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Frases de Robertson Davies
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William Robertson Davies fue un escritor, crítico, periodista y profesor canadiense. Davies es uno de los autores más conocidos de su país. Wikipedia  

✵ 28. agosto 1913 – 2. diciembre 1995
Robertson Davies: 282   frases 0   Me gusta

Robertson Davies: Frases en inglés

“Do they show us the future as it matures in the womb of the present?”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“Saw also a toy train big enough to pull children and a few adults. Would fain have had a ride on it, but I had no child with me, and feared that I might excite remark and even rebuke if I tried to pass myself off as a nursery-school type. The train had an excellent whistle which sent me, just as Sinatra sends the bobby-sockers. Whoo! it went, mellowly and invitingly: Whoo! Whoo!”

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Robertson Davies libro The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“This evening heard Carmen on the radio, and reflected how hard it was to vamp a man while singing at the top of one's voice. That is the operatic problem; the singer must keep up a head of stream while trying to appear secretive, or seductive, or consumptive. Some ingenious composer should write an opera about a group of people who were condemned by a cruel god to scream all the time; it would be an instantaneous success, and a triumph of verisimilitude.”

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Robertson Davies libro The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“Marriage is a framework to preserve friendship. It is valuable because it gives much more room to develop than just living together. It provides a base from which a person can work at understanding himself and another person.”

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Robertson Davies

"Dr. Robertson Davies".
Conversations with Robertson Davies (1989)

“I am not even prepared to meet Professor Einstein or Bertrand Russell; why should I vaingloriously assume that God would find me interesting?”

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Robertson Davies

The Table Talk of Samuel Marchbanks (1949)

“But not to be acquainted with what is happening in literary France is to feel disgraced, and in the pecking order of literary criticism a Frenchman can humiliate an Englishman just as readily as an Englishman can humiliate an American, and an American a Canadian. One of Canada's most serious literary needs at present is some lesser nation to domineer over and shame by displays of superior taste.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“There are people nowadays who think that Irving was a ranter and a ham; quite true, he was, but in the sense that Alexander the Great was a martinet and a butcher. Ranting and hamming are very necessary accomplishments for a great actor, and he is able to invest them with a greatness which lesser actors cannot approach.”

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Robertson Davies

John Martin-Harvey (1944).

“Some people I know were telling me of a curious experience which they had recently; they put a collection of old and rejected household articles in their car and drove to a dump to dispose of them. While busy at the dump, they were accosted by a strange figure, a woman of tall and stately presence, wearing a paper crown and carrying a staff in her hand, who strode majestically through the avenues of ashes, tin cans, dishonoured wash-boilers and superannuated bathtubs, attended by a rabble of admiring children. This apparition hailed my friends in a strange, incoherent, but musical language, and her breath was richly perfumed with bay-rum, or it may have been lilac lotion; she was in fact as high as a kite and as mimsy as a borogrove. Having said her say, she strode off in queenly style, and she and her raffish crew were soon lost in the mazes of the dump… My theory is that this was Titania, the fairy queen, fallen upon evil days, but magnificent in ruin; or it may simply have been some rumdumb old bag with a sense of humour. In either case the matter is worth investigating.”

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Robertson Davies libro The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“Great drama, drama that may reach the alchemical level, must have dimension and its relevance will take care of itself. Writing about AIDS rather than the cocktail set, or possibly the fairy kingdom, will not guarantee importance.... The old comment that all periods of time are at an equal distance from eternity says much, and pondering on it will lead to alchemical theatre while relevance becomes old hat.”

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Robertson Davies

Alchemy in the Theatre (1994).

“As I plodded back and forth I reflected miserably upon my own political rootlessness, in a world where politics is so important. When I am with Tories I am a violent advocate of reform; when I am with reformers I hold forth on the value of tradition and stability. When I am with communists I become a royalist — almost a Jacobite; when I am with socialists I am an advocate of free trade, private enterprise and laissez-faire.”

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Robertson Davies libro The Diary of Samuel Marchbanks

The presence of a person who has strong political convictions always sends me flying off in a contrary direction. Inevitably, in the world of today, this will bring me before a firing squad sooner or later. Maybe the fascists will shoot me, and maybe the proletariat, but political contrariness will be the end of me; I feel it in my bones.
The Diary of Samuel Marchbanks (1947)

“Prefer the familiar word to the far-fetched. Prefer the concrete word to the abstract. Prefer the single word to the circumlocution. Prefer the short word to the long. Prefer the Saxon word to the Romance.”

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Robertson Davies

… What excellent advice it is, and how it was beaten into my generation of schoolboys... But one may tire of even the best advice, as one may tire of writing according to these precepts. Would we wish to be without the heraldic splendour and torchlight processions that are the sentences of Sir Thomas Browne? Would we wish to sacrifice the orotund, Latinate pronouncements of Samuel Johnson? Would we wish that Dickens had written in the style recommended by the brothers Fowler, who framed the rules I have quoted; what would then have happened to Seth Pecksniff, Wilkins Micawber, and Sairey Gamp, I ask you?
Writing (1990), he here quotes from The King's English (1906) by Henry Watson Fowler & Francis George Fowler

“To which god must I sacrifice in order to heal?”

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Robertson Davies

To which of the warring serpents should I turn with the problem that now faces me?
It is easy, and tempting, to choose the god of Science. Now I would not for a moment have you suppose that I am one of those idiots who scorns Science, merely because it is always twisting and turning, and sometimes shedding its skin, like the serpent that is its symbol. It is a powerful god indeed but it is what the students of ancient gods called a shape-shifter, and sometimes a trickster.
Can a Doctor Be a Humanist? (1984).

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