Frases de Marcel Duchamp

Marcel Duchamp fue un artista y ajedrecista francés.

Especialmente conocido por su actividad artística, su obra ejerció una fuerte influencia en la evolución del movimiento pop en el siglo XX. Al igual que el citado movimiento, abominó la sedimentación simbólica en las obras artísticas como consecuencia del paso del tiempo y exaltó el valor de lo coyuntural, lo fugaz y lo contemporáneo. Duchamp es uno de los principales valedores de la creación artística como resultado de un puro ejercicio de la voluntad, sin necesidad estricta de formación, preparación o talento.

✵ 28. julio 1887 – 2. octubre 1968
Marcel Duchamp Foto
Marcel Duchamp: 79   frases 29   Me gusta

Frases célebres de Marcel Duchamp

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“Siempre son los demás los que se mueren.”

Sin fuentes

“El arte puede ser bueno, malo o indiferente, pero, sea cual sea el adjetivo empleado, debemos llamarle arte, y un arte malo sigue siendo arte, igual que una mala emoción sigue siendo una emoción.”

Fuente: [Duchamp], Marcel; [Gervais], André (2010). Cartas sobre el arte 1916-1956, pp. 57-58, 65. Editorial Elba, Barcelona. ISBN 978-84-938034-6-9.
Fuente: Cartas sobre el arte 1916-1956, Capítulo «El acto creativo»

Marcel Duchamp Frases y Citas

“Les he tirado a la cara el estante de las botellas y el orinal y ahora los admiran por su belleza estética.”

Frase dicha en 1962, cuando sus obras fueron consideradas estéticas.

“No hay solución porque no existe ningún problema.”

Sin fuentes

Source: Eco, Volumen 44,Números 265-270 Portada Librería Buchholz., 1983 https://books.google.es/books?id=NY4wAAAAYAAJ&q=%C2%ABNo+hay+soluci%C3%B3n+porque+no+existe+ning%C3%BAn+problema%C2%BB+duchamp&dq=%C2%ABNo+hay+soluci%C3%B3n+porque+no+existe+ning%C3%BAn+problema%C2%BB+duchamp&hl=es&sa=X&ved=0ahUKEwia8_ezwKnoAhVAhXIEHfUmCZUQ6AEINDAB

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Marcel Duchamp: Frases en inglés

“The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.”

Quote from The Writings of Marcel Duchamp (Marchand du Sel) e.d. Michel Sanouille and Elmer Peterson, New York 1973, pp. 139-140
posthumous
Contexto: The spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation has taken place... All in all, the creative act is not performed by the artist alone; the spectator brings the work into contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.

“I have forced myself to contradict myself in order to avoid conforming to my own tastes.”

Quote by Harriet & Sidney Janis in 'Marchel Duchamp: Anti-Artist' in View magazine 3/21/45; reprinted in Robert Motherwell, Dada Painters and Poets (1951)
1921 - 1950
Variante: I force myself to contradict myself in order to avoid conforming to my own taste.

“Destruction is also creation.”

Fuente: Ref: en.wikiquote.org - J. Posadas / Quotes / War is Not the End of the World

“What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way that a bad emotion is still an emotion.”

1951 - 1968, The Creative Act', 1957
Contexto: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.

“To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.”

1951 - 1968, The Creative Act', 1957
Contexto: Let us consider two important factors, the two poles of the creation of art: the artist on one hand, and on the other the spectator who later becomes the posterity; to all appearances the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.

“Now, if you [his sister, Suzanne Duchamp ] have been up to my place, you will have seen, in the studio, [his former studio in France, probably in Paris] a 'Bicycle Wheel' and a 'Bottle Rack'. [both art-works became later famous ready-mades of Duchamp] – I bought this as a ready-made sculpture [sculpture tout faite]. And I h have a plan concerning this so-called bottle rack. Listen to this. Here in N. Y., I have bought various objects in the same taste and I treat them as 'ready-mades'. You know enough English to understand the meaning of 'ready-made' [tour fait] that I give these objects. – I sign them and think of an inscription for them in English. I'll give you a few examples. I have, for example, a large snow shovel on which I have inscribed at the bottom: In advance of the broken arm, French translation: 'En avance dus bras cassé' – (Don't tear your hair out) trying to understand this in the Romantic or impressionist or Cubist sense – it has nothing to do with all that. Another 'readymade' is called: Emergency in favour of twice possible French translation: Danger \Crise \en favour de 2 fois. This long preamble just to say: Take this bottle rack for yourself. I'm making it a 'readymade' remotely. You are to inscribe it at the bottom and on the inside of the bottom circle, in small letters painted with a brush in oil, silver white colour, with an inscription which I will give you herewith, and then sign it, in the same handwriting, as follows: [after] Marcel Duchamp.”

long quote from Duchamp's letter to his sister Suzanne Duchamp, New York, c. 15 Jan. 1916; as quoted in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 pp. 157-158
1915 - 1925

“My brother [the sculptor artist Raymond Duchamp-Villon had a kitchen in his little house in Puteaux, and he had the idea of decorating it with pictures by his buddies. He asked Gleizes, Metzinger, La Fresnaye, and I think Leger [all Cubist painters, then] to do some little paintings of the same size, like a sort of frieze. He asked me too, and I painted a coffee grinder which I made to explode.”

Quote from: Entretiens avec Marcel Duchamp, 1965; as cited in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 198
Duchamp's quote is referring to his painting 'Moulin a café', 1911 - many times reproduced from the lithography, made for the 1947 re-edition of Gleizes and Metzingers book 'Du Cubisme'
1951 - 1968

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