Frases de Paul Bourget

Paul Bourget Foto
8   4

Paul Bourget

Fecha de nacimiento: 2. Septiembre 1852
Fecha de muerte: 25. Diciembre 1935
Otros nombres: Paul Charles Bourget

Paul Charles Bourget fue un escritor francés, novelista prolífico, dramaturgo y ensayista. Crítico de su época, fue también un católico ferviente y miembro activo de la Academia Francesa.

Frases Paul Bourget

„Hay labios tan finos que en vez de besar cortan.“

—  Paul Bourget

Fuente: Amate Pou, Jordi. Paseando por una parte de la Historia: Antología de citas. Editorial Penguin Random House Grupo Editorial España, 2017. ISBN 9788417321871. p. 52

„Hay que vivir como se piensa, si no se acaba por pensar como se ha vivido.“

—  Paul Bourget

Fuente: Jiménez, Chal. Marca la diferencia. Porque tú lo vales. Editor ESIC, 2016. ISBN 978-84-16701-35-3.

„I recognize the invincible influence of the dead in the pallor of her cheeks, the wrinkles in her eyelids, the white streaks in her hair. He disputes her with me from the darkness of his coffin; he takes her from me, hour by hour, and I am powerless against that love.“

—  Paul Bourget

Fuente: Andre Cornelis (1886), Ch. 14
Contexto: Is there any God, any justice, is there either good or evil? None, none, none, none! There is nothing but a pitiless destiny which broods over the human race, iniquitous and blind, distributing joy and grief at haphazard. A God who says, "Thou shalt not kill," to him whose father has been killed? No, I don't believe it. No, if hell were there before me, gaping open, I would make answer: "I have done well," and I would not repent. I do not repent. My remorse is not for having seized the weapon and struck the blow, it is that I owe to him — to him — that infamous good service which he did me — that I cannot to the present hour shake from me the horrible gift I have received from that man. If I had destroyed the paper, if I had gone and given myself up, if I had appeared before a jury, revealing, proclaiming my deed, I should not be ashamed; I could still hold up my head. What relief, what joy it would be if I might cry aloud to all men that I killed him, that he lied, and I lied, that it was I, I, who took the weapon and plunged it into him! And yet, I ought not to suffer from having accepted — no — endured the odious immunity. Was it from any motive of cowardice that I acted thus? What was I afraid of? Of torturing my mother, nothing more. Why, then, do I suffer this unendurable anguish? Ah, it is she, it is my mother who, without intending it, makes the dead so living to me, by her own despair. She lives, shut up in the rooms where they lived together for sixteen years; she has not allowed a single article of furniture to be touched; she surrounds the man's accursed memory with the same pious reverence that my aunt formerly lavished on my unhappy father. I recognize the invincible influence of the dead in the pallor of her cheeks, the wrinkles in her eyelids, the white streaks in her hair. He disputes her with me from the darkness of his coffin; he takes her from me, hour by hour, and I am powerless against that love.

„The contrast between the world of ideas in which he moved and the atmosphere of the literary shop in which for the last few months I had been stifling was too strong.“

—  Paul Bourget

The Age for Love
Contexto: The contrast between the world of ideas in which he moved and the atmosphere of the literary shop in which for the last few months I had been stifling was too strong. The dreams of my youth were realized in this man whose gifts remained unimpaired after the production of thirty volumes and whose face, growing old, was a living illustration of the beautiful saying: "Since we must wear out, let us wear out nobly." His slender figure bespoke the austerity of long hours of work; his firm mouth showed his decision of character; his brow, with its deep furrows, had the paleness of the paper over which he so often bent; and yet, the refinement of his hands, so well cared for, the sober elegance of his dress and an aristocratic air that was natural to him showed that the finer professional virtues had been cultivated in the midst of a life of frivolous temptations. These temptations had been no more of a disturbance to his ethical and spiritual nature than the academic honors, the financial successes, the numerous editions that had been his.

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„There is no such thing as an age for love … because the man capable of loving — in the complex and modern sense of love as a sort of ideal exaltation — never ceases to love.“

—  Paul Bourget

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love
Contexto: There is no such thing as an age for love... because the man capable of loving — in the complex and modern sense of love as a sort of ideal exaltation — never ceases to love. I will go further; he never ceases to love the same person. You know the experiment that a contemporary physiologist tried with a series of portraits to determine in what the indefinable resemblances called family likeness consisted? He took photographs of twenty persons of the same blood, then he photographed these photographs on the same plate, one over the other. In this way he discovered the common features which determined the type. Well, I am convinced that if we could try a similar experiment and photograph one upon another the pictures of the different women whom the same man has loved or thought he had loved in the course of his life we should discover that all these women resembled one another. The most inconsistent have cherished one and the same being through five or six or even twenty different embodiments.

„Some day you will know for yourself that it is almost as true to say that one recovers from all things as that there is nothing which does not leave its scar.“

—  Paul Bourget

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love
Contexto: I had a friend, a companion of my own age, who, when he was twenty, had loved a young girl. He was poor, she was rich. Her family separated them. The girl married some one else and almost immediately afterward she died. My friend lived. Some day you will know for yourself that it is almost as true to say that one recovers from all things as that there is nothing which does not leave its scar. I had been the confidant of his serious passion, and I became the confidant of the various affairs that followed that first ineffaceable disappointment. He felt, he inspired, other loves. He tasted other joys. He endured other sorrows, and yet when we were alone and when we touched upon those confidences that come from the heart's depths, the girl who was the ideal of his twentieth year reappeared in his words. How many times he has said to me, "In others I have always looked for her and as I have never found her, I have never truly loved any one but her."

„We'll get even with him on his next volume. But you know, Labarthe, as long as you continue to have that innocent look about you, you can't expect to succeed in newspaper work.“

—  Paul Bourget

The Age for Love
Contexto: A few hours after this conversation, I found myself once more in the office of the Boulevard, seated in Pascal's den, and he was saying, "Already? Have you accomplished your interview with Pierre Fauchery?"
"He would not even receive me," I replied, boldly.
"What did I tell you?" he sneered, shrugging his big shoulders. "We'll get even with him on his next volume. But you know, Labarthe, as long as you continue to have that innocent look about you, you can't expect to succeed in newspaper work."

„I was suddenly carried away by rage to the point of losing all control over my frenzy. "Ah!" I cried, "since you will not do justice on yourself, die then, at once!"“

—  Paul Bourget

Fuente: Andre Cornelis (1886), Ch. 13
Contexto: I was suddenly carried away by rage to the point of losing all control over my frenzy. "Ah!" I cried, "since you will not do justice on yourself, die then, at once!" I stretched out my hand and seized the dagger which he had recently placed upon the table. He looked at me without flinching, or recoiling; indeed presenting his breast to me, as though to brave my childish rage. I was on his left bending down, and ready to spring. I saw his smile of contempt, and then with all my strength I struck him with the knife in the direction of the heart.
The blade entered his body to the hilt.
No sooner had I done this thing than I recoiled, wild with terror at the deed. He uttered a cry. His face was distorted with terrible agony, and he moved his right hand towards the wound, as though he would draw out the dagger. He looked at me, convulsed; I saw that he wanted to speak; his lips moved, but no sound issued from his mouth. The expression of a supreme effort passed into his eyes, he turned to the table, took a pen, dipped it into the inkstand, and traced two lines on a sheet of paper within his reach. He looked at me again, his lips moved once more, then he fell down like a log.

„I have never had the same pleasure in the printing of the most profitable, the most brilliant article that I had in consigning to oblivion the sheets relating my visit to Nemours.“

—  Paul Bourget

The Age for Love
Contexto: I bore with the ill-humor of my chief. What would he have said if he had known that I had in my pocket an interview and in my head an anecdote which were material for a most successful story? And he has never had either the interview or the story. Since then I have made my way in the line where he said I should fail. I have lost my innocent look and I earn my thirty thousand francs a year, and more. I have never had the same pleasure in the printing of the most profitable, the most brilliant article that I had in consigning to oblivion the sheets relating my visit to Nemours. I often think that I have not served the cause of letters as I wanted to, since, with all my laborious work I have never written a book. And yet when I recall the irresistible impulse of respect which prevented me from committing toward a dearly loved master a most profitable but infamous indiscretion, I say to myself, "If you have not served the cause of letters, you have not betrayed it." And this is the reason, now that Fauchery is no longer of this world, that it seems to me that the time has come for me to relate my first interview. There is none of which I am more proud.

„The blade entered his body to the hilt.
No sooner had I done this thing than I recoiled, wild with terror at the deed.“

—  Paul Bourget

Fuente: Andre Cornelis (1886), Ch. 13
Contexto: I was suddenly carried away by rage to the point of losing all control over my frenzy. "Ah!" I cried, "since you will not do justice on yourself, die then, at once!" I stretched out my hand and seized the dagger which he had recently placed upon the table. He looked at me without flinching, or recoiling; indeed presenting his breast to me, as though to brave my childish rage. I was on his left bending down, and ready to spring. I saw his smile of contempt, and then with all my strength I struck him with the knife in the direction of the heart.
The blade entered his body to the hilt.
No sooner had I done this thing than I recoiled, wild with terror at the deed. He uttered a cry. His face was distorted with terrible agony, and he moved his right hand towards the wound, as though he would draw out the dagger. He looked at me, convulsed; I saw that he wanted to speak; his lips moved, but no sound issued from his mouth. The expression of a supreme effort passed into his eyes, he turned to the table, took a pen, dipped it into the inkstand, and traced two lines on a sheet of paper within his reach. He looked at me again, his lips moved once more, then he fell down like a log.

„Under the form of an interview I had done, and I knew it, the best work of my life.“

—  Paul Bourget

The Age for Love
Contexto: I scribbled four pages which would have been no disgrace to the Journal des Goncourts, that exquisite manual of the perfect reporter. It was all there, my journey, my arrival at the chateau, a sketch of the quaint eighteenth century building, with its fringe of trees and its well-kept walks, the master's room, the master himself and his conversation; the tea at the end and the smile of the old novelist in the midst of a circle of admirers, old and young. It lacked only a few closing lines. "I will add these in the morning," I thought, and went to bed with a feeling of duty performed, such is the nature of a writer. Under the form of an interview I had done, and I knew it, the best work of my life.
What happens while we sleep? Is there, unknown to us, a secret and irresistible ferment of ideas while our senses are closed to the impressions of the outside world? Certain it is that on awakening I am apt to find myself in a state of mind very different from that in which I went to sleep. I had not been awake ten minutes before the image of Pierre Fauchery came up before me, and at the same time the thought that I had taken a base advantage of the kindness of his reception of me became quite unbearable. I felt a passionate longing to see him again, to ask his pardon for my deception. I wished to tell him who I was, with what purpose I had gone to him and that I regretted it. But there was no need of a confession. It would be enough to destroy the pages I had written the night before. With this idea I arose. Before tearing them up, I reread them. And then — any writer will understand me — and then they seemed to me so brilliant that I did not tear them up. Fauchery is so intelligent, so generous, was the thought that crossed my mind. What is there in this interview, after all, to offend him? Nothing, absolutely nothing. Even if I should go to him again this very morning, tell him my story and that upon the success of my little inquiry my whole future as a journalist might depend? When he found that I had had five years of poverty and hard work without accomplishing anything, and that I had had to go onto a paper in order to earn the very bread I ate, he would pardon me, he would pity me and he would say, "Publish your interview." Yes, but what if he should forbid my publishing it? But no, he would not do that.

„I shall always believe that it was his own story under another name, and I love to believe it because it was so exactly his way of looking at things…“

—  Paul Bourget

The Age for Love
Contexto: The story he told me was "per sfogarsi," as Bayle loved to say; his idea was that I would not discover the real hero. I shall always believe that it was his own story under another name, and I love to believe it because it was so exactly his way of looking at things...

„My remorse is not for having seized the weapon and struck the blow, it is that I owe to him — to him — that infamous good service which he did me — that I cannot to the present hour shake from me the horrible gift I have received from that man.“

—  Paul Bourget

Fuente: Andre Cornelis (1886), Ch. 14
Contexto: Is there any God, any justice, is there either good or evil? None, none, none, none! There is nothing but a pitiless destiny which broods over the human race, iniquitous and blind, distributing joy and grief at haphazard. A God who says, "Thou shalt not kill," to him whose father has been killed? No, I don't believe it. No, if hell were there before me, gaping open, I would make answer: "I have done well," and I would not repent. I do not repent. My remorse is not for having seized the weapon and struck the blow, it is that I owe to him — to him — that infamous good service which he did me — that I cannot to the present hour shake from me the horrible gift I have received from that man. If I had destroyed the paper, if I had gone and given myself up, if I had appeared before a jury, revealing, proclaiming my deed, I should not be ashamed; I could still hold up my head. What relief, what joy it would be if I might cry aloud to all men that I killed him, that he lied, and I lied, that it was I, I, who took the weapon and plunged it into him! And yet, I ought not to suffer from having accepted — no — endured the odious immunity. Was it from any motive of cowardice that I acted thus? What was I afraid of? Of torturing my mother, nothing more. Why, then, do I suffer this unendurable anguish? Ah, it is she, it is my mother who, without intending it, makes the dead so living to me, by her own despair. She lives, shut up in the rooms where they lived together for sixteen years; she has not allowed a single article of furniture to be touched; she surrounds the man's accursed memory with the same pious reverence that my aunt formerly lavished on my unhappy father. I recognize the invincible influence of the dead in the pallor of her cheeks, the wrinkles in her eyelids, the white streaks in her hair. He disputes her with me from the darkness of his coffin; he takes her from me, hour by hour, and I am powerless against that love.

„Since that not far-distant time when, tired of being poor, I had made up my mind to cast my lot with the multitude in Paris, I had tried to lay aside my old self, as lizards do their skins, and I had almost succeeded.“

—  Paul Bourget

The Age for Love
Contexto: Since that not far-distant time when, tired of being poor, I had made up my mind to cast my lot with the multitude in Paris, I had tried to lay aside my old self, as lizards do their skins, and I had almost succeeded. In a former time, a former time that was but yesterday, I knew — for in a drawer full of poems, dramas and half-finished tales I had proof of it — that there had once existed a certain Jules Labarthe who had come to Paris with the hope of becoming a great man. That person believed in Literature with a capital "L;" in the Ideal, another capital; in Glory, a third capital. He was now dead and buried. Would he some day, his position assured, begin to write once more from pure love of his art? Possibly, but for the moment I knew only the energetic, practical Labarthe, who had joined the procession with the idea of getting into the front rank, and of obtaining as soon as possible an income of thirty thousand francs a year. What would it matter to this second individual if that vile Pascal should boast of having stolen a march on the most delicate, the most powerful of the heirs of Balzac, since I, the new Labarthe, was capable of looking forward to an operation which required about as much delicacy as some of the performances of my editor-in-chief? I had, as a matter of fact, a sure means of obtaining the interview. It was this: When I was young and simple I had sent some verses and stories to Pierre Fauchery, the same verses and stories the refusal of which by four editors had finally made me decide to enter the field of journalism. The great writer was traveling at this time, but he had replied to me. I had responded by a letter to which he again replied, this time with an invitation to call upon him. I went I did not find him. I went again. I did not find him that time. Then a sort of timidity prevented my returning to the charge. So I had never met him. He knew me only as the young Elia of my two epistles. This is what I counted upon to extort from him the favor of an interview which he certainly would refuse to a mere newspaper man. My plan was simple; to present myself at his house, to be received, to conceal my real occupation, to sketch vaguely a subject for a novel in which there should occur a discussion upon the Age for Love, to make him talk and then when he should discover his conversation in print — here I began to feel some remorse. But I stifled it with the terrible phrase, "the struggle for life," and also by the recollection of numerous examples culled from the firm with which I now had the honor of being connected.

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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