so. That role is not permitted a man. He must act, and he acts always, even when he thinks he is looking on, even when he washes his hands as Pontius Pilate, that dilettante, too, who uttered the words of your masters and of yourself. What is truth? Truth is that there is always and everywhere a duty to fulfil.”