Frases de Paul Valéry
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Ambroise-Paul-Toussaint-Jules Valéry fue un escritor, poeta, ensayista y filósofo francés. Como poeta es el principal representante de la llamada poesía pura; como prosista y pensador , la lectura y comentario de sus textos ha sido muy notable, desde Theodor Adorno y Octavio Paz hasta Jacques Derrida, que le comentó hasta en su último seminario. Wikipedia  

✵ 30. octubre 1871 – 20. julio 1945   •   Otros nombres Paul Ambroise Valéry
Paul Valéry Foto
Paul Valéry: 129   frases 40   Me gusta

Frases célebres de Paul Valéry

Frases de hombres de Paul Valéry

“Lo más profundo que hay en el hombre es la piel.”

Variante: Lo más profundo del hombre es la piel.

Paul Valéry Frases y Citas

“Una dificultad es una luz. Una dificultad invencible es el sol.”

Fuente: [Ortega Blake] (2013), p. 1235.

“¿Qué sería, pues, de nosotros, sin la ayuda de lo que no existe?”

Breve epístola sobre el mito

“El primer verso lo facilitan los dioses, los demás los hace el poeta.”

Fuente: [Ortega Blake] (2013), p. 3333.

“El pintor no debe llevar al lienzo lo que ve sino lo que verá.”

Fuente: [Ortega Blake] (2013), p. 3559.

“Un poema nunca está acabado, solamente abandonado.”

Fuente: [Señor] (2005), p. 364

“Nuestros pensamientos más importantes son los que contradicen nuestros sentimientos.”

Fuente: [Señor] (1997), p. 480.

“La muerte despoja a la vida de toda seriedad.”

Fuente: [Señor] (1997), p. 389.

“La definición de lo bello es fácil: es lo que desespera.”

Fuente: [Ortega Blake] (2013), p. 553.

“La buena sociedad es una horda formada por dos poderosas tribus: los que se aburren y los que se aburren.”

revisar traducción
Fuente: [Ortega Blake] (2013), p. 3837.

“El gusto está hecho de mil repulsiones.”

Fuente: [Ortega Blake] (2013), p. 1998.

“El burgués es la figura simétrica del romántico.”

Fuente: [Señor] (1997), p. 488.

Paul Valéry: Frases en inglés

“Beautiful heaven, true heaven, look how I change!
After such arrogance, after so much strange
Idleness — strange, yet full of potency —
I am all open to these shining spaces;
Over the homes of the dead my shadow passes,
Ghosting along — a ghost subduing me.”

Beau ciel, vrai ciel, regarde-moi qui change!
Après tant d'orgueil, après tant d'étrange
Oisiveté, mais pleine de pouvoir,
Je m'abandonne à ce brillant espace,
Sur les maisons des morts mon ombre passe
Qui m'apprivoise à son frêle mouvoir.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

“If the state is strong, it crushes us. If it is weak, we perish.”

History and Politics http://books.google.com/books?id=7I82AAAAIAAJ&q="If+the+state+is+strong+it+crushes+us+If+it+is+weak+we+perish" as translated by D. Folliot and J. Mathews (1971)

“The folly of mistaking a paradox for a discovery, a metaphor for a proof, a torrent of verbiage for a spring of capital truths, and oneself for an oracle, is inborn in us.”

Le mal de prendre une hypallage pour une découverte, une métaphore pour une démonstration, un vomissement de mots pour un torrent de connaissances capitales, et soi-même pour un oracle, ce mal naît avec nous.
Introduction to the Method of Leonardo da Vinci (1895)

“In the Beginning was the Fable.”

Tityrus, p. 169, quoting "a philosopher whose name I have forgotten". The philosopher is Valéry himself, who used this phrase at the end of his essay on Poe's Eureka, and elsewhere (Dialogues, textual note on p. 195).
Dialogue de l'arbre (1943)

“A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations.”

"Recollection", Collected Works, vol. 1 (1972), as translated by David Paul
Variant translations:
A poem is never finished; it's always an accident that puts a stop to it — i.e. gives it to the public.
As attributed in Susan Ratcliffe, Concise Oxford Dictionary of Quotations (2011), p. 385.
A poem is never finished; it is only abandoned.
Widely quoted, this is a paraphrase of Valéry by W. H. Auden in 1965. See W. H. Auden: Collected Poems (2007), ed. Edward Mendelson, "Author's Forewords", p. xxx.
An artist never finishes a work, he merely abandons it.
A paraphrase by Aaron Copland in the essay "Creativity in America," published in Copland on Music (1944), p. 53
In the eyes of those lovers of perfection, a work is never finished — a word that for them has no sense — but abandoned; and this abandonment, whether to the flames or to the public (and which is the result of weariness or an obligation to deliver) is a kind of an accident to them, like the breaking off of a reflection, which fatigue, irritation, or something similar has made worthless.

“And do not humans strive in a thousand ways to fill or to break the eternal silence of those infinite spaces that affright them?”

Socrates, p. 125
Valéry alludes to a famous pensée of Blaise Pascal: 'The eternal silence of these infinite spaces affrights me.' (Pensées, no. 201).
Eupalinos ou l'architecte (1921)

“Is not to meditate to deepen oneself in Order?”

Lucretius, p. 173
Dialogue de l'arbre (1943)

“It is therefore reasonable to think that the creations of man are made either with a view to his body, and that is the principle we call utility, or with a view to his soul, and that is what he seeks under the name of beauty.”

But, further, since he who constructs or creates has to deal with the rest of the world and with the movement of nature, which both tend perpetually to dissolve, corrupt or upset what he makes, he must recognize and seek to communicate to his works a third principle, that expresses the resistance he wishes them to offer to their destiny, which is to perish. So he seeks solidity or lastingness.
Socrates, pp. 128–9
Eupalinos ou l'architecte (1921)

“My hand feels touched as well as it touches; reality says this, and nothing more.”

Original: (fr) Ma main se sent touchée aussi bien qu’elle touche ; réel veut dire cela, et rien de plus.
Fuente: Unsourced

“We have always sought explanations when it was only representations that we could seek to invent.”

Original: (fr) On a toujours cherché des explications quand c’était des représentations qu’on pouvait seulement essayé d’inventer.
Fuente: Unsourced