Frases de Ingmar Bergman (86 citas, página 3)

Ingmar Bergman: 86 frases 13 Me gusta

Frases célebres de Ingmar Bergman

“¿Crees que no lo entiendo? El sueño imposible de ser. No de parecer, sino de ser. Consciente en cada momento. Vigilante. Al mismo tiempo, el abismo entre lo que eres para los otros y para ti misma, el sentimiento de vértigo y el deseo constante de, al menos, estar expuesta, de ser analizada, diseccionada, quizás incluso aniquilada. Cada palabra una mentira, cada gesto una falsedad, cada sonrisa una mueca. ¿Suicidarse? ¡Oh, no! ¡Eso es horrible! Tú no harías eso. Pero puedes quedarte inmóvil y en silencio. Por lo menos así no mientes. Puedes encerrarte en ti misma, aislarte. Así no tendrás que desempeñar roles, ni poner caras ni falsos gestos. Piensas. Pero, ¿ves? La realidad es atravesada, tu escondite no es hermético. La vida se cuela por todas partes. Estás obligada a reaccionar. Nadie pregunta si es real o irreal, si tú eres verdadera o falsa. La pregunta sólo importa en el teatro. Y casi ni siquiera allí. Te entiendo, Elisabeth. Entiendo que estés en silencio, que estés inmóvil, que hayas situado esta falta de voluntad en un sistema fantástico. Te entiendo y te admiro. Creo que deberías mantener este papel hasta que se agote, hasta que deje de ser interesante. Entonces podrás dejarlo. Igual que poco a poco fuiste dejando los demás papeles.”

Ingmar Bergman

“Envejecer es como escalar una gran montaña: mientras se sube las fuerzas disminuyen, pero la mirada es más libre, la vista más amplia y serena.”

Ingmar Bergman

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“Sólo alguien que está bien preparado tiene la oportunidad de improvisar.”

Ingmar Bergman

“El arte tiene que ser útil, porque lo más importante que hay en la vida es el hecho de que estamos aquí con otros.”

Ingmar Bergman

Fuente: Gómez Sánchez, Santiago Andrés. El cine en busca de sentido, pp. 61-62, 69. Universidad de Antioquia, 2010. ISBN 9587143744, 9789587143744. https://books.google.es/books?hl=es&id=kDylJczQcPQC&q=sol%C3%ADcito#v=snippet&q=sol%C3%ADcito&f=false En Google Books. Consultado el 3 de enero de 2020.

“Son palabras hermosas, ¿Verdad? Palabras que no significan nada real.”

Ingmar Bergman

Fuente: "Sonata de Otoño", 1979

“El miedo nos hace buscar una imagen salvadora y esa imagen es Dios.”

Ingmar Bergman

Fuente: "El Septimo Sello", 1957

Ingmar Bergman Frases y Citas

“No hay tiempo para discutir la soledad.”

Ingmar Bergman

Soledad

“Sólo la música me dio la oportunidad de revelar mis emociones.”

Ingmar Bergman

Fuente: "Sonata de Otoño", 1979

De música , Oportunidad

“Probablemente el mayor artista de cine, en definitiva, desde la invención de la cámara de cine.”

Ingmar Bergman

“Siempre he mantenido un canal abierto con mi infancia. A veces, en la noche, en el límite entre el sueño y la vigilia, alcanzo a abrir una puerta a mi infancia y todo permanece ahí: las luces, los olores, los sonidos y la gente... Recuerdo la calle silenciosa donde vivía mi abuelo, la repentina violencia del mundo adulto, el terror a lo desconocido y el miedo por la tensión vivida entre mi madre y mi padre.”

Ingmar Bergman

Fuente: Martínez, Luís. «Bergman después de Bergman.» https://www.elmundo.es/cultura/2014/07/11/53bebd8022601da6668b458d.html El Mundo. Consultado el 2 de enero de 2020.

De gente , De mundo , De miedo , Infancia

“Mi trabajo es autobiográfico, y lo es de la misma manera que un sueño transforma la experiencia y las emociones constantemente.”

Ingmar Bergman

Fuente: Martínez, Luís. «Bergman después de Bergman.» https://www.elmundo.es/cultura/2014/07/11/53bebd8022601da6668b458d.html El Mundo. Consultado el 2 de enero de 2020.

De sueños

Ingmar Bergman: Frases en inglés

“No one is safe from religious ideas and confessional phenomena. Neither you nor I. We can fall victim to them when we least expect it. It's like Mao flu, or being struck by lightning. You're utterly helpless. Exposed. As I see it today, any relapse is utterly out of the question. But I can't say it's out of the question tomorrow.”

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Ingmar Bergman

Jonas Sima interview
Bergman on Bergman (1970)

“When I was young, I was extremely scared of dying, but now I think it a very, very wise arrangement. It’s like a light that is extinguished. Not very much to make a fuss about.”

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Ingmar Bergman

As quoted in "Ingmar Bergman, Master Filmmaker, Dies at 89" by Mervyn Rothstein in The New York Times (31 July 2007) http://www.nytimes.com/2007/07/31/movies/31bergman.html?hp.

“I don't watch my own films very often. I become so jittery and ready to cry… and miserable. I think it's awful.”

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Ingmar Bergman

BBC article http://news.bbc.co.uk/2/hi/entertainment/3616037.stm (10 April 2004).

“We were supposed to collaborate once, and along with Kurosawa make one love story each for a movie produced by Dino de Laurentiis. I flew down to Rome with my script and spent a lot of time with Fellini while we waited for Kurosawa, who finally couldn't leave Japan because of his health, so the project went belly-up. Fellini was about to finish Satyricon. I spent a lot of time in the studio and saw him work. I loved him both as a director and as a person, and I still watch his movies, like La Strada and that childhood rememberance…”

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Ingmar Bergman

On Federico Fellini
Jan Aghed interview (2002)

“I liked Truffaut a lot, I've felt a lot of admiration for his way to address the audience, and his storytelling…. La nuit américaine is adorable, and another film I like to see is L'enfant sauvage, with its fine humanism.”

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Ingmar Bergman

On the works of filmmaker Francois Truffaut
Variant translation: I liked Truffaut enormously, I admired him. His way of relating with an audience, of telling a story, is both fascinating and tremendously appealing. It's not my style of storytelling, but it works wonderfully well in relation to the film medium.
Jan Aghed interview (2002)

“I've never liked Welles as an actor, because he's not really an actor. In Hollywood you have two categories, you talk about actors and personalities. Welles was an enormous personality, but when he plays Othello, everything goes down the drain, you see, that's when he's croaks. In my eyes he's an infinitely overrated filmmaker.”

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Ingmar Bergman

On Orson Welles
Jan Aghed interview (2002)

“Self-portraiture is something one should never get involved in, since it is wrong to lie even though one endeavours to tell the truth.”

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Ingmar Bergman

"Ingmar's self portrait" (1957) as quoted in "Who is he really?" http://www.ingmarbergman.se/universe.asp?guid=4F72F9D3-43BB-405D-B42B-3D091B8FAF3A

“Winter Light — suppose we discuss that now?… The film is closely connected with a particular piece of music: Stravinski's A Psalm Symphony. I heard it on the radio one morning during Easter, and it struck me I'd like to make a film about a solitary church on the plains of Uppland. Someone goes into the church, locks himself in, goes up to the altar, and says: 'God, I'm staying here until in one way or another You've proved to me You exist. This is going to be the end either of You or of me!' Originally the film was to have been about the days and nights lived through by this solitary person in the locked church, getting hungrier and hungrier, thirstier and thirstier, more and more expectant, more and more filled with his own experiences, his visions, his dreams, mixing up dream and reality, while he's involved in this strange, shadowy wrestling match with God.
We were staying out on Toro, in the Stockholm archipelago. It was the first summer I'd had the sea all around me. I wandered about on the shore and went indoors and wrote, and went out again. The drama turned into something else; into something altogether tangible, something perfectly real, elementary and self-evident.
The film is based on something I'd actually experienced. Something a clergyman up in Dalarna told me: the story of the suicide, the fisherman Persson. One day the clergyman had tried to talk to him; the next, Persson had hanged himself. For the clergyman it was a personal catastrophe.”

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Ingmar Bergman

Jonas Sima interview 
Bergman on Bergman (1970)

“I come from a world of conservative Christian thought. I've absorbed Christianity with my mother's milk. So it must be obvious that certain… archetypes, aren't they called? — stick in one's mind, and that certain lines, certain courses of events, certain ways of behaving, become adequate symbols for what goes on in the Christian system of ideas. … I keep myself supplied with my own angels and demons…”

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Ingmar Bergman

Torsten Manns interview.
Bergman on Bergman (1970)

“Among today's directors I'm of course impressed by Steven Spielberg and Scorsese, and Coppola, even if he seems to have ceased making films, and Steven Soderbergh — they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic is amazing. Another great couple of examples of the strength of American cinema is American Beauty and Magnolia.”

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Ingmar Bergman

Jan Aghed interview (2002)

“You find him disgusting with his thick mouth and ugly body and wet appealing eyes. You think he's disgusting and you're afraid.”

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Ingmar Bergman

"Alma" (Bibi Andersson) in Persona (1966).
Films

“I make all my decisions on intuition. I throw a spear into the darkness. That is intuition. Then I must send an army into the darkness to find the spear. That is intellect.”

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Ingmar Bergman

As quoted in "Ingmar Bergman Confides in Students" http://www.nytimes.com/1981/05/08/movies/ingmar-bergman-confides-in-students.html New York Times, May 7, 1981.

“Film has dream, film has music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul. A little twitch in our optic nerve, a shock effect: twenty-four illuminated frames in a second, darkness in between, the optic nerve incapable of registering darkness. At the editing table, when I run the trip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood: in the darkness of the wardrobe, I slowly wind one frame after another, see almost imperceptible changes, wind faster — a movement.”

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Ingmar Bergman libro Laterna Magica

Laterna Magica (1987); The Magic Lantern : An Autobiography as translated by Joan Tate (1988).
Variant translation: Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
As quoted in "Ev'ry Time We Say Goodbye" by John Berger, Sight and Sound (June 1991).

“Say anything you want against The Seventh Seal.”

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Ingmar Bergman

My fear of death — this infantile fixation of mine — was, at that moment, overwhelming. I felt myself in contact with death day and night, and my fear was tremendous. When I finished the picture, my fear went away. I have the feeling simply of having painted a canvas in an enormous hurry — with enormous pretension but without any arrogance. I said, 'Here is a painting; take it, please.'
Interview with Charles Thomas Samuels (1971).

“I come from a world of conservative Christian thought. I've absorbed Christianity with my mother's milk. So it must be obvious that certain… archetypes, aren't they called?”

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Ingmar Bergman

stick in one's mind, and that certain lines, certain courses of events, certain ways of behaving, become adequate symbols for what goes on in the Christian system of ideas. … I keep myself supplied with my own angels and demons...
Torsten Manns interview.
Bergman on Bergman (1970)