Frases de Margaret Atwood

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“Tal vez la vida que yo creo vivir es una ilusión paranoica.”

“Nadie muere por falta de sexo. Es por falta de amor por lo que morimos”

“Los hombres temen que las mujeres se rían de ellos. Las mujeres temen que los hombres las maten.”

“Una palabra tras palabra tras palabra es poder.”

“Ignorar no es lo mismo que ignorancia, tienes que trabajar en ello.”

“Vivíamos, como era normal, haciendo caso omiso de todo. Hacer caso omiso no es lo mismo que ignorar, hay que trabajar para ello.”

“Mejor nunca significa mejor para todos, comenta. Para algunos siempre es peor. Me”

“todos tenemos guardadas distintas versiones de nuestras vidas, aunque nos las contemos solo a nosotros mismos, en silencio. Y las corregimos a medida que avanzamos. En”

“En un día como éste, podemos hacer lo que queremos.

Rectifico: dentro de ciertos límites”

“El invierno no es tan peligroso. Necesito la insensibilidad, el frío, la rigidez; no esta pesadez, como si yo fuera un melón sobre un tallo, esta madurez líquida.”

“Una rata que está dentro de un laberinto es libre de ir a cualquier sitio, siempre que permanezca dentro del laberinto.”

“Me gustaría ser el aire que te habita por un momento. Me gustaría pasar desapercibido y ser tan necesario.”

“Pero, ¿Quién puede recordar el dolor, una vez que termina? Todo lo que queda de él es una sombra, ni siquiera en la mente, en la carne. El dolor te marca, pero demasiado profundo para verlo. Fuera de la vista, fuera de la mente.”

“En la primavera, al final del día, debe oler a tierra.”

“¿Quién puede resistirse a la tentación de ser considerado indispensable?”

“Después de tanto tiempo juntos, ambos tenemos la cabeza atiborrada de esas advertencias menores, esas pistas útiles sobre la otra persona: lo que le gusta y lo que le disgusta, sus preferencias y sus tabúes. No te pongas detrás de mí cuando estoy leyendo. No uses mis cuchillos de cocina. No desordenes. Cada cual cree que el otro debería respetar esa serie frecuentemente repetida de instrucciones de uso, pero el caso es que se anulan las unas a las otras: si Tig debe respetar mi necesidad de remolonear sin pensar en nada, libre de malas noticias, antes de la primera taza de café ¿no debería yo respetar su necesidad de escupir catástrofes para librarse cuanto antes de ellas?
-Oh, lo siento- dice, y me dirige una mirada de reproche.
¿Por qué tengo que decepcionarlo de ese modo? ¿No sé acaso que si no puede contarme las malas noticias de inmediato, alguna glándula biliar o alguna úlcera de las malas noticias estallará en su interior y le producirá una peritonitis del alma? Entonces quien lo sentirá seré yo.
Tiene razón, debería sentirlo. No me queda nadie más cuyo pensamiento pueda leer.”

“Siempre es una imprudencia interponerse entre un hombre y el reflejo de su propia inteligencia”

“Me gustaría que algo fuera verdadero. No todo, eso es imposible, pero sí al menos una o dos cosas. Vaya, que el doctor Johnson refutó la teoría de la irrealidad de la materia arreándole una patada a una piedra, pero yo no puedo ir por ahí pateando a mis compañeros de piso, o a los profesores. Además, ¿y si mi pie tampoco es real?. Me parecía que a lo mejor tu lo serías. Bueno, si nos acostábamos. Pero ahora mismo eres totalmente irreal, sólo puedo pensar en todas esas capas de ropa que llevas, abrigos y suéters y esas cosas. A veces me pregunto si habrá más capas debajo, a lo mejor eres toda de lana. Y sería bonito, bueno, digo que sería bonito que no lo fueras.”

“Una proporción de fallos está integrado en el proceso de escritura. La papelera ha evolucionado por una razón”

“Podríamos convocar a Eurídice desde el mundo de los muertos, pero no podríamos lograr que respondiera; y cuando nos giramos para mirarla, la divisamos sólo un momento, antes de que se nos deslice de las manos y se desvanezca. Como todos los historiadores sabemos, el pasado es una gran tiniebla llena de resonancias. Desde ellas pueden llegarnos algunas voces; pero lo que nos dicen está imbuido de la oscuridad de la matriz de la cual salen. Y por mucho que lo intentemos, no siempre podemos descifrarlas e iluminarlas con la luz prístina de nuestro propio tiempo.”

“Me estiro, pues, dentro de la habitación, bajo el ojo de escayola del techo, detrás de las cortinas blancas, entre las sábanas, y me deslizo dentro de mi propio tiempo, abandonando el ritmo que nos marcan. Aunque esto también forma parte del ritmo, y yo no estoy fuera de él.”

“Finge, me grito mentalmente. Debes recordar cómo hacerlo. Acaba con esto de una vez o te pasarás aquí toda la noche. Muévete. Respira pesadamente. Es lo menos que puedes hacer.”

“Incluso puedes hacer un Cielo para ellos. Para eso Te necesitamos. El infierno podemos hacerlo nosotros mismos.”

“No sabía que sería la última vez que nos veríamos; de lo contrario la habría recordado mejor. Ni siquiera recuerdo lo que dijimos.”

“Vosotros los jóvenes no sabéis apreciar las cosas, proseguía. No sabéis lo que hemos tenido que pasar para lograr que estéis donde estáis. Míralo, es él quien pela las zanahorias. ¿Sabéis cuántas vidas de mujeres, cuántos cuerpos de mujeres han tenido que arrollar los tanques para llegar a esta situación?
La cocina es mi pasatiempo predilecto, decía Luke. Disfruto cocinando.
Un pasatiempo muy original, replicaba mi madre. No tienes por qué darme explicaciones. En otros tiempos no te habrían permitido tener semejante pasatiempo, te habrían llamado marica.
Vamos, madre, le decía yo. No discutamos por tonterías.
Tonterías, repetía amargamente. Las llamas tonterías. Veo que no entiendes. No entiendes nada de lo que estoy diciendo.”

“Jamás creerían que esto es solo una mujer natural, un estado de la naturaleza, eso se lo parece un cuerpo moreno en la playa, con pelo ondeando como pañuelos al viento; no esto, cara con barro seco y manchada, piel sucia y costrosa, pelo como una alfombrilla deshilachada llena de hojas y ramas.”

“No dejes que los bastardos te aplasten.”
Nolite te bastardes carborundorum.

“Trump consiguió que la gente tuviera más miedo a Hillary que a él. Y lo consiguió con el simple método de no decir nunca qué iba a hacer, más allá de cinco conceptos muy básicos y de aplicación imposible.”

“Es verdad, escribo un poco a salto de mata.”

“No es que no me guste este género. Lo que no me gusta es que a las manzanas les llamen calabazas. Todas estas historias o han ocurrido ya o pueden ocurrir. No son como La guerra de las galaxias, que cuenta algo que no puede suceder, que es imposible. Además, yo no soy buena para la fantasía pura, no se me da bien.”

“Bueno, en realidad era una broma. Estaba ya un poco cansada de que me preguntaran lo mismo. Uno no sabe bien nunca por qué se ha hecho escritor. Yo sólo tengo claro que una de las razones es porque fui desde muy pequeña una lectora voraz. Y lo sigo siendo. Lo leo todo: las revistas de los aviones, las cajas de cereales, las pintadas de las calles…”

“Roughing it builds a boy's character, but only certain kinds of roughing it.”

“What Elizabethan playwrights learned from the Greek classics was not theories of insanity, but dramatic practice — that is, madness is a dandy theatrical element. It focuses the audience's attention and increases suspense, since you never know what a mad person may get up to next; and Shakespeare himself makes use of it in many forms. In King Lear, there's a scene in which one man pretending to be mad, another who has really gone mad, and a third who has probably always been a little addled, are brought together for purposes of comparison, irony, pathos, and tour de force acting. In Hamlet, there are two variations — Hamlet himself, who assumes madness, and Ophelia, who really does go winsomely bonkers. In MacBeth, it's Lady MacBeth who snaps.”

“It must be said at the outset that the field of mental illness has always been debatable ground. Who is sane, who isn't, and who is qualified to judge? Standards have fluctuated wildly, and abuses have been numerous. In the last century, in the United States, a wife could be committed to an asylum on the say-so of her husband and two easily-paid-off doctors alone, and there are cases on record of wives who were "put away" for holding theological opinions that differed from those of the husband, or for refusing to have as much sex as he would like.”

“Like all twenty-one-year-old poets, I thought I would be dead by thirty, and Sylvia Plath had not set a helpful example. For a while there, you were made to feel that, if a poet and female, you could not really be serious about it unless you'd made a least one suicide attempt. So I felt I was running out of time.”

“I am yours. If you feed me garbage,
I will sing a song of garbage.
This is a hymn.”

“When women let their hair down, it means either sexiness or craziness or death, the three by Victorian times having become virtually synonymous.”

“Blessed are they that mourn, for they shall be comforted.
Nobody said when.”

“The fact is there are no stories I can tell my friends that will make them feel better. History cannot be erased, although we can soothe ourselves by speculating about it.”

“I will pass over my flirtation with journalism as a way of making a living, an idea I dropped when I discovered that in the fifties — unlike now — female journalists always ended up writing the obituaries and the ladies' page. But how was I to make a living? There was not a roaring market in poetry, there, then. I thought of running away and being a waitress, which I later tried, but got very tired and thin; there's nothing like clearing away other people's mushed-up dinners to make you lose your appetite”

“A divorce is like an amputation; you survive, but there’s less of you.”

“We tend to think of Freud as a great innovator, but the truth is that he himself rested, like a ship on an iceberg, on a huge body of theory and knowledge which had accumulated before his time. Even the famous Unconscious had made its appearance at least seven decades earlier. As for such supposedly modern phenomena as multiple personalities, the vogue for them began in the first half of the nineteenth century; and the first case in which the perpetrator of a murder pleaded amnesia, and got off, was in the eighteen eighties.”

“However, there are all sorts of behaviours in the Bible that might be called mad now, but aren't designated as insanity by the text itself. People see visions — of angels going up and down ladders, of fiery chariots — and, like Moses, who hears a bush talking, and Balaam the prophet who has a conversation with his donkey, they hear voices of those who cannot be said to be present in any usual sense of the word. They also speak in tongues, as the disciples do at Pentecost. Like madness, the visions, the voices and the speaking in tongues are due to external and usually divine agencies. In a world so permeated with supernatural powers, there are no accidents, and in one so riddled with prophets — who went into a frenzy while prophesying — many more kinds of behaviour were accepted as normal, at least for a prophet or an inspired person, than would be the case now. John the Baptist, dressed in animal skins and wandering around in the wilderness denouncing his social superiors, was not thought of as a de-institutionalized street person who's gone off his medications, but as a saint. And this was the pattern for mediaeval views of aberrant behaviour — if you were acting crazy it was a divine punishment, or else you were possessed, by powers either divine or demonic — perhaps aided, in the latter case, by witches.”

“A movie about the past is not the same as the past.”

“He wants only the simple things: a chair,
someone to pull off his shoes, someone to watch him
while he talks, with admiration and fear, gratitude if
possible, someone in whom to plunge himself for rest
and renewal. These things can best be had by marrying
a woman who has been condemned to death by other
men for wishing to be beautiful. There is a wide
choice.”

“She has been condemned to death by hanging. A man
may escape this death by becoming the hangman, a
woman by marrying the hangman. But at the present
time there is no hangman; thus there is no escape.
There is only a death, indefinitely postponed. This is
not fantasy, it is history.”

“Time is not a line but a dimension, like the dimensions of space.”

“She must
transform his hands so they will be willing to twist
the rope around throats that have been singled out
as hers was, throats other than hers. She must marry
the hangman or no one, but that is not so bad. Who
else is there to marry?”

“Freedom, like everything else, is relative.”

“You wonder about her crime. She was condemned
to death for stealing clothes from her employer, from
the wife of her employer. She wished to make herself
more beautiful. This desire in servants was not legal.”

“I plunged in, and set up a Twitter account. My first problem was that there were already two Margaret Atwoods on Twitter, one of them with my picture. This grew; I gave commands; then all other Margaret Atwoods stopped together. I like to think they were sent to a nunnery, but in any case they disappeared. The Twitterpolice had got them. I felt a bit guilty.”

“I became a poet at the age of sixteen. I did not intend to do it. It was not my fault.”

“Adam named the living animals, MaddAddam names the dead ones.”

“For every age there is a popular idea about what madness is, what causes it, and how a mad person should look and behave; and it's usually these popular ideas, rather than those of medical professionals, that turn up in songs and stories and plays and books.”

“Confess: it’s my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don’t go out of my way to be scary.”

“An eye for an eye only leads to more blindness.”

“The policemen's faces glisten too, they're holding themselves back, they love this, it's a ceremony, they're implementing a policy.”

“In restaurants we argue
over which of us will pay for your funeral though the real question is
whether or not I will make you immortal.”

“A lot of people facing fascism didn’t become fascists. I don’t happen to believe that we are all monsters.”

“That old standby of melodrama, the rich uncle shoved into the bin so the greedy relatives could get their hands on his estate, had a sound basis in fact. The Victorians cleaned up the straw and the chains of the old Bedlam-like institutions of the eighteenth century, but they didn't always clean up the practices. Patients were drugged, starved, drained of vast quantities of blood, beaten up, swung from ropes, immersed in cold water and whirled around in the air upside-down, all in the belief that it would improve their mental states. Ask yourself whether this is likely to have been true.”