Frases sobre medida
página 5
Bridge of Birds
Historia social del conocimiento. Vol II: De la Enciclopedia a la Wikipedia
Como Ganar Amigos e Influir en Las Personas
Lo que está en mi corazón
TOYOTA KATA: El método que ayudó a miles de empresas a optimizar la gestión de sus negocios
Astor Place Vintage
Mujeres visibles, madres invisibles
TOYOTA KATA: El método que ayudó a miles de empresas a optimizar la gestión de sus negocios
“El hombre vive midiendo, y no es medida de nada. Ni de sí mismo.”
Voces (1943)
“De este modo, podemos distinguir el pensamiento como la función que es en gran medida lingüística.”
“Cada uno es en pequeña medida la imagen de Dios.”
Exemplumque dei quisque est in imagine parva.
Fuente: " 'Vishwamanava Express', and story behind the name", Deccan Herald (27 de mayo de 2017) https://www.deccanherald.com/content/613839/vishwamanava-express-story-behind-name.html
Fuente: Jesús Quintero. http://elcajonliterario.blogspot.com.es/p/jesus-quintero.html El cajón literario.
“A medida de que una persona sea más insegura, es más probable que tenga más prejuicios.”
En el discurso de apertura de la Conferencia Internacional para la Integración y el Desarrollo, en San Pablo
Fuente: Revista Veja, 9 de julio de 1997. http://veja.abril.com.br/090797/p_012.html
Original: «A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist tecniques and sheer print quality. I t is or should be a significant document, a penetrating statement, wich can be descibed in a very simple term - selectivity. To define selection, one may say that it should be focussed on the kind of subject matter which hits you hard with its impact and excites your imagination to the extent that you are forced to take it. Pictures are wasted unless the motive power which impelled you to action is strong and stirring».
Fuente: Scala, Andrea A. L. About Photography. Editorial Lulu Press, Inc, 2014. ISBN 9781471627026. https://books.google.es/books?id=SpFdCAAAQBAJ&pg=PT5&dq=Photography+doesn%27t+teach+you+to+express+your+emotions;+it+teaches+you+how+to+see&hl=es&sa=X&ved=0ahUKEwiO-ZnRnLngAhUw-YUKHfplBFgQ6AEIKDAA#v=onepage&q=Photography%20doesn't%20teach%20you%20to%20express%20your%20emotions%3B%20it%20teaches%20you%20how%20to%20see&f=false
Fuente: Photographers on Photography: A Critical Anthology. Editor Nathan Lyons, página 21.
Fuente: Martin Guirado, Antonio. Entrevista a Jeff Bridges. Publicado el 6 de octubre de 2018 en La Vanguardia. https://www.lavanguardia.com/vida/20181006/452197714405/jeff-bridges-me-motiva-estar-vivo-y-el-misterio-de-la-actuacion.html Consultado el 15 de febrero de 2019.
Fuente: "Los Dioses" (1876) tal como se publicó en Los Dioses y Otras Charlas (1879).
Fuente: "Vega Oficial" http://web.archive.org/web/20140407182858/http://vegaoficial.com/sobre-mi/
Fuente: Esta frase del guitarrista Juan Francisco Ordóñez esta contenida en la primera edicion del disco Trilogia (1989) y ha sido trasladada a wikiquote desde la wikipedia en español.
Fuente: Horno Liria, Luis. De viva voz: (27 conferencias). Número 1827 de Publicación de la Institución "Fernando el Católico". Edición ilustrada. Editorial Institución "Fernando el Católico", 1997. ISBN 9788478203536. p. 316.
Enéada VI, 8 Sobre lo voluntario y la voluntad del Uno
Fuente: Ibid p. 514-515
En Balcones de la Casa Rosada, Casa Rosada, 26 de abril de 1985.
Sin fuentes
Éramos tan pogres (2015)
Fuente: Shakespeare: La invención de lo humano.
Sin fuentes
Fuente: La idea general de la revolución[Sin fuentes]
Citas por obras, Vathek with The Episodes of Vathek
Original: «It is time, therefore, that you should apply for aid to such helpful Spirits. But will you have the strength of mind, the courage to endure the approach of Beings so different from mankind? I know that their coming produces certain inevitable effects, as internal tremors, the revulsion of the blood from its ordinary course; but I also know that these terrors, these revulsions, painful as they undoubtedly are, must appear as nothing compared with the mortal pain of separation from an object loved greatly and exclusively».
Fuente: Página 327. https://books.google.es/books?id=a08j7jDP7McC&pg=PA163&dq=It+is+a+great+evil+to+look+upon+mankind+with+too+clear+vision.+You+seem+to+be+living+among+wild+beasts,+and+you+become+a+wild+beast+yourself&hl=es&sa=X&ved=0ahUKEwic7PeYhtrgAhXixoUKHW_LAlYQ6AEIKzAA#v=onepage&q=It%20is%20time%2C%20therefore%2C%20that%20you%20should%20apply%20for%20aid%20to%20such%20helpful%20Spirits.%20But%20will%20you%20have%20the%20strength%20of%20mind%2C%20the%20courage%20to%20endure%20the%20approach%20of%20Beings%20so%20different%20from%20mankind%3F&f=false
Informe al I Congreso del Partido Comunista, 22/12/1975 http://congresopcc.cip.cu/wp-content/uploads/2011/02/Informe-Central-I-Congreso-del-PCC.pdf.
Discurso inaugural de su Presidencia (20 de enero de 1981)
La situación y nuestra política después de la victoria en la Guerra de Resistencia contra el Japón. (13 de agosto de 1945), Obras Escogidas, tomo IV.
1957
Original (versión en inglés): I am most astonished by what has been written about the [painting] 'Alexander', which is so well done that I must suppose there are not many lovers of art [amatori] at Messina. I am also surprised that Your Lordship [Don Antonio Ruffo] should complain as much about the price as about the canvas, but if Your Lordship wishes to return it as he did the sketch [schizzo] of Homer, I will do another Alexander... If Your Lordship likes the Alexander as is, very well. If he does not want to keep it, six hundred florins remain outstanding. And for the Homer [painting] five hundred florins plus the expenses of canvas, it being understood that everything is at Your Lordship's expense. Having agreed to it, would he kindly send me his desired measurements. Awaiting the response to settle the matter.
Carta de Rembrandt en noviembre/diciembre de 1662 a Antonio Ruffo, de Messina (citada en Rembrandt's Eyes, de Simon Schama, Alfred A. Knopf, Borzoi Books, NEW YORK 1999, p. 593). La obra Alexander está perdida.
Fuente: [Schama], Simon; Rembrandt [Harmenszoon van Rijn] (en inglés). Rembrandt's Eyes, p. 593. Alfred A. Knopf, 1999. ISBN 0375709819, 9780375709814. https://books.google.es/books?hl=es&id=w6vqAAAAMAAJ&focus=searchwithinvolume&q=Alexander En Google Books. Consultado el 23 de octubre de 2019.
Original en inglés: «If such a measure is implemented (back doors), most of our correspondence, our business secrets, our private data would be put at risk. Because if there's a back door, not only a government official could use it, but theoretically criminals including terrorists [could too]».
Fuente: McLaughlin, Erin; Jones, Bryony. Telegram founder: Opening "back door" to encrypted apps could aid terrorists. Publicado en CNN el día 23 de febrero de 2016. https://edition.cnn.com/2016/02/23/europe/pavel-durov-telegram-encryption/ Consultado el 20 de mayo de 2019.
Fuente: The God of the Machine (1943), p. 250, énfasis en el original
«Caracteres» (en Remains 1759-obra póstuma)
Original: «A lawyer: Is a retailer of justice that uses false lights, false weights, and false measures. He measures right and wrong by his retaining fee, and, like a French duellist, engages on that side that first bespeaks him, though it be against his own brother; not because it is right, but merely upon a punctilio of profit, which is better than honour to him, because riches will buy nobility, and nobility nothing, as having no intrinsic value... He believes it no fault in himself to err in judgment, because that part of the law belongs to the judge and not to him...».
Fuente: [Morley] (1891).
Fuente: Remains, vol. 2 (1759)
En 2017, tras visitar un asentamiento de personas de descendencia africana, comparándolas con vacas.
Fuente: Entrevista a María Pazos, El Diario.es https://www.eldiario.es/economia/necesitamos-paternidad-igualitarios-funcionarios-trabajadores_0_807019869.html (24 de agosto de 2018)
Fuente: El País Semanal. “La ciencia ficción es una gran metáfora de la vida” https://elpais.com/cultura/2012/10/26/actualidad/1351249058_818270.html. Entrevista a Ursula K. Le Guin. 27/10/2012.
Página 16.
Backlash : The Undeclared War against American Women
Original: «Although the backlash is not a movement, that doesn't make it any less destructive. In fact, the lack of orchestration, the absence of a single string-puller, only makes it harder to see — and perhaps more effective. A backlash against women's rights succeeds to the degree that it appears not to be political, that it appears not to be a struggle at all. It is most powerful when it goes private, when it lodges in a woman's mind and turns her vision inward, until she imagines the pressure is all in her head, until she begins to enforce the backlash, too — on herself.»
Original: «It is really mortifying, sir, when a woman possessed of a common share of understanding considers the difference of education between the male and female sex, even in those families where education is attended to... Nay why should your sex wish for such a disparity in those whom they one day intend for companions and associates. Pardon me, sir, if I cannot help sometimes suspecting that this neglect arises in some measure from an ungenerous jealousy of rivals near the throne».
Fuente: Carta a John Thaxter, 15 de febrero de 1778.
Original: «Statesmen, my dear Sir, may plan and speculate for Liberty, but it is Religion and Morality alone, which can establish the Principles upon which Freedom can securely stand. The only foundation of a free Constitution is pure Virtue, and if this cannot be inspired into our People in a greater Measure than they have it now, They may change their Rulers and the forms of Government, but they will not obtain a lasting Liberty. They will only exchange Tyrants and Tyrannies».
Fuente: Adams, John. The Works of John Adams Vol. 9: Letters and State Papers 1799 - 1811. Editorial Jazzybee Verlag, 2015. ISBN 9783849648251.
Fuente: Carta a Zabdiel Adams, 21 de junio de 1776.
Original: «The rule systems governing transactions among agents in a defined sphere specify, to a greater or lesser extent, who participates (and who is excluded), who does what, when, where and how, and in relation to whom. ln particular, they define possible rights and obligations, including rules of command and obedience, governing specified categories of actors or roles vis a vis one another. The theory deals with the properties of social rule systems, their role in patterning social life, and the social and political processes whereby such systems are produced, maintained, and transformed as well as implemented in social action and interaction.»
Fuente: General Systems: Yearbook of the Society for the Advancement of General Systems Theory, Volumen 31. Contribuidores Society for the Advancement of General Systems Theory, Society for General Systems Research, International Society for the Systems Sciences. Editorial The Society, 1989. p. 83.
Original en inglés: «Most professional women can recount ‘horror stories’ about discrimination they have suffered during their careers. My stories include social trivia as well as grand trauma. But some less common forms of discrimination came my way when, in mid-career, I married a colleague and we joined our professional lives just as fame (though not fortune) hit him. I watched as he was manufactured into an architectural guru before my eyes and, to some extent, on the basis of our joint work and the work of our firm.»
Fuente: Arnold, Dana. Reading Architectural History. Editorial Routledge, 2003. ISBN 978-11-3453-231-5.
Le programme de stabilité et le pacte de responsabilité : la trajectoire des finances publiques de 2014 à 2017 http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2499496 Artículo publicado en Revue de Droit Fiscal, n.º 31-35 (2014).
Reformas estructurales, Los corsés de la economía francesa
General Theory of Social and Tax Expenditures and Proposals for Recasting the French System of Tax 'Loopholes' https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2841200 Artículo publicado en Revue de Droit Fiscal, n.º 36 (2016).
Política fiscal, El gasto social y fiscal
Discurso histórico y escritura literaria, Pág. 212.
“La poesía es un espejo que se hace más hermoso a medida que está más distorsionado.”
Sin fuentes
Fuente: [de Mello, Anthony, Autoliberación interior, Lumen Argentina, España, 2013, 251]
Kordić sobre lingüistas
Fuente: Libro Lengua y Nacionalismo, p. 411
Fuente: [Snježana, Kordić, 26 de marzo de 2014, Lengua y Nacionalismo, Euphonía Ediciones http://www.euphoniaediciones.com/productos/lengua-y-nacionalismo/35, El papel de los lingüistas, http://www.euphoniaediciones.com/plataforma/libros/lengua-y-nacionalismo-17-89-11-2-1, 401–416]
Sobre el desarrollo de una sensibilidad para los detalles auténticos en la fabricación de películas. (1997) Salon (17 de octubre de 1997)
Fuente: http://www.naturahoy.com/naturaleza/no-estoy-favor-de-la-belenestebanizaci-n-de-la-naturaleza
Preámbulo de su libro Flor sonocera, 1928
Fuente: http://www.botanicomedellin.org/nuestro-jardin/joaquin-antonio-uribe/1577.html
Planificación gubernamental y desarrollo
Fuente: Official Report of Proceedings of the Hong Kong Legislative Council, March 24, 1966, page 215.
“A medida que envejeces, es más difícil tener héroes, pero es algo necesario.”