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Frases de Robertson Davies
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William Robertson Davies fue un escritor, crítico, periodista y profesor canadiense. Davies es uno de los autores más conocidos de su país. Wikipedia  

✵ 28. agosto 1913 – 2. diciembre 1995
Robertson Davies: 282 citas0 Me gusta

Robertson Davies: Frases en inglés

“But the temptation to wallow and disport myself in the purple prose of the doting collector is strong, and it will need all my vigilance to resist it.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“The whole world is burdened with young fogies. Old men with ossified minds are easily dealt with. But men who look young, act young, and everlastingly harp on the fact they are young, but who nevertheless think and act with a degree of caution which would be excessive in their grandfathers, are the curses of the world.”

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Robertson Davies

The Table Talk of Samuel Marchbanks (1949)

“Why doesn't he throw himself on the ground, saying "You are my Soul, my Better Self, be mine or I stab myself with this pair of protractors"; then she could reply, "Nay, press me not, I am Another's". In that way they could really have some romantic fun and store up things to tell their grandchildren. No style, no breadth, that's the trouble with the modern High School set.”

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Robertson Davies libro The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“Quaint though this attitude seems now, it was unquestionably the prevalent one in the nineteenth century, and it would be over-bold to say that it will never return to favour, for the range of human folly is infinite.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“An important aspect of Nonconformity was its cult of the Bible as the fount of all wisdom. But the Bible takes much of its colour from whoever is reading it, and it provides a text to support almost every shade of opinion, however preposterous.”

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Robertson Davies

Melodrama: The Silver King (1993).

“They [say] everybody's creative. Well, everybody is. But any real creativity has to rest on a basis of an acquired technique and an acquired knowledge; you can't be creative in a void, or you just get a mess.”

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Robertson Davies

"The Grand Old Man of Can Lit"
Conversations with Robertson Davies (1989)

“What used to be called a Canadian novel was a kind of prairie frontier story, but it was phony. In the plot, people came to the land; the land loved them; they worked and struggled and had lots of children. There was a Frenchman who talked funny and a greenhorn from England who was a fancy-pants but when it came to the crunch he was all courage. Those novels would make you retch.”

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Robertson Davies

On the generic Canadian novel, in the New York Times (29 December 1988).

“Many many heartfelt thanks for your letter of September 25. Though it filled me with shame and remorse, I was grateful for the Christian impulse which moved you to stretch out a hand to me in my wretchedness. You say "We become that with which we busy our mind." Too true! Alas, too true! I recall that as a boy the school chaplain said to my class, "If you tell dirty jokes you will grow to look like a dirty joke!" This is been my hapless destiny…. Would you do me a favour? Will you send me a photograph of yourself, so that I may behold a countenance suffused with Christian love, and perhaps even repent?”

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Robertson Davies

To a woman in Manitoba, who sent a letter reproaching Davies for writing "barnyard pornography" in The Rebel Angels (1981), quoted in For Your Eye Alone : Letters 1976-1995 (1999).

“When John Ryder, for instance, writes "I utter valediction to the author of my being," he means simply that he said goodbye to his mother.”

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Robertson Davies

How to Be a Collector (1995).

“After all, we are human beings, and not creatures of infinite possibilities.”

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Robertson Davies

"Conversations with Gordon Roper".
Conversations with Robertson Davies (1989)

“The novels and poems which proceed from writers in the grip of this barren pessimism are of the kind which make narrow moralists fume, and use words like "decadence"; the writers rejoice, because making narrow moralists (who are usually frightened people) hop with rage is a sign that they have hit a mark, and they do not understand how poor and easy a mark it is.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“We are Brigand Philosophers
Our hearts are high and cheery,
For we know our robbery rests upon
A sound economic theory!”

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Robertson Davies

The Golden Ass (1999)

“What might we profitably do on Halloween? Look backward, and consider those who went before us. The road ahead is inevitably dark, but to see where we have been may offer unexpected hints about who we are, and where we should be heading. Triviality about the past leads certainly toward a trivial future.”

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Robertson Davies

"Haunted by Halloween", in the New York Times (31 October 1990).

“I don't suppose there is a country in the world where a playwright has such a tremendous field for modesty as Canada.”

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Robertson Davies

Shakespeare over the Port (1960)

“This strengthens a belief which I have long cherished, that in a few centuries women will be the larger, stronger sex, admired for their biceps and superfluous hair, and that men will be their toys and domestic comforters, exciting tenderness in the female breast by their small feet, pretty soft hands, and general helplessness. I do not think I have a heart, for I have never been able to locate my pulse, or any other symptom of a circulatory system, but I am willing to share any of the benefits of male delicacy.”

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Robertson Davies

Samuel Marchbanks' Almanack (1967)

“It was from him I learned that the stage is too coarse a medium for the works of the supreme poet; Shakespeare's depths can only be plumbed in the solitude of the study. So I used to shut myself up and plumb away for hours, and I acquired such aptitude that for a time there was a belief that I might pipe Shakespeare into young minds of the rest of my days, as a full-fledged academic plumber.”

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Robertson Davies

Shakespeare over the Port (1960)

“The greatest gift that Oxford gives her sons is, I truly believe, a genial irreverence toward learning, and from that irreverence love may spring.”

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Robertson Davies

Shakespeare over the Port (1960)

“I was never so amazed in my life as when the Sniffer drew his concealed weapon from its case and struck me to the ground, stone dead.”

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Robertson Davies libro Murther and Walking Spirits

First line.
Murther and Walking Spirits (1991)

“Not all readers are prepared, at all times, to make independent judgments. But the failure of modern education to equip them to do so even when they have the inclination creates a serious gap in modern culture.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“As I plodded back and forth I reflected miserably upon my own political rootlessness, in a world where politics is so important. When I am with Tories I am a violent advocate of reform; when I am with reformers I hold forth on the value of tradition and stability. When I am with communists I become a royalist — almost a Jacobite; when I am with socialists I am an advocate of free trade, private enterprise and laissez-faire. The presence of a person who has strong political convictions always sends me flying off in a contrary direction. Inevitably, in the world of today, this will bring me before a firing squad sooner or later. Maybe the fascists will shoot me, and maybe the proletariat, but political contrariness will be the end of me; I feel it in my bones.”

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Robertson Davies libro The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

“Sometimes for us in Canada it seems as though the United States and the United Kingdom were cup and saucer, and Canada the spoon, for we are in and out of both with the greatest freedom, and we are given most recognition when we are most a nuisance.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“In an age where public health has never been better provided for, and medical men enjoy a respect formerly reserved for the aristocracy and the clergy, millions of people are unwell, or merely feel unwell, or are in dread lest at some future time they may become unwell.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“The search for the sense of humour is as fruitless and as enduring as the hunt for the unicorn; the really wise man knows that the unicorn, being no reality but a life-enhancing myth, must never be hunted, and may only be glimpsed by the well-disposed and the lucky; it cannot be captured, and it is encountered only by indirection.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“We live in a world where bulk is equated with quality.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“I once had a dispute with a group of Swedish professors at the University of Uppsala as to which country, Sweden or Canada, was the dullest in the world. It was a draw; they claimed superiority because of their long history, and I claimed it because of Canada's immense land mass, which gives us space for tremendous expansion, even of such things as dullness.”

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Robertson Davies

Opera and Humour (1991)

“The best among our writers are doing their accustomed work of mirroring what is deep in the spirit of our time; if chaos appears in those mirrors, we must have faith that in the future, as always in the past, that chaos will slowly reveal itself as a new aspect of order.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“The world is full of people whose notion of a satisfactory future is, in fact, a return to an idealised past.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“Bookes give no wisdom where none was before,
But where some is, there reading makes it more.”

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Robertson Davies libro A Voice from the Attic

Sir John Harrington, quoted by Robertson Davies.
A Voice from the Attic (1960)

“The modern writer is too often a Theseus so enamored of the grotesque appearance and strange cavortings of the Minotaur that he has decided to make his permanent abode in the Labyrinth, and to accept the Minotaur's laws as his own.”

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Robertson Davies libro A Voice from the Attic

A Voice from the Attic (1960)

“His face was tense with pain. But then, who notices when they meet a theatre critic whose face is tense with pain? It is one of the marks of the profession.”

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Robertson Davies libro Murther and Walking Spirits

Part 1, section 2.
Murther and Walking Spirits (1991)

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